352 royaltyfritt ljudspår för "Final"

Free to use royalty free. Created with line6 pod hd500 with ambient drone effects maxed out, fender telecaster black top, in studio one 3. Inspired by color out of space (final dissention scene). (free to use royalty free)if you use it in anything, let me know where so i can check it out. Thank you!.

Basically layered a 200hz snare body, similar to a 909, low-passed and saturated. Added in a transient sound, then a certain impact sound that you wouldn't expect, layered together with some high end white noise, compressed, then used a transient shaper for that final touch.

This second sound is a recorded sound of a bike chain, i modified it using some effects :1-normalize2-wahwah effect with-frequency = 3. 3 hz-start phase = 0-depth = 70%-resonance = 2. 5-wah frequency shift = 30%3-melt closingthe final sound gives an impression of a sound under water.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".

An experimental sound i did. It kinda sound like some space jet or something, i don't know. But yeah, it's experimental. To make the sound, first, i recorded the wind coming from my electric fan, then i edited it in adobe auditions cs6, then audacity for the final touches.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

Brownian noise sounding like a flying plane at 3×10^4 feet above the earth. . . I created that in audacity! final peak amplitude: 0. 75000 (linear) -2. 49877 db. I applied a bunch of filter curves to make this 90 second loop, normalized to 75% volume. I started with 120 seconds, then made it 90 seconds. Estimated start pitch: d2 (75. 000 hz). Because of the 1024 mb limit, i can't upload the 108-minute version (2 channels, 24-bit, 48000 hz costs 1. 74 gib). Sorry. The final sample rate is 48000 hz, 24-bit wav. I created this myself in audacity 3. 1. 3, so no need to attribute! :). Note: this sounds like it's the 2370 screen ;o).

A one-take recording of someone trying to do a dutch approximation for a suspenseful audio drama, i tried to clean it up as best i could and final form will be cleaned up/lower volume/panned out to sides. The only microphone i had access to was a sansa zipclip mp3 player. Apparently this is german!.

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Female voice saying "and this is how it ends" with 6 variations of emotion.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Utilizado um microfone condensador, com uma sacola de plástico sendo mexida com a mão em algumas velocidades como no início moderadamente, meio rápido, e no final lentamente.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Sound recorded of an automatic door closing. Typologie (p. Schaeffer):x' :impulsion complexe. Morphologie:*masse: son seul principal accompagné d'un léger spectre musical composé de deux notes aigües correspondant chacune aux deux étapes de pré-fermeture de la porte. *allure: son final très sec quand les deux notes précédentes sont assez aériennes. *dynamique:entrée en matière très douce qui débouche très rapidement sur un crescendo brutal.

An mp3 recording of an orchestra singing out the final chords of antonín dvořák's 6th symphony, movt. I. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

An mp3 recording of an orchestra quietly floating through the final chords of antonín dvořák's 6th symphony, movt. Ii. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic resolution or success musical moment. Enjoy and god bless!.

An mp3 recording of an orchestra blasting out the final chords of antonín dvořák's very exciting 6th symphony, movt. Iv. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

Someone eats an apple, turns on the radio and the news radio program begins. The original sounds used are from these lovely people:chewing: freesound. Org/people/luthien22/sounds/467625radio knob: freesound. Org/people/joao_janz/sounds/477704;and not least, the news program music: freesound. Org/people/connum/sounds/23874. I only combined them, added some hissing to simulate radio quality and ended the news music early, without the final effect, to be more subtle. Please use the licence (give attribution) to the the main sound, the last linked from connum. Thank you. _____. Port: alguém come uma maçã, liga o rádio e toca a música de abertura do programa de notícias. Eu apenas os combinei os sons dos links acima, adicionei chiado do rádio e terminei o som da música antes, sem o efeito final mais destacado, para ser mais sutil. Por favor utilize a licença (atribua ao autor) do som principal, o último link de connum citado.

Recorded using garage band and adobe audition 17th january 2013. Free to use. Please write a comment if you like it.

This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the long version of the instrumental with introduction.

A bgm made for my simple and silly games on gamediary. Netthere's moos and drums and piano in this music. Loop version available too. Cheers!.

A bgm made for my simple and silly games on gamediary. Netthere's moos and drums and piano in this music. Fianlized version available too. Cheers!.

Winter storm with thunder, rain and towards the end birdsong. Recorded in cocentaina a small town in the province of alicante, in an olive forest, in spain. Recorded using zoom h1 with his own microphones. Tormenta en invierno con truenos, lluvia y hacia el final canto de pajaros. Grabado en cocentaina un pequeño pueblo de la provincia de alicante, en un campo de olivos, en españa.

