56 Royalty-Free Audio Tracks for "Wales"

Faux-synthesized "welcome" spoken by midnight furie demaurisha. (yes, it's her real name. ). Midnight says, "welcome". Processed to sound like a disembodied machine. First word spoken by midnight at the start of one of her guided visualzations. Recorded at shabby road studio in caerphilly, wales. Source audio is clean. This sample has been coloured with a multi-tap delay.

This is a recording of the bat colony, or roost, that is situated in the centre of bellingen new south wales australia. The roost is next to the bellingen river in on of the last remaining patches of low altitude rainforest in the region. Recorded using tascam pro dat with akg ck 98 shotgun microphone with p12-48 pre-amp, also known as akg se300b.

The first sunday of may is the international dawn chorus day! on the 3rd of may 2020, artists and field recordists in different parts of the world recorded the birdsong around the time of the local sunrise, and then the sounds were put together in a synchronous collage. The sounds you hear in the recording at the same time happened at the same time, but not necessarily in the same place: for example, you can hear owls calling in the spanish night at almost the same time as kookaburras in the australian day. Many thanks to all contributors!. Part 1: 2nd may 2020, 19:55 - 23:30 gmt. Karthic ss, dunedin, new zealand (also part of the reveil7 podcast) https://soundcloud. Com/karthicss/dawn-chorus-day-nz-full-recording. Susan gould, wallis lake, new south wales, australiahttps://soundcloud. Com/sue_gould/international-dawn-chorus-day-2020. Tim duck, currawang, new south wales, australiahttps://www. Youtube. Com/watch?v=djqfiapjeec. Not dawn choruses, but simultaneous recordings:frederic font, l'ametla de valles, barcelona, espanahttps://freesound. Org/people/frederic. Font/sounds/516565/. Karsten koehler, cambridge, united kingdomglobaldawnchorus. Blogspot. Com/.

Class 52 “western” diesel-hydraulic locomotive, d1015 “western champion”, powered by two maybach md655 units (each developing 1,350 bhp). Recorded at cardiff central railway station, south wales, uk, 27 october 2007. Background station noises are also recorded, “western champion” is heard with the maybachs idling whilst the locomotive is at rest. The change in engine pitch is when “western champion” accelerates away from the station pulling a train of eight coaches. Recorded, hand held, using built-in microphone to a pentax opti 750z digital camera.

A nearby moo. Taken from a field recording (quite literally) i made of the cows mooing in the field next to our house in pembrokeshire, wales. Recorded tuesday 14 april 2020 (while in lockdown during the coronavirus pandemic) on a zoom q2n. Note, incidentally, that "zoom" spelt backwards is "mooz". Spooky, eh?. I hope that someone out there finds these moos to be just the thing they need. I recorded them for my own music project about ufos, but figured someone else might need a moo or two too! if you use these, please let us know in the comments. It's not compulsory, but it would be fun to find out.

Created for an upcoming film, this is the audio from a nightmare a character in the film has about the terrible 1966 aberfan, wales disaster. He sees himself in a hallway at pantglas school then hears the coal tip land slide coming, then sees it crash through a distant wall and come rushing at him. I put it together from the following freesound samples:. 94114__tim-kahn__rumble126323__klankbeeld__horror-zombie-hell-atmos147239__matiasezcurra__mud-and-rocks-river-iruya-northwest-argentina168777__robinhood76__03792-children-screaming198095__cell31-sound-productions__earthquake-interior-metalrattling-2244501__hutsvoid__nervous-children249907__klankbeeld__horror-kids-01338721__rogerboyx69__inside-a-tornado379906__kevint1001__water-flood-enhanced402016__ylearkisto__ikkunoita-rikotaan-kepilla-breaking-windows-with-stick415608__rtb45__mud-volcano-field-salton-sea456806__breviceps__hot-bubbling-mud514381__zatar__earthquake3343130__inspectorj__ticking-clock-aand145801__mrbriandesign__kids-screaming-2. This was a very difficult piece of sound design to construct because of my emotions about the disaster and how the national coal board responded: 500 pounds sterling maximum to each grieving parent for each dead child, and with questions such as, "how close were you to your child?" if the answer was somehow not close enough for the panel, no money was awarded. The film scene will be handled with taste and respect, and no dead children will be depicted.