I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.
This first loop in series is a simple, beat in 4/4 time run at 140 bpm. It features an extremely thick bass sound with general techno patterns you might hear in normal techno music. The pack is aimed for general use in any type of techno, trance music. The loop was created mainly with reaktor's arobic.
Funky-ish old school break loop programmed in ableton using dope vst beat machine cm. This plug-in is perfect for breaks. The samples are first class. Run through a vinyl simulator for some crackle. 4 bars at 110 bpm.
This is a "clap" that i recorded very roughly simply by tapping my fingernail on a ceramic radiator (yes, it did hurt a little bit)it sounds very lo fi and organic, and there is a slight metallic resonance to it.
A 70bpm beat/loop sequenced using renoise 3. 0. Samples were either created from scratch or modified after being recorded in my basement using the sampler built into renoise. The microphone used for recorded samples (of a keychain) is the one that comes along with the m-audio microtrack 24/96. Sounds good in reverse too.
Just another beat i've made using sounds only found here on freesound. I know it doesn't sound like the middle east, but it was suppose to, and that was the inspiration. Fiddlehttp://freesound. Org/people/boilingsand/sounds/49782/. Kickhttp://freesound. Org/people/garogourou/sounds/144543/. Cymbalhttp://freesound. Org/people/mistorcaveman/sounds/154690/. Tambourinehttp://freesound. Org/people/marvman/sounds/51318/. Smackhttp://freesound. Org/people/captain%20k%20man/sounds/125028/. Crashhttp://freesound. Org/people/rytmenpinnen/sounds/102033/.
A beat box i did for a drum n bass track i'm working on. This one i had to quantize. Recorded in audition, edited and rex'd in recycle, quantized and amp'd in reason. 170 bpm. 楽しみにしてフリップアウトしてください。.
I created this 64 bar loop in bitwig using a sample loop that comes free with the software, next i used a multiband fx plugin with automation controlling amounts and cutoff's which then in turn had various effects on the seperate bands and as you can clearly hear i used the glitch2 vst mostly on the mid frequencies, which in turn had automation controlling/changing it's presets.
Found sound recorded in a friends kitchen, cut up into a groove in ableton live. . . Recorded with zoom h1. Drawers opening and closing, scissors scissoring, cutlery crashing and plates smashing etc. Etc. 84 bpm.
An example sound for the freesound punching sound design dare. Layering together different sounds to make a punch effect, and including the layers. Sound 1: the complete punch. Sound 2: hitting a pork chopsound 3: punching with a boxing glove onsound 4: billowing a teatowelsound 5: cracking celery (classic). Sound 6: the complete punch again.
Quality beat for dubstep, designed/processed generously, ready for use in songs around 130 bpm(not sure what bpm). Original, authentical and "never used". Free to use if you give it some love! :d.
A beat i programmed in caustic 2. 1 for my track caustic antics. This is a clean render. See break delay for this beat with a slight ping pong delay. Very little eq/processing so process away. Caustic 2. 1, the best music creation app for android.
This one actually contains a remix of one of clkk's loops. . But other than that is still the worset sample ever because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo.
More 120bpm beats and stuff i made from scratch in live using midi instruments and the non sample based softsynth phoscyon to build up sounds from waves, then run them through compressors, distorters, destroyers, eqs, and textures.
After reading about how the winstons’ drummer never got a penny in royalties for the tens of thousands of times the amen break was sampled, i created this tribute in hydrogen and audacity using a free kit. Have fun!.
A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).
It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.
