ไฟล์เสียงปลอดค่าลิขสิทธิ์ 4,289 ไฟล์สำหรับ "Midi"

Auf und macht die Herzen weit, Evang. Gesangbuch 454

Weserlied - Hier hab ich so manches liebe Mal

O ewger Gott, wir bitten dich, Gotteslob (2013) 471

Harmonic Scale chromatic on C.

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

Denkste denn, denkste denn, du Berliner Pflanze

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

Tone row for Milton Babbitt's Composition for Four Instruments.

Aus dem ersten Satz von Joseph Haydn Klaviersonate Hob. XVI/8

Grave whole tone on C (D--), 800/729, 160.90 cents.

Delayed backbeat (last eighth note in each measure) as in funk music. Created in Sibelius. en:Image:Delayed backbeat.png

Sharpened subdominant with diminished seventh chord in C.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

Du Friedefürst, Herr Jesu Christ, Evang. Gesangbuch 422

Papal Hymn Long Live the Pope by Hugh T. Henry (words) and Henry G. Ganss (music)

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1

3/4 version of Image:Characteristic rock drum pattern.png.

O du hochheilig Kreuze, Gotteslob (2013) 294

Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.

Gottes Sohn ist kommen, Evang. Gesangbuch 5

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Just major triad on C (4:5:6).

Erd und Himmel sollen singen, Evang. Gesangbuch 499

Chord progression with diminished seventh chords added, without chords added yet.

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Ich hab die Nacht geträumet wohl einen schweren Traum

Heut triumphieret Gottes Sohn, Evang. Gesangbuch 109

Rock of Ages, tune by Thomas Hastings

Werde munter, mein Gemüte, Evang. Gesangbuch 475

Fürwahr, er trug unsre Krankheit (Gotteslob (2013) 292)

Just a random drum loop taken form an unfinished project. Made using air ignite software with an axiom mini 32 midi.

Tone proportions of Studie I. I took F♮ as the starting point.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

Grün, grün, grün sind alle meine Kleider

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Four notes (a4,g4,b4,c5) played one after the other at 60 bpm, generated by an online midi editor.

This is weird spooky alien stuff, made with my voice, audio edited and some weird midi stuff.

Receation of a racing car that i made on reason, i based on a sample of this site.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Recording settings:. 48[khz]24-bit.

80's starlight software instrument on logic pro, synthetic note template midi file, with added automation of vibrato and resonance.

O du hochheilig Kreuze (Gotteslob (1975) 182)

Ascending melodic minor scale on A.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.