Sample of an old freight elevator with heavy metal wing doors. Feel free to use at as you like, would be nice if you let me know!. Recording device: zoom h-4.
The piledriver recorded from more distance than the first recording, with some area traffic noise and lacking any distinct echo materials at the point of capture. (sample shortened due to windy conditions. ).
Free to use in whatever form, sample made by myself in cubase 5. Spire vsti. Minor something, can't remember sorry just found it laying around on my pc unused. Needs some eq :p.
172 bpm bass loop, suitable for drum and bassdownload full pack: https://loopcult. Com/collections/free-downloads/products/arachne-liquid-drum-bass-sample-pack.
160 bpm flute loop, suitable for jersey club. Download full pack: https://loopcult. Com/collections/free-downloads/products/brick-city-jersey-club-sample-pack.
140 bpm synth pad loop, suitable for uk drill & trap. Download full pack: https://loopcult. Com/collections/free-downloads/products/capital-grime-sample-pack.
Tenor sax phrase. Sample i played and recorded with audacity (audacityteam. Org) using my laptop computer built-in microphone. 2015 november 13th 16:00hrs, mexico city.
172 bpm drum loop, suitable for drum and bassdownload full pack: https://loopcult. Com/collections/free-downloads/products/arachne-liquid-drum-bass-sample-pack.
Recorded on public transit in downtown vancouver on a zoom h5. Originally at 24bit/48khz and down sampled to 16 bit 48khz. There is some variation in levels as i was riding the levels whilerecording.
Just a jacking house loop i made, nothing special. . . I made this using fl studio by image lineplease follow me on soundcloud - https://soundcloud. Com/jc-producer.
Group kmm-this was recorded while leaving the studio. There is some wind noise at the beginning and the end. There is also the sound of the door closing that was recorded at the end of the sample. Recorded with a zoom h4 handheld recorder, high gain.
Here was my attempt to simulate the kicks used by hip hop producer don cannon. Fully synthesized, no samples here. But, as stated in the title, i did gate the sound in order to get more attack.
An imitation of hurricane force winds i made using my compressed air can and a high end sony portable recorder. Blowing the air across the mic face sideways. Raw and unprocessed. 44. 1/24bit.
The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.
| - description - |. Synthwave style song. 125 bpm. G # minor scale. G # m, f #, e, d # m. | - made with - |. Sawer, poizone and stock samples - fl studio. | - uses - |. For projects or whatever i wanted.
Kick from my first sample session with my fresh eurorack:- envelope generator: make noise maths- oscillator: doepfer a-110-1 vco- filter: doepfer a-124 vcf5 wasp.
Binaural recording of bees on a city cemetery. Background noises of birds, people and wind. Note:please send me a message if you use my samples. Always happy to see where they land.
Stereo recording of water running. Recorded on an electret microphone. Has been processed and filtered. All elements have a ying\yang property in that they can destroy or aid life,so my samples are mediating the difference between them.
Glitchy piano sound, suitable for jersey club. Download full pack: https://loopcult. Com/collections/free-downloads/products/brick-city-jersey-club-sample-pack.
This series is about transition sfx, this is stacked sound effects made with xsynth,dex and amsynth, randomized in carla and layered with cymbal samples i recorded a long time ago.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
