789 Royalty-Free Audio Tracks for "Variation"

A simple recording of a wind on a music box, repeatable and loopable. (if sound-effect is used i would recommend adding some slight variation to the pitch, so it isn't as repetitive!).

It is a sound that, despite presenting some variations, transmits relaxation, thanks to the fact that it is not a very strong sound and is originated from nature. It did not have to be triggered, it is the natural song of a bird.

Another set of hits to a metallic tray (probably tin or aluminum), with good decay. Rhythmic variations. Mic: schoeps c-mit 5.

Female voice saying "oh no you don't" with 6 variations of emotion.

Corelli Violin Sonata Op 5 No 9, performing version by Geminiani, Tempo di Gavotta

Female voice saying "once upon a time" with 6 variations of emotion.

Mono. Dry. Classic theremin scifi sound the alien gets its first horrifying close-up! recorded dry so you can add the effects you wish.

The is a constant electronic drone generated by a program i made for the purpose of creating this tone. The tone is clipped and has random amplitude variations.

Debussy Reflets dans l'Eau varied recapitulation of the opening

Sample 1 of a few horror-type sound effects i mixed together for something i. . . Don't particularly recall at the moment. Horribly generic, i know, but hey, there's got to be a variation.

I was so impressed with 326553__shadydave__the-sonata-piano-loop (https://freesound. Org/people/shadydave/sounds/424283/) that i thought i'd do some vaiations on it.

Clean walking on snow, with basic boots, recorded with a h5. Sometimes the snow was a little wet, creating variations of crunching. 48khz/24bit.

Me hitting a table with a glass cup, made for a project and now you can use it too!.

I've recorded 2 minutes of an old creaking door making some variations. Zoom h4. Lovely creaking.

Plastic garbage bin kick reverbant stair case. Non matched mic in a crossed pair - 1 side facing the 8 flights of stair case - non dampened space. .

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

So i have an old switchblade. I recorded a few variations of opening and closing the knife. At the end, i also recorded swishing of the knife.

Piano Sonata No. 21, 1st movement, second subject

Hihats 120bpm reverb snare.

Music file created by Brian Yap from the original score, first edition of the song Advance Australia Fair as published in 1907. This song, with a variation of the words is now the Australian national Anthem.

Hit a glass vase with my finger(s), mostly ankle has some nice accoustic. -variating hits. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

This is a variation of the loop: 005 from the mitosis pack. The odd bass sound (or melody) is the result of tweaking too much with the modulation.

A short intro (longer variation). Perfect for games and films with retro or classical sci-fi style. Sound is completely free, it was made in lmms using zynaddsubfx (both open source and free).

Another wobbler in c with variating triol-rythm, whab-whab-whab-whab-whab-whab whaaab-whaaab-whaaab describes it best :d.

Mono. Wet. Same classic sound as scare c but recorded wet with slight delay and reverb.

Recorded on public transit in downtown vancouver on a zoom h5. Originally at 24bit/48khz and down sampled to 16 bit 48khz. There is some variation in levels as i was riding the levels whilerecording.

Chromaphone demo track of the soundset 'lost in the darkness'. Formed by 50 presets and two variations is available in zensound. More info here:http://www. Zensound. Es/soundsets/chromaphone-lost-in-the-darkness/.

An interpretation of the piano piece gnossienne n1 (etik satie) but changing the time. I play one chord or note and until i finish to listen the sound of this chord/note i don't play the next one. .

Cello played with the bow on the bridge and with muted strings (by the left hand) / variations in bow pressure and partials of the strings (sul ponticello) / crackling rosin / recorded at very close distance with zoom h4n build in microphones.

Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).

A slight variation on disclosure beat 130. Extra snares and busier hi hat pattern. 130 bpm, 4 bars. Programmed with caustic 3, mixed and processed with eq and compression with ardour and ready to go.

Robot security dialogue. Many lines\variations. 'free to use.

This is the 2rd of a set of electronic snippets inspired by my recent database course. This is created in garageband and intended to be another looping background audiotrack for computer games. Feel free to contact me if you need (or want) any particular variations.

This is a loop i created using a free bass synth from kvr called " bassimo" a glith effect and some filtering. There's another one to go with it that has some chorus for slight variation. Which i'm about to upload :0).

This is a recording on an old italian violin of me improvising, exploring dynamic range, free rhythms, tonal variation, and glissandi. It was recorded in my living room with a zoom h4n recorder. I added a small amount of reverberation using audacity.

Stereo-recording at home from my external hard-disk drive, turning as it is working on a large file, steady with only few variations. Slightly processed.

Ripping material: the sound of material being ripped with different variations. Recorded with a zoom h6 (rode ntg-2). Recorded in a room with good acoustic. Could be used in n fight scene where a shirt is being ripped.

A pair of scissors is used to cut a 3 inch wide strip of printer paper for clarity purposes and to provide cut variations. Recorded with tascam dr-07 mkii handheld device at 16-bit 44. 1khz.

Computer carrying bag zipper recorded zipping and unzipping once, giving a speed variation. Recorded with a tascam dr-07 mk ii handheld device at 16-bit 44. 1 khz.

Tchaikovsky's "Cross"-motive, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.

Heavy rain on a metal roof (some variation in heaviness) recorded outside. Water drops into puddles and a single roll of thunder.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 57/11076:3:4

Recording of a shaker table using three contact microphones, blended in post to give a good mix of the sounds the table was making. Variations in the tone are the result of issues with the shaker table's power supply.

5 normal bounces and 2 wobbly bounces in 1 sample!i'd love to hear if you can use it!. Recorded with a rode ntg3.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Plucking and pulling a rubber band to get some variation in the sound. Originally recorded as foley for a giant slingshot release. Recorded with a zoom h4n.

Capturing the sounds of castanuelas, played subliminal, filigrained,recorded in different ways, feel free to resample && reuse. The problem is to mike certain wood percussion instruments to sound organic, natural and identifiable. Humanized with small microtiming variations.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.

Forest drum sound similar to the old donkey kong style sounds with some atmospheric sound that carries on after using a cement mixer and some rain. If some aspects of this sound are not to your liking there's a couple variations on my page.