198 Royalty-Free Audio Tracks for "Rec"

Bonjour Suzon (en anglais, Good Morning, Sue), composé par Léo Delibes, interprété par Ernestine Schumann-Heink (1861-1936) en 1913

Edge of le mans (france) ring road during peak hours. Rec with ortf superlux. Bord de rocade du mans en heure d'affluence. Enregistré avec un superlux ortf.

El choclo, tango by Angel Villoldo, played by himself. First lyric version. Rec. 1907. "El choclo", tango de Angel Villoldo, interpretado por él mismo. Primera version lirica. Grabación de 1907.

Random glitches and oscillations. Pick a random part of the session and play with it. Created with clavia nord modular. [internal filename] 2010 - faust 2. A se, animal electricity (nord),, rec (117). Wav.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Ambient sound from the terminal building of oslo central station. Binaural recording. Recorded with sennheiser ambeo smart headset connected to an iphone 8 running the røde rec app.

Song: "El entrerriano" (tango). Author: Rosendo Mendizábal (1868-1913). Interpreter: Francisco Canaro Orq. Rec: ODEON 4262, Buenos Aires, 1929. Tema: "El entrerriano" (tango). Autor: Rosendo Mendizábal (1868-1913). Interprete: Francisco Canaro Orq. Grab: ODEON 4262, Buenos Aires, 1929.

Song: "El entrerriano" (tango). Author: Rosendo Mendizábal (1868-1913). Interpreter: Quinteto Criollo Tano Genaro. Rec: Atlanta 183-65157, Buenos Aires, 1913. Tema: "El entrerriano" (tango). Autor: Rosendo Mendizábal (1868-1913). Interprete: “Quinteto Criollo Tano Genaro”. Grab: Atlanta 183-65157, Buenos Aires, 1913.

Song: "Loca" (tango).- Author: Antonio Martínez Viérgol (1872-1935) - Manuel Jovés (1886-1927).- Interpreter: Singer: Carlos Gardel; Guitars: José Ricardo y Guillermo Barbieri.- Rec: Odeon (Disco Nacional) 18241 B, Buenos Aires, 1922

Classic horning on the streets of new delhi. Rec by piotrek zyla on zoomh2n and afterwards converted by binaural plugin by matthiaskronlachner. Com. Full 4 channel version will be available as separate file.

Song: "Papas calientes" (tango).- Author: Eduardo Arolas (1892-1924).- Interpreter: Orq. Edgardo Donato.- Rec: RCA, 29-nov-1937, Buenos Aires Tema: "Papas calientes" (tango).- Autor: Eduardo Arolas (1892-1924).- Interprete: Orq. Edgardo Donato.- Grab: RCA, 29-nov-1937, Buenos Aires

Song: "El entrerriano" (tango). Author: Rosendo Mendizábal (1868-1913). Interpreter: Roberto Biagi Orq. Rec: RCA 307568, Buenos Aires, 10-jan-1941. Tema: "El entrerriano" (tango). Autor: Rosendo Mendizábal (1868-1913). Interprete: Roberto Biagi Orq. Grab: RCA 307568, Buenos Aires, 10-jan-1941.

Song: "Reíte mujercita" (tango).- Author: Juan Rodríguez (1895-1928).- Interpreter: Orq Juan D'Arienzo; Singer: Carlos Dante.- Rec: RCA, 782, Buenos Aires, 1928 Tema: "Reíte mujercita" (tango).- Autor: Juan Rodríguez (1895-1928).- Interprete: Orq Juan D'Arienzo; Cantante: Carlos Dante.- Grab: RCA, 782, Buenos Aires, 1928

Traffic recorded from a balcony of an apartment building near a busy avenue in ottawa, canada. Recording setup:. - device: zoom handy recorder h1 with xy-capsule- low cut: yes (80hz)- auto level: off (set to 50)- rec format: stereo 16-bit/44. 1 khz wav.

Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913

I recorded these birds singing in a forest near sablonceaux in france. I used a zoom h1 recorder. I have no idea wich birds are in the recording, but as soon as i find out, i will update the description.

While doing sit-ups in my bedroom - i've discovered that the friction of my back with the floor makes hilarious "fart-like" sounds. I grabbed my zoom h4n recorder - and recorded some. Good fart sounds are sometimes not so easy to find :). (this is file 2 of 2. Each was recorded in a different rec. Level. . . ).

