1 327 zvukových súborov bez licenčných poplatkov pre "Chords"

V of V in C, on guitar.

♭III+ chord in just intonation. Pitch bend matches intervals.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

5:6:7 = E, G, B7b = C, Eb, G7b.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very loosely.

Electric guitar, heavy gain. Hitting the d chord and letting it ring out…. And then smack it again.

45:54:64 = F#+, A+, C = C, Eb, Gb-

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

80 bpm.

Kick and synthesizer chord.

Fast piano playing.

Disco intro.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very fast.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Free use.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

4-22A (sus2 chord) tetrachord on C: [0,2,4,7] = C,D,E,G

An upright piano chord sequence repeated three times, and a clock ticks!. This recording is not a perfect loop but able to be made such. Tempo is synced to clock ticks and so is almost accurately 120 bpm. Recorded by sony xperia c5305.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Uploaded for a sample request. Me humming a c note, and adding robotic c chord, and then modulating it a bit. Three different types of c note hums and effects in this sound.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Loop-saw wave in chord-with grain shifter-modulation on voicing-filter delay-drum machine with software.

This sounds or song was created through the help of vst's chords and pad created by me with ableton. Pre master; filter and chords. Master; compressor, eq, limiter.

Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.

Major chord on C in 17 equal temperament (0,5,9).

Metal guitar riff, 85 bpm, can be looped and used for a song.

Funky house chords in gmin. Synth patch made in babylon soft synth.

Smooth piano chords for soul and rnb. Bpm: 100. Key: bbmaj.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

Sorta old school, retro, vintage vibe retro rock with maybe a dash of neil young and grunge. Just some chords and vibrato.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Sounds for sound-design.

Sounds for sound-design.

Scrumming a guitar no chords.

Sonidos somar.

Open and close nightstand drawer.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

150bpm chords with movement created using flstudio flexif you use it just let me know so i can hear it!.

Some dark chords played on the oberheim ob8 analogue synthesizer. Use however you like and send me message if you do!.

Cut up from mall muzak 1974 / track 06https://archive. Org/details/mallmusicmuzakmallof1974.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

The sound of a burp made by my cousin a time ago, slowed. It sounds like a chord with distortion. . . Recorded with a standard recorder.

Sound for closing a program. The sound was made on a microkorg s and is a fmaj7 chord. **works with open_program_a sound effect**.