ไฟล์เสียงปลอดค่าลิขสิทธิ์ 4,289 ไฟล์สำหรับ "Midi"

MIDI by the Mutopia Project

Common-tone diminished seventh chord.

5-1 pentachord on C. Chromatic pentachord.

Prometheus scale on C.

Heavy metal gallop variation featuring triplets.

Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66

D chord in all fourths tuning.

Santa Lucia Sul mare luccica (song)

Four measure ii-V-I progression in C with Coltrane substitution.

The sound effect of 75 hz on a yamaha keyboard.

Tone row from "Tot" ["Lifeless"], Drei Lieder, Op. 48.

Tone row from Stockhausen's Klavierstück IX.

This is one from when i first got into digital music. I "penciled" in midi graphs, and manipulated other samples from a buddies sound bank, thus creating. . . Pollie soft. I love the mumbling bass rhythms in the background under the subtle jazz hits, maybe?.

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Uns ist ein Kind geboren, BWV 142 - 4 Ich will den Namen Gottes loben mit einem Liede

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

Reggae one drop pattern, half-time variation.

The most basic ride pattern in rock and other styles.

I made this chord progression using onlinesequencer. Net.

A flutter wave synth created on a midi keyboardto use just show me in comments.

Sine melody, midi looper n a bit of spring reverb. Maybe useful for background padding.

Es waren zwei Königskinder

Hrvatski: Oj ti vilo Velebita

4-25 (French sixth) tetrachord on C

O Maria, gnadenvolle

Add6 chord on C

Eine Muh, eine Mäh

D-over-F-sharp slash chord.

Über die Berge schallt

D chord in drop D tuning.

Tota pulchra es, Maria

Ab-over-A slash chord.

Wenn alle untreu werden

Whiskey in the Jar

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Abend wird es wieder

C altered scale.

Octave and Minor third on C

Tetratonic scale on A.