This second sound is a recorded sound of two plastic bottles, i modified it using some effects :. 1-normalize2-phaser effect with-phases = 24-original/modified = 195-frequency = 1. 0 hz-start phase = 0-depth = 100-return = -80%3-change the speed with percentage = -43. 000. The final sound gives an impression that we are hearing the hands of a clock. .

I drew this thx deep note imitation in photosounder by drawing several lines with the white spray with the harmonics modifier. I first had a look at the original thx sound and tried to reproduce what i saw. The final chorus sounds bad because it's hand-drawn, so the right notes aren't hit plus the lines aren't straight so the pitches keep moving around a bit.

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the long version of the instrumental with introduction.

To me the final effect sounded like a haunted space ship. I began with a 10 second sample of ordinary speech then lowered the pitch, stretched the wave pattern, added echo and reverb. Then i copied portions of the wave pattern to a new track and mixed the two into a mono track. Did this several times while also using noise reduction and normalization.

5 1/2 minute recording using zoom h6 recorder of a storm front that passed through cincinnati on 4/9/2020 (which included 4 smaller f0 tornadoes). Made up of 3 segments put together. First segment (0:00) is rain and hail, second segment (1:20) includes tornado warning siren going off with one very loud thunder just before it shuts down, final segment (4:40) is rain and wind.

Tenth and final clap for carers, 8pm 28st may 2020, southampton, ukpeople clapping, cheering, ringing bells, fireworks, car horns, ships foghorn in support of the nhs and uk care workers during the covid-19 lockdown. The weather was sunny and bright with a few gusts of wind. Mixpre3, two matched fel pluggy mics with deadcats. No filtering. 20-05-28_195606_mixpre3_fel_pluggy_clap_for_carers. Wav.

7:25 p. M. School yard. Kids while playing basket ball and other games. Many voices of dozens of children and sounds of the balls and the game. Hear the vehicles passing on the street. At the final section of the recording is heard the sound of an airplane flying across the sky. I used the zoom handy recorder h2 with internal microphones. I made some corrections in adobe audition 3. 0. Enjoy!.

An mp3 recording of an orchestra blasting out the final chords of antonín dvořák's 6th symphony, movt. Iii. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. A minor chord, so sounds perhaps more mixed or evil rather than joyful. Enjoy and god bless!.

A roar for a kaiju style creature. Lions, tigers, bears and a hint of whale song. Most of the sounds (a couple of bass instruments, several animal roars) come from garageband, along with some recordings of a human made on a zoom h1. All mixed together in final cut pro x with some pitch and reverb effects thrown on top for good measure. For attribution, please credit www. Laughingwiththestorm. Net.

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the short version without introduction.

Outro 9 for your youtube or otherwise end sequence music, constructed in jeskola buzz sequencer with nexus, alchemy, monopoly and fm8 vst's, with special thanks to richwise for the monorail passes by sample of pure atmosphere ty ^_^. Don't forget to rate and subscribe for more - hope you enjoy - download for crystal bang on clarity ~_^.

Opening shot sound. Made on garage band.

Made with edirol orchestral + damage.

Big storm orchestral.

The final boss of 2020. Brand new content after years of not bringing brand new content! this one is entirely done on software. Plugins used for creation:ni kontakt 5 with stigma by sampletraxx, pain piano by silence+other sounds, chillerscapes free library by resomonics, ni massive, etc. Effects: izotope mastering plugins, berzerk distortion, defacer, guitar rig 5, raum, eventide black hole, xctr, stock fl studio reverbs and eq's, etc.

A short, sad but epic sounding orchestral outro theme. Hifi, suitable for professional use.

I discovered beepbox yesterday and decided to try it out, getting the melody as i went. This was the final result. I look forward to do more. According to my husband it could also be called: music in a game where you die a lot. Credits are much appreciated!. And please feel free to share with me what you have done with it! i would love to see! you can dm me at hoshi_hanaart on twitter or email: contact@hoshi-hana. Com :). Enjoy!.

Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.

I recorded this with my yamaha pocketrak at the paramount theater in seattle on feb. 29th, 2016 with one track duplication. This is the applause for stewart copeland and the seattle rock orchestra. Copeland scored the music for the silent version of 'ben hur' and the show was great as you can hear from the final applause. You can hear my friend brian at the end asking for some coffee. :^) please comment on what you may use it for. Thanks.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.