ไฟล์เสียงปลอดค่าลิขสิทธิ์ 4,914 ไฟล์สำหรับ "Synth"

Pad it had been created from abrasive sound worked osc and filtered mod (do - c).

166bpm xenharmonic fm loop (no tuning system, tuning is determined through fm oscillator sync).

Imagine you just landing on an unfamiliar planet, where the local on the planet is just some unpopulated area with a open wide field or jungle. You don't see any one, or anything, but either dust,trees, grass, or a vacant road. While your wondering through this place you also notice that that nightfall is approaching, and you can see the moon and the starts of this planet. This synth patch is just the sound for that, a drone bass synth patch used to create some imaginary audience feel that would lead you or someone to be driven to madness. This patch was made in massive.

This is an atmosphere that i had recorded and i used it on a techno track.

4 bar long loop made in buzz. There are some really low frequencies present, so use hipass filter.

A dark drone, useful as a pad or a sound texture that can be mixed and further manipulated.

A very dark and bassy texture drone with a few rough strikes. Useful for manipulation and further experimentation.

Bassdrum line done with a mam adx-1. Played by a midisequence by a mam sq-16. Deep sound.

Bassdrum line done with a mam adx-1. Played by a midisequence by a mam sq-16. Pitched sound.

A nice electronic tune, made in chrome music lab, use in anything you want, i just ask for credit.

Recorded with h5 zoom/focusrite scarlett 2i4 (audio-technica at2035) and modified with modulation. If you have a request for any sound assists for game/film/project either email me at dreadwolfentertaintment@gmail. Com or visit my patreon page for random sounds assets, music and more https://www. Patreon. Com/dws757 thank and continue creating :].

I played a little improv session on a midi keyboard, and recorded it in fl studio.

Discovered this water effect while playing with vst's so i tweaked it until it sounded decently water-ish :).

I have customized the sound that recalls 90' videogames sound than it has been lowed down of tonality (a maj).

A lousy melody being played on a synthesizer. Preset here: https://www. Dropbox. Com/s/pz1i5uiq1hg10cp/preset2. Jpg.

Analog style synthesizer patch. Sound produced using my own jsyd software. Jsyd can be found at http://www. Jbum. Com/syd.

A slowly detuning arp with lfo filter effects sequenced on the kawai k4 synthesiser. Use any way you like!.

Just a short little ditty i came up with fooling around with the microtonal synthesizer on websynths. Com using the stellar rolls patch.

Ambient synths recorded onto tascam portastudio and mixed with some pitch modulation for extra tapey niceness. Free to use any way you wish.

Arpeggio at 110 bpm. Chord of emcreated using refx nexus vsti and ableton live 8. 2. 1 and m-audio's keystation 32 midi controller.

Digital synthesizer patch using karplus/strong pluck sounds. Sound produced using my own jsyd software. Jsyd can be found at http://www. Jbum. Com/syd.

A short sample from an adaptation of a midi file called woodland theme by ethan harris. Arranged and adapted by myself. Original score by ethan harris.

A murky sounding, pulsating, composition with some noise. Two different filters sends the sound to respective stereo channel. No effects added in the modular or in the computer.

I was messing around to create a lead synth for a song for my band, but nothing came out for the song. At leased i ended up with something that could sound great for a purely electronic style. Daw: abletoneffects: sampler + saturator + simple delay + eq eight (8 band eq)sample used: https://www. Freesound. Org/people/staticpony1/sounds/249984/sample author: staticpony1key: i don't know the scale name, but it is in gbpm: 176. Usage:- i would like to hear your song, if you use it- i don't expect any royalties or such. But if you make it big with this sound, just mention me in 1 of your interviews. :d- have fun.

Approximately 30 short percussion hits programmed on an old roland mt-32. The waveforms were run through the ring mod sound structure. The sounds go from woody to glassy.

This is my take on notofficial's 'another3oh3' piece. It is a bit coarse, since i made it in audacity. Enjoy!link to original file: freesound. Org/people/notofficial/sounds/19388/.

This an alarm-type sound that is played at different volumes and frequencies for a few seconds. It can be cut and used in recordings, games,tv shows and others.

I was playing a pattern with my sequencer and the midi notes went over to my microkorg which i didn't really want bug it nmade a cool sound anyway.

| - description - |. Synthwave style song. 125 bpm. G # minor scale. G # m, f #, e, d # m. | - made with - |. Sawer, poizone and stock samples - fl studio. | - uses - |. For projects or whatever i wanted.

This is a recording of a synthesized sound that has a vintage radio feel. These are three separates sounds with a small pause between them. Synthesized using a free vst synthesizer.

A rendition of this riff:. Http://www. Freesound. Org/people/bdwrekordings. Com/sounds/98108/. I'm working on a song in d, and i liked this riff when i heard it. So ran it through live, adjusted some stuff, and threw some effects etc. Free to use. : ).

I made this with my keyboard and some pre-set synths on garageband. I think it has a really video game vibe to it, almost like something from system shock or half-life or something like that.

Chromatic notes starting at c0. Really sweet double delayed saw waves with lots of harmonics. Drop this into your sampler and hit it with a low pass filter and get a good groove going. Enjoy!.

If your reading this you probably recoiling in pain. Sorry about that. I was trying to replicate the same pitch you hear in those horror movie screams, you know the ones. The final result was more jarring than expected.

Made this specifically for myself but i don’t mind sharing it. I tried to recreate the ps1 startup on my phone, if anyones wondering yes this was made on garageband. Make sure to credit me if you use this edit and playstation.

Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.

Percussion made in blok modular. Kind of morphs around but plenty of bongos and some kind of shaker towards the end. You can maybe get a couple of claps out of the end part too. Sometimes sounds a little too fm-y (think sega genesis sounds) but others sound pretty organic imo.

Crash sample one-shot. These crashes were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu crashes pack.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

Longer version of crystal mission, here is the link to that track https://freesound. Org/people/mativve/sounds/512808/. I edited this track by making it louder, making it longer, and editing out the parts that where not needed. Listen to this on ditto music: https://ditto. Fm/crystals-the-four-seasons-speaker.

Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

A singular comedic mosquito buzz. Created in audacity by:1. Generating a sawtooth wave2. Equalizing the tone slightly (a bit less high end)3. Applying the vibrato-phase. Ny plugin in pairs like: 5. 1, 5. 2, 8. 1, 8. 2, 0. 5, 0. 51 hz5. Applying a ring modulation plugin in a similar way. If you want something more retro, equalize down the higher frequencies.

This sort of kickish type sound is one of my experiments with my model d. The ones near the end sound the kickiest and there's a nice filter sweeping as it goes along. They'll probably be best shortened a bit but, hey, it's up to you. If you like, please rate. Uploaded into public domain because attribution is such a pain to manage on little sound files, so feel free to use it without having to worry about attribution.

This was hella tough to make! and i used this program that turns picture into sound. It has paint tools, and you start with a black canvas, you draw up a pattern on it, and depending on the color, position, size, quality, format and translucency of the marks and lines you placed, you get sounds. But it is really hard to get a hang of! this took me 3 days to get it right! please comment and rate, i worked really hard on this! by the way, i'll be making more of these, so if you like it, then i have three more.

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

Samples of the vintage korg mini pops 45 drum machine. No processing applied here but a very gentle fft based noise reduction. After all, i figured background noise was part of the machine's sonic identity. No patterns here, since that would have taken forever, just the individual sounds. Some of them alone, some of them combined. Recorded mono with a zoom h2n thru the machine's "amp" output.

Shimmer sound created by synth.

Synth generated crickets.

171bpm flangey synth percussion.