"3" için 3.613 telifsiz ses dosyası

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 49/11001:3:7

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:28:3

Gesu Bambino performed by the Concert Band of the United States Air Force Band of Mid-America. Track 3 from A Musical Christmas (2007).

Sveriges Radios folkmusikinspelningar. Låtar från Uppland. Dokumentatör: Lars Madsén (Q5971467) Radiotjänsts ursprungliga produktionsnummer: 42/4895:1:3

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:31:3

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: S.O. Olsson, Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 48/8869:3:5

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 53/19397:3:15

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 49/11001:3:6

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:11:3

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:4:3

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 51/15489:1:3

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Riksspelmansstämman 50 år Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: MT 60/128:3:4

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 51/15419:3:2

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: S.O. Olsson, Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 48/9437:3

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:9:3

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:34:3

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:2:3

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Jämtländska spelmän inför mikrofonen. Dokumentatör: Effe Magnusson (Radiotjänst) Radiotjänsts ursprungliga produktionsnummer: 43/4865:1:3

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: S.O. Olsson, Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 48/8869:3:6

Sveriges Radios folkmusikinspelningar. Lantbrukare Johannes Kristiansson berättar och spelar. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/16643:1:3

Sveriges Radios folkmusikinspelningar. Pål Olle spelar låtar efter Timas Hans. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 58/11599S:1:3

Sveriges Radios folkmusikinspelningar. Dokumentatör: Ulf Peder Olrog, Matts Arnberg (Radiotjänst) Radiotjänsts ursprungliga produktionsnummer: 55/2586 G:3:4

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:1:3

During quarentine (march 2020), the night birds are more audible (active), because of the lack of human produced sound. Recorded from my window with a sd mixpre6 and a pair of primo 172 clippy's in ab stereo configuration (3 meters apart).

Recorded at 8:10 p. M. On 9/6/19. Sounds include: wind, crickets/insects, an occasional airplane, and a dog barking (at 5:50). Recorded with a sound devices mix pre-3 and 3dio free space xlr binaural microphone (with wind muffs).

One tram is crossing the sound field from right to left, 5 meters from us. Another one is crossing the other way, 3 meters from us. Nantes, france, jully 2022. Recorder with 2 clippy em172 in ab setuprecorded on sounddevice mixpre6.

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.

Recording of swimming. Since the sony ic recorder only records in mono, i layered 3 separate splashes sounds(1 left, 1 right, 1 center) to achieve a fake stereo sound. Processed in fl studio's edision.

I created this sound that look like a rattlesnake sound thanks to a tambourin and cymbal record. I made repeat those two percussion three times. When one is finish an other one start, and this 3 times. I added between them an effect that end the sound and start a new one.

Sounds from 3 continents: south american brazilian pandeiro (downloaded here from user plotzki), mixed with asian afghani rubab and african talking drum, both used from garageband's loop library.

Create khủng long 0 - dinosaur 0, use cpolcyn's sound "hummingbird chirps. Flac". Audacity stereo channel:- cut section 17. 490s to 17. 724s. - effect→normailize. . . ✓remove dc offset✓normailze maximum amplitude to: –3. 0✓normalize stereo channels independently. - select section: 0. 139s to 0. 235s. - effect→noise reductionget noise profile. - select all. - effect→noise reductionnoise reduction (db): 12sensitivity: 6frequency smoothing (bands): 3. - remove section after 0. 150s. - select section: 0. 100s to 0. 15s. - effect→fade out. - select all. - effect→change speed…speed multiplier: 0. 330. - effect→change speed…speed multiplier: 0. 330.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

An mp3 version of the 4-minute recording of an apartment parking lot in a small neighborhood with a busy nearby roadway - from a different perspective. Cars can be heard driving by, along with a faint humming with from some machinery and a small amount of wind. There is also some faint talking, laughing and coughs from a group in one of the apartment buildings, which can add to the effect. There are two instances when cars drive into the parking lot (about at 3:20 and 3:40), and shortly afterward a person walks by the mic. Recorded with the microphone of a nikon coolpix camera.

A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.

A technical problem i had with my technics stereo cassette desk rs-5 where playback would deliver this fading squarewave at maximum volume. Apparently, it could have been an issue with the tape header wearing out. Thought i might as well upload it here, as i'm not sure anyone will be able to create this sound again. Note, this sound was de-amplifiied by 10 db in audacity 3. 1. 3. Simply put, the raw file was incredibly loud. If you're curious enough, you can increase it back up to its original volume, though i wouldn't advise it.

your call has been forwarded to an automated voice messaging system. 0, 1, 2, 3, 4, 5, 6, 7, 8, 9 is not available. After the tone, please record your message. When you are finished recording, you may hang up, or press one for more options. Beeeep. I called a few of my friends to make sure i got all of the numbers so y'all can move them all around however you want <3 love u. Recorded like this, it was kinda ridiculous but very fun:iphone -> 1/8" to rca cable -> used one of the rca outputs -> rca to 1/4" adapter -> scarlett 2i2 -> protools.

I stood quite sheltered from the wind, above me the rustling trees from the breeze that was just blowing. In the distance a dog was barking. Nice stereo effect :-). The recording is edited. The recording is cut and the ends are faded in and out, 2 seconds each. Otherwise no further editing is done. This is my contribution # 3. Recording device: zoom h5microphone: xyh-5date: 01 august 2020time: morning, 09:48location: schwanewede, northern germanyweather: 24 °c, sunshine and cloudy sky. Very humid. Storm air. The clouds pulled together, a thunderstorm was brewing (but there was no thunderstorm). Humidity approx. 68 %, wind from south-southeast, 2-3 bft.

A mono recording of the cheapest triangle i could find at the music store. 3 single hits of the bars, a few closed hits and a finger cymbal ding as a bonus. Gear:neumann ltm-103arturia audifuse. Format:wav 48khz 24bit mono.

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

A pistol/handgun fire sound made for my doom 3 mod, this sound was specially made for games. This sound was recorded using a hdr-pj540, then edited using audacity. You can download said mod here. Http://doom3. Gamebanana. Com/gamefiles/3874.

Holy crinkle caps! i finally finished this! a complete narration of 3 oc's of mine, hard worker izzy, insane izzy and artsy izzy! this is not complete, complete! it still needs music. And which i will do at some point in time! and will upload on my youtube channel! stay tuned for more. . . Maybe. . .

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.