please do not obstruct the doors. . . Stand clear of the doors pleasevoice recorded from canada water subway station in london. Recording device: htc touch pro. Sound has been optimized (filters, normalizing, limiting).
Recording train arrival, from left to right, at grønland t-bane station. Equipment: roland r-26, internal xy and omni microphones mixed down as stereo.
Frequent tube riders may be familiar with the hum that happens between two stops, (i can't remember which two. ) for a moment, it gets a little too loud and freaks you out (around the 1:40 mark). The rest is just tube ambience. Recorded in stereo on a zoom h4n.
I recorded this on the london underground for an animated project that i'm working on. We boarded the train at bethnal green and travelled several stops until liverpool street. There are a few station announcements along the way. The train itself was moderately busy, but there was not much in the way of background chatter.
This is a stereo recording of a rain tube, foleyed by delisa m. White. Oktava 012 microphone xy pair into neve 1272 preamps and apogee mini-me converter.
London underground's district line train to wimbledon. Stopping in west brompton with customer information announcement, then travel to fulham broadway and stopping there.
A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.
Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.
Opening a diploma tube. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.
Inside line 8 metro in paris, with open window. Biib, starting, 2 minutes trip beetween two stations, then opening doors. Some discreet voices. Paris, 2020. Recorded with zoom h2, ms positionstero wave, 48khz, 24bits.
