2,393 Royalty-Free Audio Tracks for "Tracks"

John Philip Sousa's "Comrades of the Legion" (1920) as performed by the United States Marine Band. Track 91 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On the Campus" (1920) as performed by the United States Marine Band. Track 92 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Triumph of Time" (1885) as performed by the United States Marine Band. Track 27 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Recognition" (1880) as performed by the United States Marine Band. Track 10 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Picador" (1889) as performed by the United States Marine Band. Track 35 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

It Came Upon a Midnight Clear performed by the Singing Sergeants of the United States Air Force Band. This arrangement also includes "Away in a Manger". Track 11 from Light One Candle (2004).

John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Liberty Loan" (1917) as performed by the United States Marine Band. Track 76 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Yorktown Centennial" (1881) as performed by the United States Marine Band. Track 16 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sabre and Spurs" (1918) as performed by the United States Marine Band. Track 85 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Powhatan's Daughter" (1907) as performed by the United States Marine Band. Track 65 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Flags of Freedom" (1918) as performed by the United States Marine Band. Track 84 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Revival" (1876) as performed by the United States Marine Band. Track 3 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

Spring at noon time, a russian olive tree is swarmed by bees gathering the nectar of the tiny yellow flowers. You can hear a distant motor, magpies, and a wind chim. Recorded with an alesis palm track with the recorder placed directly in the tree, resting on a branch. Processed with soundbooth. Nothing added except gain.

A re_edit of this sound::. Https://freesound. Org/people/mattc90/sounds/203532/. Put it in the sample machine of caustic 3. Pitched it to match 133 (for this break beat track im doing). Added a type of volume lfo, then also pitch-preserved it so it wouldnt be so high pitched.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

Bach's Prelude and Fugue in G minor (BWV 558) performed by the United States Air Force Academy Band. Track 10 from American Fanfare (2009).

Christmas Oratorio, BWV 248, Part I: "Jauchzet, frohlocket, auf, preiset die Tage" performed by the Stellar Brass of the United States Air Force Academy Band. Track 13 from Fireworks for Brass and Organ (2007).

John Philip Sousa's "Solid Men to the Front" (1918) as performed by the United States Marine Band. Track 86 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Two ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 12 from Esprit de Corps (1997).

This is my four years old kid singing a long version of the abc's song. The idea of this version is to learn the sounds of every letter in the alphabet. The voice was recorded using the app "tape" by focusrite, with the an ipad's microphone without using any metronome or background track. The song was recorded in february 2014, in quito ecuador.

This was originally composed at the keyboard as an improv on multiple tracks. I sped it up to 210 bpm and ran it through the vita virtual synthesizer as "soundtrack percussion", amps off, s and r filters on and lots of delay. A virtual drum loop with a human touch. Heavy beat. War drums 3 is a faster version of this.

John Philip Sousa's "Mother Hubbard March" (1885) as performed by the United States Marine Band. Track 25 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "From Maine to Oregon" (1913) as performed by the United States Marine Band. Track 69 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

To the Colors performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 1 of Ceremonial Music (2005).

O Little Town of Bethlehem performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track from the ensembles' 2020 album The Spirit of the Season.

St. James Infirmary performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Full Circle (2011). Larry H. Lang, conducting.[1][2][3]

John Philip Sousa's "President Garfield's Inauguration" (1881) as performed by the United States Marine Band. Track 12 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

Charge performed by the Concert Band of the United States Air Force Heritage of America Band. Track 27 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "Solid Men to the Front" (1918) as performed by the United States Marine Band. Track 86 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

w:John Philip Sousa's w:The Thunderer, performed in 1896 by the w:United States Marine Corps Band, From Fife and Drum (1988, track 3). This is a Columbia Phonograph Company cylinder recording under the band directorship of Francesco Fanciulli.

Say No performed by Top Flight of the United States Air Force Band of the West. Track 28 from Facets! (1992). This reggae song asks the listener to "say no to drugs". Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Soundtrack made of three tracks from the us public domain for the in-game menu screen with clock sound. Compositions used:club royal orchestra - rosy posyorkiestra polska - kochaniepietro - you'll find old dixieland in france. Album: antique phonograph music program.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

John Philip Sousa's "Bonnie Annie Laurie" (1883) as performed by the United States Marine Band. Track 18 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the synth lead, created with the free U-He Tyrell N6 soft synth.

Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

One ruffle and flourish and "General's March" performed by the Concert Band of the United States Air Force Band. Track 11 from Esprit de Corps (1997).

John Philip Sousa's "U.S. Field Artillery" (1917) as performed by the United States Marine Band. Track 78 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Bride Elect" (1897) as performed by the United States Marine Band. Track 54 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).