62 Royalty-Free Audio Tracks for "Renaissance"

I made this midi file; it is a performance of an In Nomine by John Bull, an English composer who died in 1628.

Unus ex discipulis meis by Tomás Luis de Victoria

Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

These are the sounds of real swords against various materials. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

These are the sounds of real daggers banging against each other. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

These are the sounds of real swords banging against each other. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005