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Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

Defender air filter white noise.

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

It does not sound electronic in the way i like, but. . . Sequencing modular etc with fl studio. Totally noob!.

Weird synth loop heavily utilizing ableton's beat repeat, filtered druggy rave vibe. Used in a now-defunct wip. Add some drums and a cool bass!.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

Testing a synth and new filter.

Second version of the remixed rope swishes loop. Only background (wet) noise this time.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Leftovers from reducing noise on a lavalier mic recording.

Sounds that were created during a mixing session. I cut out my favorite samples.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Synth filter sweep bass c2.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

This is random noise with low pass filter applied.

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

Produced with cubase.

Strange guttural alien vocalizations, pops and glitches.

A noise, a harmonic, from somewhere beyond space. . . . Then an ugly sound.

Gently rising above a water surface. Filter applied to the beginning. Foley.

A simple filtered droning sound playing a c. Made with logic pro.

Playing with diy polivoks filter. Selfresonance, driven by lfo, no audio at input, just 50hz hum.

A wobble created with ableton live native instruments and effects.

Bass sounds, heavily filtered, slight clipping in places! be careful your ears/equipment!. Might be useful, who knows.

Experimental sound.

A little something i made on my modular. The sound is a little edited in audacity.

Heavily processed vst synth sounds using various filters, reverbs and phasers.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Synth swooshing sound of a square wave. Suitable for intros or logos. Available in several intensities.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Composition made using soundedit 16 on mac. This is a human voice saying an unknown word slowed down and looped.

An short 909-like open hat with "minimal" sonority.