1.753 Ücretsiz görseller için Kimono

kadın resim kız japonya asyalı kız i̇llüstrasyon çiftler adam kâğıt yaz

Uemura Shōen – Deep Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

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Uemura Shōen – Insect Sounds [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Man in kimono

Woman in kimono

japonca japonya

It's good to wear new clothes, Hokkei, 1822

Machovka Df54ed72

Японка, Vasily Vereshchagin, 1903

Sudō Shigeru – Yasukuni Shrine [from Sudō Shigeru Lyric Art Book]

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Uemura Shōen – The Dance of the Beach Maiden [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Autumn Costumes [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

sonbahar kadın

Japanese woman

Hanging scroll, painting, between 1716 and 1744

2018 Ikenobō Autumn Tanabata Exhibition 19, Shōka

Sudō Shigeru – Memorial Tree [from Sudō Shigeru Lyric Art Book]

i̇llüstrasyon ağaç

Tsukioka Yoshitoshi – Looks Coy’ Mannerisms of a Girl in the Meiji Period [from Thirty-two Aspects of Women]

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Keisai Eisen – Fûryû Hana-awase [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Hina doll

asyalı kız kimono

Hina doll

asyalı kız kimono

Kitagawa Utamaro – Okita of Naniwaya, before a Brazier [from Utamaro – Ukiyoe meisaku senshū I]

Uemura Shōen – Beautiful Woman under the Moon [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

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Uemura Shōen – Sōshi-arai Komachi [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – The Dance of the Beach Maiden [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – The Beautiful Woman Enjoying Cool Summer Breeze [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

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Man met bolhoed en paraplu en dame in kimono, RP-P-1997-88, Takeuchi Keishū, between 1900 and 1925

Keisai Eisen – The season’s first snow [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

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Kitagawa Utamaro – After the Utamaro Fashion – Reading a Letter [from Utamaro – Ukiyoe meisaku senshū I]

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A Japanese Woman, Włodzimierz Błocki, 1910

Kitagawa Utamaro – Love for a Street-walker [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Sudō Shigeru – Hinamatsuri [from Sudō Shigeru Lyric Art Book]

oyuncak bebek i̇llüstrasyon

Toyohara Kunichika – Ko’ina of the Inamotoro, Kuruwasenryo, from the series Hisenryo O-Edo Nigiwai [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]

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Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]

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Tsukioka Yoshitoshi – Looks Precarious’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]

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Canon EOS 6D A bridegroom sitting on a tatami mat with a saddle

japonca sanatçı

Kimono Lady and a Shamisen

100 Famous Beauties of Edo Kimono Bashi, 1857

12 Scenes at Nagasaki, The Cross, Yumeji Takehisa, 1920

Kitagawa Utamaro – Around the Clock at Gay Quarters – the Hour of the Tiger [from Utamaro – Ukiyoe meisaku senshū I]

i̇nsanlar baskı

Kitagawa Utamaro – Six Beauties at Gay Quarters – Hanaogi of Ogiya [from Utamaro – Ukiyoe meisaku senshū I]

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Sudō Shigeru – The Sun Sets [from Sudō Shigeru Lyric Art Book]

i̇llüstrasyon kız

Henri de Toulouse-Lautrec - Madame Lili Grenier., Henri de Toulouse-Lautrec, 1880s

Keisai Eisen – Spinning [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Center] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

i̇nsanlar baskı

Katsushika Hokusai – Lingering Snow for Azuma and Yohei (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

çiftler baskı

Kitagawa Utamaro – Someyama of Matsubaya with Two Attendants [from Utamaro – Ukiyoe meisaku senshū I]

oyuncak bebek baskı

Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Lady-in-Waiting from the Bunsei Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Young woman before a mirror, Emile Baes, between 1900 and 1953

Kitagawa Utamaro – Women Imitating an Imperial Procession [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Ohisa of Takashimaya with Two Mirrors Set Against Each Other [from Utamaro – Ukiyoe meisaku senshū I]

i̇nsanlar baskı

Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Concubine from the Bunka Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Keisai Eisen – Iniayo Sugata (Appearance of Contemporary Women) [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

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Kitagawa Utamaro – Parody of the Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beauties at Matsubaro – Matsukaze [from Utamaro – Ukiyoe meisaku senshū I]

