60 Royalty-Free Audio Tracks for "Tall"

This is a field recording made with a zoom h1-n recorder. As we approached a nest in a tall douglas fir tree, a red-tailed hawk flew out, landed in a tree near us, and called out constantly. Perhaps these calls were trying to distract us from the nest, where we could see, with binoculars, two young heads in the wide nest. This is a recording of four of those calls.

I moved the zoom h1 n onto the window sill in the veranda. It picks up the rain beating on the thin plastic roof sheathing above, and on the glass windows next to the window sill. It is rainy weather - january winter rains on vancouver island. It is a hard driving rain. My recollection is that it was about twelve millimeters in one hour. It was wet, the trees grow fast & tall.

A stereo field recording of hundreds of several species of frogs at spring in raleigh, nc. Recorded at a very large concrete stormwater retention pond. The tall concrete walls made a nice effect acoustically. There are a few other faint sounds such as my dog walking around, a bit of wind and a car door as the pond was next to a parking garage. But, the frogs definitely dominate. I recorded this with an olympus ls-11.

Imagine a warm, damp-humid august evening in the midwest. It's about 8pm and you're in a mowed path which is 10 feet wide. On either side of you, are two fields of tall -- 9 feet --- corn standing like green, thick grassy sentinels. This is where i was when i recorded this hypnotic sound-scape on saturday night august 9th 2014. I made this recording with my marantz pmd661 (modified by oade brothers electronics)in stereo using twin, matched samson co2 microphones mounted on my tripod about 5 feet above the ground. My record volume was 6 1/2.

This is one of the very few canarian permanent waterfalls. It is located in los tilos forest, a biosphere reserve within las nieves natural park in la palma (canary islands, spain). It's about 25 meters tall and flows into a gorge covered by a thick laurel forest (laurisilva), a tropical ecosystem full of trees and ferns resembling jurassic park. Recorded with sony pcm-d50's stereo mic.

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:14:4 Text: På en ödsliger häll satte ödet mitt tjäll, bland klippor och bränningars svall. Nakna klippor där stå och där gror knappt ett strå, Kvar med nöd står den tvinande tall. Så jag föddes så här, mellan klippor och skär, man är redan med vindarna strid. Ty det första jag såg var den brusande våg, och dess svall har bevittnat mitt ord.

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

Autumn forest wind. Heavy, fast gusty in tall pine trees. Some birds and raindrops. Soundscapes of natural white noise of moderate intensity. Some are stagnant or static and with few birds. The presents of the colourful red and yellow dry leaves that is still on the trees, creates the noise of the wind with rustling whispers. Is a constantly form of natural white noise that is always changing and evolving. These recordings is from my third attempt. I think it is very difficult to record the “spirit” and unique sound of the wind. This is pure natural wind sounds (no layering, no post-processing, no synthesizers). Originally recorded at 24 bit sony dat tcd-d7 on a sony ecm-909 microphone. Recorded in sweden september of 2007 in a wet cold beautiful colourful forest, with all kind of trees, far away from any traffic or human sounds.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

This is a submission for sarah belle reid's collaboration prompt for her forthcoming electroacoustic opera. It comprises a dry recording of a male voice reading the following original text describing a moment from a dream:. "this is a story about dreams. It is not about a specific dream, or rather while it takes place in one dream it is about many. From time to time in my dreams i am in a city. Not a particular city, like paris or chicago, but the events of the dream happen in a setting which includes tall buildings and crowded streets and views of the sun setting behind a busy skyline. One time, while having such a dream, i was standing on an arcing bridge over a body of water like a river or canal. The late afternoon sun was to my left, and the warmth of the sunlight contrasted with the cool breeze off the water. As i looked across the curving expanse of water, i was mesmerized by the bright reflections of the sun on the water, on the glass of the windows, across this expansive space. I realized with a start that i recognized a cluster of buildings across the way. I had seen them before, in another dream. In that dream i had been a different person. Rather, in most all of my dreams i am in some way myself, but entangled in a moment from some other life, surrounded by characters and pursuing concerns that are alien to my waking being. In that moment, in this dream, i came to understand that all my dreams that happen in a city are happening in the same city, the same geography and architecture holding dozens of episodic lives i may have between sleeping and waking. ".