11 Royalty-Free Audio Tracks for "Time Reversed"

A strange metal sound that has been reversed. Could be robotic or alien.

Impulse response of a church reversed, compressed with moderate amounts time based fx.

Reversed time stretched snare clap with slight phaser and reverb.

I recorded some drums. Reversed and edited them by time compression/expansion.

A reversed vocal from a woman but it is pitched down(hq). Have fun.

An inhuman sample with a ghostly feel. The original recording is a bed-frame being it, reversed, time-stretched and filtered with a strong reverb.

A crowd noise created my a bunch of pupils talking about different things at the same time. Some parts were reversed to disguise the language (which was russian) and the actual meaning of words.

Inspired by 'thatjeffcarter' and his angel breath 4. Wav, i did my own remix of "ocean giant breathing" by 'satoration'. Time stretched, reversed, some band pass lfo, phaser, then some chorus flanger.

Track was created using audacity®. The track was a generated chirp of 1 sec. Repeated once and then reversed. The gverb filter was used with a low early reflection and high room size value. And then the echo filter with 0. 2 delay time of seconds and decay factor of 0. 5 seconds was applied.

I was wondering how to make a glitch soynd since i was downloading a lot of that. Ended up making this beat type thing. ( needs compression). I recorded my self saying "how the f%%k do i make a glitch sound!?" i reversed the f word for censorship. Then it use the mix modulation function in caustic's modular synth to modulate it with a 909 beat & a 8bit synth sound.

My fmc002 submission!. For this, i generated several sounds from audiopaint (free software) and spectrobits (free vsti), two image->sound synthesis softwares. These sounded interesting but i wasn't sure how to use them. Then i made a drum beat, synth bassline, and some other stuff, rendered the song, used paulstretch to stretch the song out 4x, put it back in the project, added even more stuff to other tracks (mostly timestretched versions of my own samples), rendered the result, brought that render back into the daw, and then reversed it. A lot of effects and automation were also used during all 3 stages of the track's creation. Further, each time i rendered, i used the same mastering chain, so eq and other stuff is being applied multiple times. This brings out some surprising timbres and overtones. Really, the final recording sounds nothing like the sounds i began with.