Old yamaha drum kit recorded through a qfx shoebox taperecorder's built in mic. Then i played the tape and recorded a voicenote on a samsung galaxy note s1. I like the grain and texture so hopefuly helps for your lo-fi intended tracks.

Song: "Loca" (tango).- Author: Antonio Martínez Viérgol (1872-1935) - Manuel Jovés (1886-1927).- Interpreter: Orq Juan D'Arienzo.- Rec: RCA, 782, Buenos Aires, 1928 Tema: "Loca" (tango).- Autor: Antonio Martínez Viérgol (1872-1935) - Manuel Jovés (1886-1927).- Interprete: Orq Juan D'Arienzo.- Grab: RCA, 39588 A, Buenos Aires, 1942

Antonio Scotti's March 30, 1908 Victor Records recording of "Gia, mi dicon venal" from Giacomo Puccini's Tosca. Victor 88122 Antonio Scotti (1866-1936), baritone Tosca - Gia, mi dicon venal Mat. C-5084-3 Rec. March 30, 1908 Digital Transfer produced by Tim Ecker for the Internet Archive.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Charlo. Rec: RCA Victor, 17 march 1940, Buenos Aires Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Charlo. Grab: RCA Victor, 17 marzo 1940, Buenos Aires

Song: "La Morocha" (milonga-tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Libertad Lamarque.- Rec. RCA, 1938, Buenos Aires Tema: "La Morocha" (milonga-tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Libertad Lamarque.- Grab. RCA, 1938, Buenos Aires

While doing sit-ups in my bedroom - i've discovered that the friction of my back with the floor makes hilarious "fart-like" sounds, in all kinds of variations. I grabbed my zoom h4n recorder - and recorded some. Good fart sounds are sometimes not so easy to find :). (this is file 1 of 2. Each was recorded in a different rec. Level. . . ).

Putting a bottle and a glass on a table. Opening a fizzy water bottle. Unscrewing a metal cap. Noise of sparkles audible afterwards. Pouring fizzy water into the glass. Repeated closing and unscrewing the cap. Drinking from the glass. Recorded in the studio rec. Room with pencil shure ksm 141.

Short recording in the cathedral of le mans (france), where people raise their voices, children look for their parents, and i walk around. Rec with zoom h4n. Court enregistrement dans la cathédrale du mans, ou des gens poussent leurs voix, des enfants cherchent leurs parents, et je me promène. Enregistré avec un zoom h4n.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Carlos Gardel; Guitar: José Ricardo; Rec: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Carlos Gardel; Guitarra: José Ricardo; Grab: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918

Song: "Desdichas" (tango). Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interpreter: Singer: Carlos Gardel; Guitars: J. Ricardo y G. Barbieri.- Rec. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923 Tema: "Desdichas" (tango). Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interprete: Cantor: Carlos Gardel; Guitarras: J. Ricardo y G. Barbieri.- Grab. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain and removed noise for a good, clean signal). Date and location: april 2019, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

Electric machine engine, rumble, large air-conditioner. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: november 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

Cafe/cafeteria (with permission), calm & relaxed, porcelain, sound of people talking, and children in the background. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a cafeterian during lunchtime in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

River, stream, creek, sound of waves, moving water, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate & rec format: 44100 hz & wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a fast-flowing creek on an ordinary autumn day in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

Rec by eric strausser_fireworks near launchpad_tascam da-p1_neumann rsm 191. This recording was made in the parking lot of a church. On the other side of a line of trees was the launch pad for the towns fire work show. The mic is angled at the sky. Along with the big round booms and flat smacky booms you can also make out the swish as rockets swirl through the air. In between booms, whistles and fizzles you you can also hear the sound of the debris from the cardboard shells falling around me. Sometimes they were on fire, though you can't hear that quality in the audio. It's good for fireworks and is pretty easy to eq for more of a distant quality. I find it's more fun using it to sweeten weapons. The full recording is 29 minutes.

Electric machine, engine, large air conditioning unit, hum, noise, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Laboratory refrigerator, with beeping, plus the sound of a door being closed in the background, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a laboratory in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Takeoff from vienna to paris including german announcements * feel free to use it.

Example of Psychedelic Trance in 2005

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.