2 393 zvukových súborov bez licenčných poplatkov pre "Tracks"

Original sound:http://www. Freesound. Org/people/t%20david%20pattison/sounds/208891/. What's been edited:removed ocean noiseadded reverbslowed track downmore bass.

I generate a sound f# 2 seconds. Then i created several silences in the track to the rhythms and sounds different (change the pitch of the sound). And i finally slowed down the tempo and accelerated speed. I selected it and i have made repeated 2 times.

Created via a neural network, science is great huh. Chiptune 8 bit song.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

A car parking itself, recorded outside with a r-26 directional microphones and a seinnheiser me66 shotgun. Applied denoiser to remove wind and traffic noise and tiny bit of reverb to flesh out what the denoiser removed. Stereo track.

A thick 303 loop i programmed in caustic 2. 1 for a track. Fits nice with a breakbeat. Slight ping-pong delay and a touch of phaser. If you would like this loop without ping-pong delay then please message me and i will upload as soon as.

Large metal wheel rolling on a track supporting the loading ramp of an old ferry boat. Recorded with a sony mz-rh1 mini disc and unmodified panasonic wm-61 electret condenser microphone capsules.

Played into an hp computer. Recorded with cubase. Voice samples used from freesound (120589__snaginneb__emergency_countdown), others homemade. Sampled into a roland sp-404. Played live. Slightly messed with in cubase. . . Recorded on three tracks. Location, keflavik, iceland.

A really busy, loud bar full of people talking and laughing. There's no music playing and it's hard to track any single conversation thread. Recorded in southampton, uk, mid-december 2019.

This is a broken automatic sliding door in a grocery store. It was functional but sounded like it was tired and needed some oiling or track repair. Recorded with an iphone in a grocery store after 9pm.

Some hi hat loop i made for a track i'm working on. One hat is doind some step pann pattern, another once per bar on left, another on right, and one more in the center with stereo verb.

Drum Cadence performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 21 from Ceremonial Music (1993).

National Emblem performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 5 from Ceremonial Music (1993).

Flag and Country performed by Starlifter of the United States Air Force Band of Mid-America. Track 7 from An Evening with Starlifter (1993).

Danny Boy performed by Celtic Aire of the United States Air Force Band. Track 11 from As I Roved Out (2014).

A wasp stuck in a room, trying to escape a closed window. The distance between the wasp and the microphone varies during the track. Year: 2020location: aalsmeer, the netherlandschannels: 1 (mono)microphone: unknownmic polar pattern: cardioid.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

This is a recording of the arrival and the departure of the train intercity 609 on the station of san benedetto del tronto in italyrecorded with zoom h2n.

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

*short, synthesized evolving looping ambient teaser sequence with deep reverb on distant kickdrum. Fades in and fades out. A hint of a dreamy, chilling out atmosphere. An aural echo of days of gentle hippiedom. An accidental discovery as a result of feeding ni massive through flstudio's effector vst. An x-y controller is attached to effector with asychronous ramping of the x and y gains via two control tracks. Strangely produces phantom instrument sounds, almost like guitar and organ. Created in flstudio 11 with ni massive, flstudio effector, reverb, compression and eq. The note track is made by me for no good reason - i just thought it sounded pretty. *there is, now, a longer version on my harddrive.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Ethereal orchestra used in kontakt. My original track:. Https://www. Youtube. Com/watch?v=m-a6coknzhe.

Weird sorta lo-fi type of riff which changes to an almost country type of lick, then it changes again near the end. Middle of the road distortion. Might work as a background noise track in smaller segments.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. We all know that every important sound project needs someone chewing on a carrot, so i have taken out the hard work of finding a mic, recorder, & carrot and giving direct results to you the people!. .

San diego's gaslamp district, summer, night, night clubs pounding, thick crowds, all recorded from high above, so there's a lot of dense, natural reverb. The track has various qualities, moods, and sounds as it goes along. Stereo mics.

Family performed by Systems Go of the United States Air Force Band of Flight. Track 7 from Holding the Flag (2007).[1]

The Circus Bee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 10 from A Heartland Concert (2007).

Lassus Trombone performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from American Salute (1998).

Tarantella performed by the Air Force Strings of the United States Air Force Band. Track 12 from International Mosaic (2009).[1][2][3]

American Patrol performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from An American Patrol (2007).

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

An excerpt from The Indian Queen performed by the 561st Air National Guard Band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 1 from Flag of Stars (2010).

Kling, Glöckchen, Kling! performed by the Chamber Winds of the United States Air Forces in Europe Band. Track 5 from A Holiday Sampler (2000).

Christmas Overture performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Christmas from the Heartland (1994).

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the United States Navy Band. Track 8 from Celebrations (2001).

Synthetic and musique-concrete for an experimental demo soundtrack. Used mimeophon, erbe-verb, dpo and qpas to create a "who pushed the button?" soundtrack. Great fun converting the sound of a pencil on paper to one part of the track. Enjoy!.

Little Dreamer, Big Dreams performed by the Airmen of Note of the United States Air Force Band. Track 7 from Compositions (2012).

It's a Brand New Day performed by the Airmen of Note of the United States Air Force Band. Track 4 from Compositions (2012).

Jet ambulance, recorded at skyview drags raceway, ny in 2005. Single engine jet dragster warming up to full power, with quick afterburner blasts. Some crowd noises in background. Recorded on olympus digital cam, at 96kbps compression, medium quality.

Atmospheric mysterious ambiance track for many uses. High quality - suitable for professional use.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

A sound i made in ableton live 9 with only 2 tracks to capture a haunted, horror, suspense feel.

This is a treated sample i used under this track: https://soundcloud. Com/televangeles/closing-5 (you can just about hear it if you squint at around 1:18). It comes from this sample: freesound. Org/people/kyles/sounds/454244/.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

Ambiance recording on balcony near train tracks. Residential area, distant traffic, seagulls, train passing by. Stereo xy recording using two shotgun mics on a zoom f8. 48khz/24bit.

Hands Across the Sea performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 3 from Ceremonial Music (1993)