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Delta scale major triad on C

Fifth Symphony, opening, known as the "fate" motif.

Gamma scale major triad on C.

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

Seventh augmented fifth chord on C.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

Invention No. 9, BWV 780, by Johann Sebastian Bach

Invention No. 12, BWV 783, by Johann Sebastian Bach

*Millioctave on C. Equal-tempered: 21/1000:1 = 1.0006934 cents.

Invention No. 15, BWV 786, by Johann Sebastian Bach

*Harmos on C. Equal-tempered: 21/1,728:1 = 0.694444 cents.

Invention No. 6, BWV 777, by Johann Sebastian Bach

Invention No. 7, BWV 778, by Johann Sebastian Bach

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

Invention No. 10, BWV 781, by Johann Sebastian Bach

Invention No. 14, BWV 785, by Johann Sebastian Bach

Invention No. 8, BWV 779, by Johann Sebastian Bach

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

45:54:64 = F#+, A+, C = C, Eb, Gb-

1=Invention No. 11, BWV 782, by Johann Sebastian Bach

5:6:7 = E, G, B7b = C, Eb, G7b.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

*Woolhouse unit on C. Equal-tempered: 21/730:1 = 1.643836 cents.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

Es ist ein Ros entsprungen im Satz von Michael Prätorius

Eight bar blues progression boogie woogie bassline on middle C.

*Schismatic temperament perfect fourth on C. 10/11/8 = 498.29 cents.

Details of the voice leading in m. 3-7 of BWV 941: original

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Dominant seventh raised ninth vs dominant seventh split third chord.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Minor scale on C. Created by Hyacinth (talk) 19:43, 1 April 2010 using Sibelius 5.

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Midi file of BWV 610 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia. "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger, first appearing in a hymnal by Crüger in 1653. The hymn is the base for Johann Sebastian Bach's funeral motet, BWV 227, and his chorale prelude, BWV 610.

Sing we and chant it, Thomas Morley's version of Gastoldi's A lieta vita

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.