2,370 Royalty-Free Audio Tracks for "Tracks"

The package contains several 909 snare samples combined with real recorded snares, processed with eq saturation and compression. There's a dry version and one where reverb was added of every shot. The sounds were originally created for a drum n bass track.

This is a digital swoosh sound that i made for a track because i couldn't find one so i made it my self using a synth and an fx vst, it sounds like a cross between a sea wave and a jet pass.

Of Thee I Sing performed by the Concert Band of the United States Air Force Heartland of America Band. Track 6 from America's Shield (1996).

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. We all know that every important sound project needs someone chewing on a carrot, so i have taken out the hard work of finding a mic, recorder, & carrot and giving direct results to you the people!. .

Synthetic and musique-concrete for an experimental demo soundtrack. Used mimeophon, erbe-verb, dpo and qpas to create a "who pushed the button?" soundtrack. Great fun converting the sound of a pencil on paper to one part of the track. Enjoy!.

La Danza performed by the Strolling Strings of the United States Air Force Band. Track 17 from Air Force Strolling Strings 40th Anniversary (1994).

Battle Hymn of the Republic (slow) performed by the Concert Band of the United States Air Forces in Europe Band. Track 69 from To the Colors (1999).[1][2]

A lively chorus of droning insects and frogs, recorded with a pentax point-and-shoot waterproof camera in the dunes of tybee island, georgia on a wet summer evening. I think this track has a hypnotic and somewhat disorienting effect.

Full movement from 5th floor with doors to hall. Then we go out to the strret. Recorded with roland r-26 built in xy microphone. If you like you can ask me for the omni estereo track i recorded simultaneously, to build up a 5. 1 ambience.

Simple little dance track i created with reason. The water sound in the beginning i got from another user on this site. All the other sounds are from reason software.

A sound cue i designed with a euphoria synth pad from garageband on my macbook pro. Track used to underscore a powerful scene between 2 residential school survivors for the theatre production called 'nicimos: the last rez christmas story'. The play ran from nov. 24 to dec. 19, 2014.

This is the new talking traffic signal in town. When you push the button on the red light it tells you to wait. I slowed it down a bit. Recorded with my yamaha pocketrak with one track duplication. Please comment on what you will use it for. Thanks. :^).

Oh well, i felt like doing a random wobble synth again and putting it over here for free use. Tempo is 133bpm, so just go and cut 'em apart and make a track with them. No credits needed, people :).

Stone basement of an old abandoned school house while snow melt drips and runs through the cracks and roof dripping on the stone floor. Note: this is the right mono track to a stereo recording. If you want both find: derelict basement. R. Wav.

Stone basement of an old abandoned school house while snow melt drips and runs through the cracks and roof dripping on the stone floor. Note: this is the right mono track to a stereo recording. If you want both find: derelict basement. L. Wav.

I threw some pots and pans onto a concrete floor to get background sounds for a video i was working on. The track includes 7 different elements. Not intended to be used together but provided this way to offer a variety of similar but different sounds.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.

Very old track, not very fond of it personally but possibly useful still. Guitars recorded with line 6 pod x3, with a lot of reverb. Many recordings overlaid on top of each other. Simple drumloop added beneath it all.

Recorded playing the cajon then added a bunch of filters and eq to give it a grungy industrial sound. You can use it for whatever you want, just send me a link to the finished track when done so i can hear how you've used it. Thanks.

Just playing along with the 'school of rock' soundtrack where freddy does the drum solo. Nothing fancy. Recorded on my roland td-9 module and edited with sony sound forge and sony vegas with 2 track duplications. Please comment on what you might use it on. Thanks. :-).

Little piano melody i made for a track. Has echo which is bitcrushed, and some "izotope vinyl" plugin slapped ontop of it. 115 bpm and f minor harmonic. Enjoy!. Btw always curious about what you make from this, feel free to link your creations :).

What this is is what you can make of it. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Clair de Lune performed by the Wright Brass of the United States Air Force Band of Flight. Track 14 from Blue Skies (1993).

Some synth thing i made for a track i was working on. It's a layer of a few different oscillators tuned a certain way to sound harsh. . . Then ran it through a hpf to make it ggrroowwll. . !!!!! and of course a lil echo and stuff. .

Three minute stereo track of various birds singing and chirping in rural indiana. Some wind and distant traffic and city noises.

This is not layered or multi-tracked; actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Gesu Bambino performed by the Concert Band of the United States Air Force Band of Mid-America. Track 3 from A Musical Christmas (2007).

