ไฟล์เสียงปลอดค่าลิขสิทธิ์ 4,289 ไฟล์สำหรับ "Midi"

Tod und Schlaf ("Death is a Long Sleep"), four voice round by Haydn.

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Example of the submediant ("triad on VI") used as a dominant preparation.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Zapis dźwiękowy pieśni "Ach w téj studni zrzódło bije" ze zbioru "Pieśni Ludu Polskiego w Górnym Szląsku".

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

MIDI file of 'Air de Ballet' (1923) opus 15 by Australian composer Christian Helleman (1881-1954)

*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72

*24389th harmonic on C = G♭+. Just: 4/12 = 688.73 cents. Limit: 29-limit. MIDI pitch bend: 50,92 on TT

*Septimal neutral seventh on C = BLb- (Ben Johnston's notation). 64:35 = 1044.86 cents. Limit: 7-limit. MIDI pitch bend: 45,78

*Hundred-sixty-fifth harmonic on C = E↑. Just: 165:128 = 439.59 cents. Limit: 11-limit. MIDI pitch bend: 85,76

*9261st harmonic on C = E♭++. Just: 9261/8192 = 212.34 cents. Limit: 7-limit. MIDI pitch bend: 121,35 on m3

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*79507th harmonic (H43/H43/H43) on C = E♭-. Just: 79507/65536 = 334.55 cents. Limit: 43-limit. MIDI pitch bend: 7,75

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68

*1331st harmonic on C = E↑↑↑♭-. Just: 1331/1024 = 453.95 cents. Limit: 11-limit. MIDI pitch bend: 33,113 on m3

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

*Hundred-forty-third harmonic on C = E♭↑-. Just: 143/128 = 191.85 cents. Limit: 13-limit. MIDI pitch bend: 49,29

*Tridecimal neutral third on C = E (Ben Johnston's notation). 16:13 = 359.47 cents. Limit: 13-limit. MIDI pitch bend: 4,83 on m3

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Two-hundred-ninth harmonic on C = A↑♭. Just: 209:128 = 848.83 cents. Limit: 19-limit. MIDI pitch bend: 80,79

*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76