"El" için 1.294 telifsiz ses dosyası

Flashlight switching on and off. Recorded using audio technica mic and zoom h6.

Simple clicky flashlight sound fx.

Slapping water with the back of my hand. Like foley for fish fins.

I recorded this with phone and junk food bag. It was for my personal use but i found it might be good to upload to here.

The sound of a high five. Good for use in video games or as a sound-effect in videos.

A genuine real handclap.

Used for any slapping of any body part that is of bare skin.

It is a sound of the pen sliding in a paper writing something in a tallers class in poblenou campus.

The sound of someone putting lotion in their hands and rubbing it together.

Usamos um papel de caderno para fazer o efeito sonoro de papel rasgando devagar. E o microfone do modelo snnheiser mkh 46 boom.

Rhytmic clapping of handsrecorded with zoom h1 with rycote windscreen. Manual levellocut off.

This is the second sound of applause made with my canon camcorder.

Tearing away at some foliage.

Flashlight clicking on and off.

Grabbing handful of coins change.

A handgun being shot.

Various paper and hand hitting wooden desk sounds.

A typical restroom hand dryer.

Few samples of clapping.

Crumbling a water bottle.

2 finger snaps that can be used for anything. I made them for use in some of my music on my youtube/soundcloud, however because i'm so kind i uploaded them here to use in anyway. There isn't a set tempo or key, just 2 finger snaps that you can chop up, reverse, and do whatever you want with them!.

A raw audio mp3 recording of someone rubbing their cold hands together and shivering. Recorded with a black sony digital ic voice recorder.

Fingersnaps and claps recorded in a medium room with a bit of reverb. Recorded with pocketrack cx.

Zoom h1n recording of myself rubbing my hands together to warm them up.

This is a hand-held brass f3 hand bell, "sung" by circling the rim with a hardwood dowel, as with a "singing" tibetan bowl. Recorded at home on a tascam dr-05 linear pcm recorder.

Moving my hand around in the mud.

The sound of a hand knocking on a door, with different forces and surfaces. You might be able to repeat the sound to achieve a consistent knocking.

Recorded x-y dpa. No limiting or compression used. Recorded in my studio www. Jk-studios. Com.

The sound of turning an led flashlight on and off.

Sound of a switch;. Wav;3072 kbit/s.

Sound of a stress ball contacting with hands.

Recorded on zoom h6 by luba maznova.

This is my first original sound! i made by making a couple of different claps (recorded them with flipaclip) and then arranged them simultaneously using sony vegas 14.

15 seconds of white noise at 3072 bitrate created by audacity. Feel free to use without attribution.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

Another little joke with the moderators, who judge our jobs.

Grabación en la quebrada la vieja bogotá -colombiasonidos de un tronco deshaciéndose en el agua y voces de caminantes a las 08:33 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja bogotá - colombiaa trunk falling apart into the water and pedestrians voices at 08:33 a. Mrecorded with zoom h4n at 48khz and 24 bits.

1902 Aufnahme des letzten italienischen Kastraten, Alessandro Moreschi, der einzige Kastrat, der Aufnahmen hinterlassen hat.1902 recording of the last Italian castrato, Alessandro Moreschi, the only castrato who has left recordings.1902 la grabación del último castrato italiano, Alessandro Moreschi, el único castrato que ha dejado grabaciones.Enregistrement de 1902 du dernier castrat italien, Alessandro Moreschi, seul castrat qui ait laissé des enregistrements.Italiano: 1902 la registrazione dell'ultimo castrato italiano, Alessandro Moreschi, l'unico castrato che ha lasciato registrazioni.

Grabación en la quebrada la vieja. Bogotá-colombiacantos de aves y murmullo urbano desde los cerros en el interior del bosque con vista a la ciudad 07:04 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja. Bogotá - colombiabirdsong and city whispering from the hills in the forest overlooking of the city 07:04 a. Mrecorded with zoom h4n at 48khz and 24 bits.

Grabación en la quebrada la vieja. Bogotá-colombiamurmullo urbano desde los cerros en el interior del bosque a 500 mts de la av circunvalar 07:25 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from river la vieja. Bogotá - colombiacity whispering from the hills in the forest. 500 mts from av. Circunvalar 07:25 a. Mrecorded with zoom h4n at 48khz and 24 bits.

Recording from 7th av. With 41st street at bogota colombia. Traffic noise and pedestrians voices predominate the soundscape. Recorded with zoom h4n recorder in stereo with x, y mics at 120 degrees. Grabación de la carrera 7 con calle 41 en bogotá colombia. Predomina el sonido del tráfico y las voces de los peatones del lugar. Grabado con una grabadora portátil profesional zoom h4n en estéreo con micrófonos en disposición x, y a 120 grados.

Audio de 6 personas diciendo las vocales. Ordenado de menor edad a mayor edad (mujeres primero). Edades entre los 5 a 10 años, 20 a 25 años y 40 a 50 años. Frecuencia de muestreo: 8 khzbits de cuantificación: 8 bits. Universidad de el salvadorca17036op17001. [6 people saying the vowels. Ages between 5 to 10, 20 to 25, and 40 to 50. Sampling rate: 8 khz. Bitdepth: 8 bits. Recorded on 06/2020, with phone microphone. Pre edited in audacity. ].

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

La gaucha Manuela, tango, by Juan Maglio (Pacho) Cuartet. Maglio (bandoneon), Luciano Rios (guitar), Jose "Pepino" Bonano (violin), and Carlos "Hernani" Macchi (flute). Recorded 1912. "La gaucha Manuela", tango, por el Cuarteto de Juan Maglio (Pacho): Maglio (bandoneón), Luciano Ríos (guitarra), José "Pepino" Bonano (violín corneta) y Carlos "Hernani" Macchi, (flauta). Grabado 1912. Italiano: "La gaucha Manuela", tango, eseguito da Cuarteto de Juan Maglio (Pacho): Maglio (bandoneón), Luciano Ríos (chitarra), José "Pepino" Bonano (violín corneta) e Carlos "Hernani" Macchi, (flauto). Registrazione 1912.

Campo da manga durante o início da madrugada. Da janela do meu quarto, com aparelhos calibrados, analisava o ambiente do campo e todos os sons que ele me proporcionava. Num horário mais calmo, a rua já vazia, veículos começam a passar, cachorros brincam no meio da grama, sons bem noturnos e calmos, com presença de grilos e sapos. Data:hora: 0h45. Equipamento: gravador sony pcm d50. Gravado por vinicius sousa neri. Ref. Centro- 070120_00.

Curso (kurso). Facultad de derecho, unam (jura fakultato; unam)lugar: auditorio mario de la cueva (aŭdejo: mario de la kueva)horario: sábados de 10:00 a 13:00 hrs. (horaro: sabatoj, ekde la 10-a matene ĝis la 1-a horo vespere)desde el 25 de febrero hastael 31 de marzo, 2012 (ekde la 25-a de februaro ĝis la 31-a de marto 2012). Imparte: mtro. Luis l. Córdova arellano (profesoro: luis kordova arejano). Informes: luisesperanto@yahoo. Com(informo: luisesperanto@yahoo. Com www. Cordovaluis. Org.

Pulling up of hand break.

Shaking water off hands.