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Kitagawa Utamaro – Three Beauties at Matsubaro – Wakamurasaki [from Utamaro – Ukiyoe meisaku senshū I]

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Tsukioka Yoshitoshi – Looks Gloomy’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]

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Tsukioka Yoshitoshi – Looks Impatient’, Mannerisms of a Fireman’s Wife from the Kaei Period [from Thirty-two Aspects of Women]

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Tsukioka Yoshitoshi – Looks Smoky’, Mannerisms of a Housewife from the Kyowa Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Tsukioka Yoshitoshi – ‘Looks Annoying’, Mannerisms of a Girl from the Kansei Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Tsukioka Yoshitoshi – Nikki Danjō Naonori Changing into a Rat [from One Hundred Ghost Stories of China and Japan]

Keisai Eisen – Two girls on die pier [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

i̇nsanlar baskı

Katsushika Hokusai – Evening Bell for Oume and Kumenosuke (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

Kakemono-e, Katsukawa Shunsen, 1810-1820 (circa)

Kitagawa Utamaro – Ta Sign of the Western Station [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – Three Beautiful Mistresses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – To Jirushi of the Land of Geisha [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – Komurasaki of the Miuraya and Shirai Gonpachi [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

çiftler baskı

Utagawa Kuniyoshi – SHIMONOSUWA: Yuegaki-hime [from The Sixty-nine Stations of the Kisokaido]

Tsukioka Yoshitoshi – Looks Itchy’, Mannerisms of a Concubine from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Mannerisms Elegant’, Mannerisms of a Court Lady from the Kyowa Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Tsukioka Yoshitoshi – Looks Painful’, Mannerisms of a Courtesan from the Kansei Period [from Thirty-two Aspects of Women]

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Tsukioka Yoshitoshi – Shirafuji Genta With a Kappa [from One Hundred Ghost Stories of China and Japan]

Gejsza., Stanisław Bohusz-Siestrzeńcewicz, 1902

Man in yukata

giyim kuşam kimono

Kusakabe Kimbei - 392 Girl Sewing

Kawanabe Kyōsai – Benzaiten Viewing Cherry Blossoms, from the Parody of the Seven Gods of Good Fortune series [from Kyosai: master painter and his student Josiah Coder]

i̇lkbahar kadın

Tsukioka Yoshitoshi – Looks Curious’, Mannerisms of a Senior Maid from the Tenpo Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – Young Couple Dressed as Komusô [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Kitagawa Utamaro – Beauty and Boatman [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

çiftler baskı

Katsushika Hokusai – The Print of Famous Place: Ōji [from Meihin Soroimono Ukiyo-e]

Chinese man with umbrella by Afong

Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

i̇nsanlar baskı

Kitagawa Utamaro – Catching Fireflies [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Katsushika Hokusai – Spring Flowers for Osome and Hisamatsu (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

çiftler baskı

Kitagawa Utamaro – Ten Physiognomic Aspects of Women: the Passionate Type [from Utamaro – Ukiyoe meisaku senshū I]

i̇nsanlar baskı

Tsukioka Yoshitoshi – Looks Happy’ Mannerisms of a Tokyo Geisha in the Meiji Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Kitagawa Utamaro – Kitchen Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Sudō Shigeru – First News [from Sudō Shigeru Lyric Art Book]

i̇llüstrasyon kız

Utagawa Hiroshige – The Sumida Embankment in the Eastern Capital [from Thirty-six Views of Mount Fuji]

Tsukioka Yoshitoshi – Looks Interested in Buying’, Mannerisms of a Housewife from the Kaei Period [from Thirty-two Aspects of Women]

alışveriş baskı

Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Mrs. G.D. Morgan, half-length portrait, facing front, in kimono LCCN90706639

Figuur in kimono, RP-T-1924-69-138, George Hendrik Breitner, ca. 1880 - ca. 1882

Kitagawa Utamaro – Two Pictures in Pair: Monkey Trainer [from Utamaro – Ukiyoe meisaku senshū I]

Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]

i̇nsanlar baskı

Kitagawa Utamaro – Women Resting at the Fujimiya Teahouse [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Okita at the Naniwaya Teahouse [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

i̇nsanlar baskı

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