96 Royalty-Free Audio Tracks for "Staff"

Exsultate, jubilate IV. Alleluja performed by the United States Army Field Band. Performed by Sergeant First Class Rachel Farber and Staff Sergeant Kelvin Ying. Video by Staff Sgt. Joshua Buxton, audio by Master Sgt. Don Dillenbeck.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

Fum, a 16th or 17th Century Catalan Christmas carol, here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. The somewhat idiosyncratic arrangement appears to be created by the Army staff.

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells

Staff canteen background scene. Clinking dishes and murmuring people.

The diabolical staff of the soulbender, whispering to it's wielder.

Ambience recording from basement staff area of a hotel. Low droning fan sound. Could be good for spaceship ambience.

Ambience recording from basement staff area of a hotel. Some squeaky fan sound. Could be good for spaceship ambience.

The sound in my staff changing room, a low fan noise and constant dripping noise. Quite interesting.

Fast food restaurant recorded near the counter. Interactions between staff and customers, hum of equipment, television in background, and the sounds of frying food.

New york city nightclub after closing at 4am, crowd walla, bouncers, kitchen staff.

Ticket validation of a barcelona bus. It's a staff card, so the sound isn't as the regular customers. But, the isolation it's good, bus wasn't running.

Ambience recording from basement staff area of a hotel outside the plant room. Low droning sound and pulsing noise. Could be good for spaceship ambience.

Stereo recording, int coffee bar, people talking, staff working. Entrance door open, sound from traffic on wet road from outside. Location: evita coffee bar, grønland, oslo, norwayequipment: olympus ls-10 digital recorder, integrated microphone.

Stereo recording, int coffee bar, people talking, staff working. Entrance door open, sound from traffic on wet road from outside. Location: evita coffee bar, grønland, oslo, norwayequipment: olympus ls-10 digital recorder, integrated microphone.

Modest sized urban diner, one mic faces window, the other the diner interior, customer and staff chatter, light urban traffic,shot in toronto, ontario, canada. Early morning, working-middle class breakfast crowd. Kitchen noises in b. G.

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

University of exeter, january 2014. Starts external, outside the atrium. Very windy, trees thrashing about, students walking past, talking and laughing. At 1:00 moves inside through revolving door. Internal of the atrium - large glass ceilinged area full of students and staff.

This is a berimbau, a brazilian gourd instrument made of a wire strung tightly on a piece of bowed staff. There is a wah kind of effect made as you move the gourd in to your belly. There is some ambiance added to the sample, but it's mostly the instrument that you hear.

This is a piece of an announcement made in japanese in the small town of kawaguchiko near mt. Fuji in japan, about a month after the earthquake and tsunami of 2011. The hotel staff told us the message said that, due to very good work of the people in rationing their power usage, there would be no power outage that night.

Coffee shop in tokyo. Lots of background noise and conversation. Staff is cleaning. Espresso drinks are being made. This recording was made with a stereo pair of mics placed at a coincidental 120 degree angle. I rolled off the low end at 28hz to remove the sound of coffee cups being set on the counter where the mics were placed.

Hi! this is my first upload. This is a recording on a bbb tuba of an a natural (below staff), a low b natural (also below), and an f natural (below again). Edited for ominous-ness with expstudio audioeditor and cyberlink waveeditor. Mostly an experiment in those suites. Sorry for low quality/wrong pitches!.

Ambient recording of a yakiniku restaurant in tokyo. I used a stereo pair of microphones mounted on the table next to the grill at 120 degree angles. There is a fair amount of noise from the grill itself, but if the volume is reduced for use as a background noise, the grill sounds becomes negligible. You can hear the background music, the waiters and kitchen staff and some diners/utensils. Near the end an order is placed in japanese.

What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.

Just discovered this recording i had from 2016, and thought i'd upload it to complement my other diner recording on here (https://freesound. Org/people/edlundart/sounds/501025/). This is 4 and a half minutes of background noise from a new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff. Crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in 2016 with an iphone — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Warmly,bard edlund, edlundart. Com.

Over 5 minutes of background noise from a well-known new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff, and in the second half of the clip, radio ads playing faintly in the background. But crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in january 2019 with an iphone x — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Update: i just uncovered a similar recording i made in 2016 at a different diner, and uploaded that here: https://freesound. Org/people/edlundart/sounds/515719/ pick whichever one you prefer, or use a combination of both!. Warmly,bard edlund, edlundart. Com.