112 Royalty-Free Audio Tracks for "Rpm"

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

Recording 10" shellac discs released by polydor with "double-horn" logo, playing on the turntable called phonia on regular 78 rpm speed. Recorded with zoom h4 recorder with a stereo pair of microphones in an xy set. Recording is not cleaned, edited software audicity - normalization and gentle equalization.

The exhaust fan in my computer case spinning at 1000 rpm an inch from the mic. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

This is the sound of a kubota three-cylinder diesel. Between 57 seconds and 1:15 it was being driven. The low speed was 600 rpm and it only goes to 2500, a surprise to me. They made me drive it in "turtle. " i was not trusted with "bunny. ".

Underhood recording of my renault 19 with oldish carburetted cleon engine (c2j). Double barrel webber 32 drt carb ~72ps engine. Start engine, tire skid, hard acceleration up to 6000 rpm and coast down to idle, several times. Throttle blips up to 7000 rpm. Mic: sony ecm-ds30p stereorecorder: sony mz-n707 mini disc, sp mode, agc: off. Wanted to test this cheap mic and custom made windscreen - this is my first car recording, and that's why i started with this cheap microphone, don't want to learn on expensive stuff. Still, i'm amazed how the recording turned out, it's $24 mic in not very silent area, yet it captured sound rather nicely. Windscreen (cost $0) turned out to be not that good :).

Formula one race cars passing into the back straight near turn 10 at the 2012 australian grand prix in practice session 3. Field recording within large crowds with ambiance of pa announcers, crowd noises, helicopters, and screaming f-1 700hp v-8 engines upshifting & revving up to 18,000 rpm. Tascam dr-05 with built-in mikes.

This is a simulation of the sound produced by the fabyan anti-gravity device which was built, tested and debunked in 1913 at riverbank estates in geneva, illinois. The device is now in the geneva historical society museum but is too fragile to attempt to operate it. This simulation was produced to accompany an asa conference presentation "what did colonel fabyan's anti-gravity device sound like?".

Formula one race cars pack passing in turn 11 after the back straight at the 2012 australian grand prix 1st lap after a restart during the race. 1st lap recorded with 1m25sec to complete lap at average 158mph. Field recording within large crowds with ambiance of pa announcers, crowd noises, helicopters, and screaming f-1 700hp v-8 engines upshifting & revving up to 18,000 rpm. Tascam dr-05 with built-in mikes.

Great single-speed diesel engine sound, loopable for any length background you need. This one happens to be at about 1200 rpm for a four-cylinder ford tractor engine. That said, i am living dangerously today because it's a field recording and i'm not saying where it was. Not because i can't, but because i frequently use the wrong door when entering or leaving the supermarket and i usually completely ignore the painted traffic directives in the parking lot. I'm proud of that.

Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".

So one of tac0's friends came by with a civilian style contact stun gun and tac0 does what he does best, blasts it a small room for 1/10 of a second. Mp3 48,000 hz at 256 kbps. Also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.