"Midi" için 4.292 telifsiz ses dosyası

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*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2
Yazar: Hyacinth
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*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75
Yazar: Hyacinth
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*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45
Yazar: Hyacinth
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*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67
Yazar: Hyacinth
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Johann Sebastian Bach, Kantate Höchsterwünschtes Freudenfest (BWV 194), Schlusschoral Sprich Ja zu meinen Taten
Yazar: Johann Sebastian Bach (MIDI file by Rabanus Flavus)
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Vom Himmel hoch, da komm ich her, Gotteslob (2013) 237
Yazar: Melodie: Martin Luther 1539; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100
Yazar: Hyacinth
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*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77
Yazar: Hyacinth
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*35 steps in 36-et on C = ??. Equal-tempered: 235/36=70/72:1 = 1166.67 cents. MIDI pitch bend: 42,53
Yazar: Hyacinth
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Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.
Yazar: Hyacinth at English Wikipedia
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Georg Philipp Telemann: Ich will den Herrn loben allezeit, Kanon zu 3 Stimmen, TWV 10:8
Yazar: Georg Philipp Telemann (Tondatei: Rabanus Flavus)
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Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Yazar: Hyacinth
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*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT
Yazar: Hyacinth
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*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76
Yazar: Hyacinth
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*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77
Yazar: Hyacinth
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An example of an bad generation to supplement the paper, transformer neural networks for automated rhythm generation.
Yazar: Bumblebeat
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Random chords, created with midi akai keys on garageband.
Yazar: Davideooo
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Nobody Knows the Trouble
Yazar: Melody: Spiritual; setting & sound file: Rabanus Flavus (Peter Gerloff)
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O Maria, gnadenvolle
Yazar: Melodie: trad.; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Characteristic rock drum pattern with rimshot in place of snare
Yazar: Hyacinth
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9/8 drum pattern.
Yazar: Hyacinth at en.wikipedia
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4-2B tetrachord on C. Inverted version of 4-2A.
Yazar: Hyacinth
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Example of an altered chord progression in jazz.
Yazar: Created by Hyacinth (talk) 05:30, 6 December 2010 using Sibelius 5.
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Habanera tresillo rhythm for comparison with 3:2 polyrhythm.
Yazar: Hyacinth
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8-2B octachord on C. Inverted version of 8-2A.
Yazar: Hyacinth
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Fifteenth chord from Schoenberg on C
Yazar: Hyacinth
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Aeolian mode on A. No pitch bend.
Yazar: Created by Hyacinth (talk) 10:01, 19 April 2011 (UTC) using Sibelius 5.
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Rock o' my soul in the bosom of Abraham
Yazar: Melody: Gospel song; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Major triad on C in second inversion.
Yazar: Hyacinth (talk) (Uploads)
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6/8 clave, first form (standard pattern)
Yazar: Hyacinth
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3:2 polyrhythm for comparison with the Habanera tresillo rhythm.
Yazar: Hyacinth
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Tone row from Stockhausen's Klavierstück IX.
Yazar: Hyacinth
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6/8 clave, second form (son clave)
Yazar: Hyacinth
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8-28 (octatonic scale) octachord on C
Yazar: Hyacinth
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02:19
Leck mich im Arsch
Yazar: Untitled
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12-1 (chromatic) dodecachord on C
Yazar: Hyacinth
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Heavy metal gallop rhythm as drum pattern.
Yazar: Created by Hyacinth (talk) 00:49, 9 November 2010 using Sibelius 5.
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Fifth Symphony, opening, known as the "fate" motif.
Yazar: Untitled
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*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU
Yazar: Hyacinth
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*7 steps in 36-et on C = ?. Equal-tempered: 27/36=14/72:1 = 233.33 cents. MIDI pitch bend: 85,74
Yazar: Hyacinth
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*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48
Yazar: User:Hyacinth
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*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).
Yazar: Created by User:Hyacinth (13:39, 1 September 2008) in Sibelius. A m2 on 104,78.
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*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72
Yazar: Hyacinth
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*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70
Yazar: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 70 for 118.75 cents rather than 119.44. New version a m2 on 28,70 for 119.43359375 cents rather than 119.44.
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*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69
Yazar: Hyacinth
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Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64
Yazar: The original uploader was Hyacinth at English Wikipedia.
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Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Yazar: Hyacinth
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7-2B heptachord on C. Inverted version of 7-2A.
Yazar: Hyacinth
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4-25 (French sixth) tetrachord on C
Yazar: Hyacinth
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Major triad on C in first inversion.
Yazar: Hyacinth (talk) (Uploads)
2001 - 2050 toplam 4.292 Sonraki sayfa
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