167 Royalty-Free Audio Tracks for "Royal"

This was made for the audiobook "the fall of nystol and other tales" at realmsofwhitehawk. Com. The dying vystonn a regulian noble speaks his last words bleeding to death on the floor of the hall of royal and noble inquiry. The pronunciation is true classical, as opposed to the fake classical taught in universities for over a hundred years.

The University of Greenwich Choir sings In the Bleak Midwinter inside the chapel of the Old Royal Naval College in preparation for the annual carol concert. Also shows images of our snow-covered campuses.Discover more about the University of Greenwich Choir.https://www.gre.ac.uk/about-us/music/choir

A simple opening trumpet tune, made in lmms. Made it to be used for an introduction in my d&d campaign, and with a little editing it can be made to sound like it's in an arena. If you use it, please credit me and link your work back to me if you'd wish, i'd love to hear what you can do with this!.

A piano loop, it takes me to a big table, full of aristocrats and royalty. More songs and loops here:https://soundcloud. Com/kilua-boy. All my works are free to use, of course. Do whatever you feel with them, butremember that credits helps a lot!. (sometimes i tweet here: https://twitter. Com/boykilua). Thanks, kilua boy.

A piano loop, it takes me to a big table, full of aristocrats and royalty. More songs and loops here:https://soundcloud. Com/kilua-boy. All my works are free to use, of course. Do whatever you feel with them, butremember that credits helps a lot!. (sometimes i tweet here: https://twitter. Com/boykilua). Thanks, kilua boy.

A french canadian speaks his native tongue as he attempts to convey his positive view of sophie's body, mind, & soul. I love sophie 1009832742747% monaco is where she always ends up with a royal flush!.

Soldier's from the royal electrical and mechanical engineers (reme) training on hankley common in surrey, england. Recorded from fairly close to the action with a zoom h3 using the standard microphone. Spoken voices are from the instructor and a group of elderly orienteering runners who blundered into the middle of the battle. Weapons mostly 5. 56mm sa80 rifles and 7. 62 gpmg. Note the crescendo of firing as the assault goes in.

Strega almost reproducing the organ at the royal albert hall (ha ha ha!). Just a sequence from 0-ctrl fed into rings, strega and karplus-strong (mu) of mimeophon. Octave lower reproduction using morphagene. Erbe-verbe adds depth. Outs to x-pan. Rendered @48khz 32bit with markers for all you morphagene fans out there. Enjoy! play it anywhere except at my funeral. . .

The anthem was first performed in 1874, though it probably was in use earlier. Officially it is named “Ko e fasi ʻo e tuʻi ʻo e ʻOtu Tonga”, but it is more popularly known as “Fasi Fakafonua”. The anthem references King Tupou; while this was the name of the king of Tonga when the anthem was written, it is also the name of the Tongan Royal House, and therefore of every Tongan ruler since 1874.

Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.

China’s first official anthem was used in the last months of the Qing dynasty. The anthem was by Bo Tong, a high-ranking officer of the Imperial Guard and Yan Fu, commander of the Qing Navy. Guo Cengxin, Master of Ceremonies, made some minor adjustments and arranged the music. The primary purpose of the anthem was to advocate the Qing Dynasty and create a sense of well-being among the Chinese. The anthem was officially adopted on October 4, 1911, but was used for centuries beforehand in official Qing dynasty functions, going back to when Emperor Kang Xi was crowned in 1675. It’s official use as China’s royal anthem was short-lived, as the Wuchang Uprising, meant to end China’s imperial era, started six days after the anthem was officially adopted. The Republic of China was created on January 1, 1912 and the emperor abdicated on February 12. As such, the anthem did not gain much notoriety in China. “Gong Jin’ou” was made the anthem again in 1917 for 12 days when a former Qing general started a coup and reinstated the Qing Dynasty. Since this was used as a praise to the emperor, this is also a royal anthem. This song was banned in Communist China after 1949, but the ban is now lifted (probably after 1978).

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.