Electro bass hook progression. Use this as a basis for an electro house track. Add a kick, snare, loop, house leads, fx, whatever you want. Tempo is 128 bpm so download it and get to work!.

This is a kick sample that i compressed, equalized, and mastered myself. Although i have put a dubstep tag on this kick since i used it in a dubstep song, feel free to utilize it for whatever kind of track you're making!. Enjoy :). -dv beats.

Just played around with a granulizer and this sound came out of it. Actually i made a track before where i was looking for this exact sound. But until now, i couldn't find it. So if anyone is looking for the same sound too, here it is.

Winter from Vivaldi's Four Seasons performed by the Air Force Strings of the United States Air Force Band. Jessica Dan on Violin. Track 5 from Wintertime (1999).

Swing Low performed by Wild Blue Country of the United States Air Force Academy Band. Track 11 from Country Meets Western (2005)

Amazing Grace (solo vocalist with acoustic guitar accompaniment) performed by Southern Aire of the United States Air Force Reserve Band. Track 18 from Glorious Past, Boundless Future (2002).

4-channel record of a rolling thunder. The record is slow downed to 0,7-speed. The thunder has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. Deat the end of the track the rain moves to the front channels. (fade is starting at 1:20 min and is finished at 1:41min)my other track can be used for "intro" followed by this track. See/hear here for the intro option:https://freesound. Org/people/bluedelta/sounds/446753/. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

Zoom h1n recording from this morning's rainstorm in metro detroit. The original recording was from 5:02am to 7:26am, but due to a lot of secondary rain drops splashes hitting the recorder directly when the wind would shift i edited it down to 52 minutes after taking most of the knocks outs when i edited in movavi. Pretty steady rain for most of the track as you hear the hum from the morning commuters in their cars increase in the distant background. You'll hear some birds too throughout the track, mostly starlings i believe.

This audio clip is for the assignment audition 1 in the intro to multimedia class at cmc. Original audio clipshttp://www. Freesound. Org/people/daveincamas/sounds/27086/http://www. Freesound. Org/people/suonidibologna/sounds/149946/http://www. Freesound. Org/people/csengeri/sounds/96504/http://www. Freesound. Org/people/malexmedia/sounds/35250/http://www. Freesound. Org/people/studiorat/sounds/22349/changes were made to each clip to fit the requirements of the assignment which were:remove every other clock tick for 4 cycles, then every third, then every 4th. Remove pop around 58 seconds. Generally clean up pops in track. Remove background hiss. Remove 2 pops, increase amplitude to make louderremove the harshness of the kids s's, generally increase quality of track.

A computer-generated voice build specifically for a video game called artemis spaceship bridge simulator. I wrote the text, put it through a royalty-free text to voice generator. Then i edited it in pro tools with several fx to achieve the proper mood. I specifically use it with artemis bridge tools, which lets this track be triggered by game events. I am not affiliated with this video game in any way. Just a passionate sound designer with a gaming habit. For this track, the computer says "docking complete. ".

Retreat performed by the Ceremonial Band of the United States Air Force Band of the West. Track 22 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

A broken space heater that clicks. Recorded with a zoom h5 using the onboard xyh-5 capsule to capture a stereo signal and a sennheiser k6/me66 for a mono track. Very minor post processing to balance the stereo/mono and pull the subs out of the side channels.

Recording of a canon pro 2000 printer's "lock and load" mechanism for ink. Several takes with both complete motions and step by step. First series are recorded from about a foot away, then close up. Recorded with a simple stereo mic set. This track has reverb removed.

I found about rpm challenge the other night. . So i have finished a track. It's a generative sample created by software run under my command, on my friends hardware, than mastered by the guy, came back, sat on my hdd, and because of the challenge i have scrappily finished it.

Sounds of battle in an alien war zone. Experimental film sound track. Morphagene markers set rendered at 48khz 32 bit fp. Enjoy the peace!.

The Invincible Eagle performed by the Concert Band of the United States Air Force Heartland of America Band. Track 6 from Beyond the Horizon (1997).

John Philip Sousa's "The Free Lance" (1906) as performed by the United States Marine Band. Track 64 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Naval Reserve" (1917) as performed by the United States Marine Band. Track 77 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Volunteers" (1918) as performed by the United States Marine Band. Track 88 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On The Tramp" (1879) as performed by the United States Marine Band. Track 6 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.