1,277 Royalty-Free Audio Tracks for "Tones"

*Greater 61-limit eighth tone on C. Just: 61/60 = 28.62 cents. Limit: 61-limit. MIDI pitch bend: 20,73

*Lesser 61-limit eighth tone on C. Just: 62/61 = 27.70 cents. Limit: 61-limit. MIDI pitch bend: 1,73

*Greater 59-limit seventh tone on C = ?. Just: 59/58 = 29.59 cents. Limit: 59-limit. MIDI pitch bend: 60,73

*Lesser 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Greater 47-limit fifth tone on C = ?. Just: 47/46 = 37.23 cents. Limit: 47-limit. MIDI pitch bend: 117,75

*Lesser 47-limit eleventh tone on C. Just: 95/94 = 18.32 cents. Limit: 47-limit. MIDI pitch bend: 110,69

*Tridecimal third tone on C = D-. Just: 26:25 = 67.90 cents. Limit: 13-limit. MIDI pitch bend: 93,85 on PU

*Lesser 97-limit eleventh tone on C. Just: 98/97 = 17.76 cents. Limit: 97-limit. MIDI pitch bend: 87,69

*Greater 97-limit eleventh tone on C. Just: 97/96 = 17.94 cents. Limit: 97-limit. MIDI pitch bend: 94,69

*Greater 47-limit eleventh tone on C. Just: 94/93 = 18.52 cents. Limit: 47-limit. MIDI pitch bend: 118,69

*Greater 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Lesser 59-limit seventh tone on C = ?. Just: 60/59 = 29.10 cents. Limit: 59-limit. MIDI pitch bend: 39,73

*Lesser 41-limit fifth tone on C = D♭. Just: 42:41 = 41.72 cents. Limit: 41-limit. MIDI pitch bend: 45,77

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU

*Fifth-tone/1 step in 30 equal temperament on C. Equal-tempered: 21/30:1 = 40 cents. MIDI pitch bend: 102,44 MIDI, created using Sibelius 5.

*Undecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 11-limit. MIDI pitch bend: 45,74

*Undecimal fifth tone on C = C↓#+ (Ben Johnston's notation). Just: 45/44 = 38.91 cents. Limit: 11-limit. MIDI pitch bend: 57,76

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

*Difference between 19:16 (E♭) & 6:5 (E♭) on C = C. Just: 96 : 95 = 18.13 cents. Limit: 19-limit. MIDI pitch bend: 103,69

*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

Last chord of Anger's Tintamarre (The Clangor of Bells) (1911).

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

Two examples of tone-cluster notation as first used by Henry Cowell.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Tone row from "Tot" ["Lifeless"], Drei Lieder, Op. 48.

The intro to L'Isle Joyeuse, by Claude Debussy. Created by Hyacinth (talk) 06:38, 19 January 2012 (UTC) using Sibelius 5.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Short tone sound from an ignition of a newer model truck.

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

Berg's Lulu Schoolboy tone row on C.

Berg's basic tone row from Lulu on C.