"Tones" için 1.889 telifsiz ses dosyası

For old ringtone not very old.

Ringtone cellphone ring-tone alerts alarm ring 1k distance between us.

Recorded at: 2074 robie street, halifax, ns, apt. 2105 / recorded with: tascam, apex stereo omni mics, hercules stand.

Dial tone. Please leave comments and rate!!!!.

Ives quarter tone fundamental chord.

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

An experimental sub bass created on audacity, three tones. Used as layer in music production. Hope you dig it, for whatever purpose xx.

Fast high pitch beeps. Made with audacity. Made from a dtmf tone.

In germany the inter-city-express trains cycle through the gears when they take off, producing this series of tones. Recorded at ostbahnhof, berlin.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

A bright ambient tone.

Synthesizer tones.

Sound of two bottles of glas.

Generated by software.

An ambient tone, rising in tension.

Room tone loop office with large ceiling mount air-conditioner. Recorded about 1 metre away from the air con unit. Recorded on a zoom.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx.

Clean tone, blues style of riff but could almost be an intro for a doom/stoner rock song.

Grave whole tone on C (D--), 800/729, 160.90 cents.

Big thunder around 0:56. Closed windows - room tone with rain and hail outside. Recorded with zoom h5's internal xy mics.

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

Wireless home telephone, 3 tone, dryready for looping. Microphone: akg c 1000s(different versions and speeds available in telephone pack. ).

Dmf tones for 8675309 with some reverb.

A commodore 64 / submarine tone.

A harsh digital frequency sweep.

A small singing bowl.

Hd wav scape model 15.

Made it myself with and adaptor and an audio input cable.

Three perfect fifths, in equal temperament

Edirol field recording.

Square wave tone at 440hz.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

Scrolling through various shortwave frequencies, caught couple tones among the noise. Sounded like sad horns. Radio used was a grundig yacht boy 207 with a broken antenna, recorded on a tascam dr-05x.

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Pc keyboard sound while using.

A reverse crash like tone.

A sound stimuli to demonstrate combination tone from speakers. You should hear additional frequency of 500 hz. The sound itself is summation of1000 hz and 1500 hz.

A variety of glass ding tones that could be sampled and played as a musical instrument, or wind chime, or as a simple sound effect.

Roomtone de una cocina con ventana en dirección a un tejado, techo de tejas de asbesto y suelo en piedra.

Los angeles suburban neighborhood tone. Recorded on a zoom h4n. 24-bits / 96 khz.

This tone was generated using audacity. In the base there is a 45hz sinusoid. Then a new sinusoid tone of 207hz is added for about 5s. After a pause of about 5s a second sinusoid of 208hz is added for 5s.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.