64 Royalty-Free Audio Tracks for "Razor"

Wide neurofunk type sound i made in razor.

The sound when a burlap bag is cut with a razor blade.

An electric buzzer being turned on and shaving a beard.

Edirol field recording. Rubbed the razor along a wooden chest of drawers to get a dirty burn sound.

A cooking thermometer clinking around a shallow dish filled with water. I was trying to approximate the sound of a straight razor being rinsed off without having an actual straight razor in my possession. Not sure if i achieved that, but there are some interesting little sounds in there. Recorded on a cad u37 microphone into audacity. July 2018.

Glitchy bassline made ni razor and some secret stuff.

These are computer keyboard typing sounds. Me doing the typing. Recoding with a rode nt1 and using a razor blackwidow ultimate keyboard.

This is a recording made in the living room of my apartment in the province of rieti in italy, while i'm having fun flying my wave razor drone and making it do a little running and even a little somersault all over the room, only that at a certain point i had not noticed that i had moved away a little too much, in fact you hear a crash. This recording was done with an asus stereo cellphone.

I know a gentleman who started cutting his kids' hair and just never stopped cutting hair, long past his retirement as a farmer. I've never seen him take a cent for it, and he has friends; so he's never out of practice. You will hear an electric clipper used to taper hair on the back of the neck and to trim sideburns. He does not use a barber's straight-razor, but a small electric razor finishes the job.

Was messing around in logic today and came up with this little 16-bar loop. Bassline is made with ni razor synth (excellent piece of software!). I can elaborate on this beat, give you any samples or variations if you want. Just send me a pm and i'll do my best!.

This sample was created by taping a razor blade to a contact microphone and allowing the blade to scrape against the edge of a record spinning on a turntable. The reverb was added in real time, so there's not a dry signal recording. Very reminiscent of tg's "hamburger lady" in some ways. Sounds like a human voice almost.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

Sound transparency (first example on sound transparency and opacity). This sound sample is a companion to my talk and paper presented at foteo ("faire oeuvre, transparence et opacité") at université laval, visual art department, may 2008. The paper title is: "transparence sonore : acoustique physique; opacité sonore : un phénomène psychoacoustique; implications en création sonore". This nearly trivial example shows what i call "sound transparency". Since sound propagation is a linear phenomena, sound is transparent: the presence of a given sound (here a razor) does not modify the sound quality of an other sound (here a knife being rubbed). You can appreciate the sound quality, timbre, texture, dynamic of each sound even when an other one is present. The second part of the sample is the repetition of the first part, but the two sounds are presented on different channels.