I recorded this on the london underground for an animated project that i'm working on. We boarded the train at bethnal green and travelled several stops until liverpool street. There are a few station announcements along the way. The train itself was moderately busy, but there was not much in the way of background chatter.
London underground's district line train to wimbledon. Stopping in west brompton with customer information announcement, then travel to fulham broadway and stopping there.
Recording train arrival, from left to right, at grønland t-bane station. Equipment: roland r-26, internal xy and omni microphones mixed down as stereo.
This is a stereo recording of a rain tube, foleyed by delisa m. White. Oktava 012 microphone xy pair into neve 1272 preamps and apogee mini-me converter.
Frequent tube riders may be familiar with the hum that happens between two stops, (i can't remember which two. ) for a moment, it gets a little too loud and freaks you out (around the 1:40 mark). The rest is just tube ambience. Recorded in stereo on a zoom h4n.
please do not obstruct the doors. . . Stand clear of the doors pleasevoice recorded from canada water subway station in london. Recording device: htc touch pro. Sound has been optimized (filters, normalizing, limiting).
Opening a diploma tube. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
A drain after a water flow: the water seems to build up a physical-mechanic surface tension kept mass in the tube, opens and closes this bubble-entity producing a specific rhythm in the plughole resp. The drainage pipe. It pulses with various plops and splashs, starts off with a firework kind of beat but then one hears a differentiated rhythm of 4-strokes sequences with slugs before these etc. Getting slower. Many minutes later it ends (beyond this track). The (hearable) cut is just the censorship of a small abortive piece -- left in to document the recording as recording.
Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.
Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.
Inside line 8 metro in paris, with open window. Biib, starting, 2 minutes trip beetween two stations, then opening doors. Some discreet voices. Paris, 2020. Recorded with zoom h2, ms positionstero wave, 48khz, 24bits.
