"Şans" için 229 telifsiz ses dosyası

Ambience recording in a poor family kitchen in san francisco libre, nicaragua. You will hear: a spoon stearing the stew, water, chicken, cock, hi-fi sounds, dishes, man singing, cricket, and a cars passing far away.

Sound recorded by the participants of the workshop "sons de la barcelona intercultural". Phonos, pla bcn interculturalitat, sons de barcelona, casal dels infants del raval. Zoom h1. Ronda de san antonio de barcelona a las 10 de la mañana recogida de basura con camión elevando el contenedor de la basura y marcha del camióngravado por josé meseguer.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:19:11

Sound of water flowing from a tap with fades in and out created with audacity. X : continu complexe. Morphologie :- masse : son cannelés mélange de sons complexes et de sons toniques- timbre harmonique : éclatant et clair- grain : son rugueux- allure : pas de vibrato- dynamique : attaque douce et graduelle. - profil mélodique : variation glissante sans séparation nette- profil de masse : calibre : equalisation.

Ambiente exterior grabado desde el interior en san javier, guanajuato, guanajuato con una grabadora sound devices 633 y un micrófono sennheiser me-66. La captura fue realizada a las 11 am del 27 de abril del 2018 por daniel pérez aréchiga.

A zoom h4n recording of neighborhood ambiance in the san gabriel, california, on an early summer day. Dominated by the sound of a mockingbird, in the distance is the faint sound of a freeway. Note: you are free to use this recording in any way deemed fit for both personal and commercial use, provided that you expressly credit the sample with the following author in your published material: andi roselund (sangwha comm).

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:43:4

Archives d'un temps sans confinement. . . Teuf sur la terrasse de voisins. Musique électronique et personnes parlant, riant et jouant bruyamment au babyfoot. Old stuff from times without lockdown ;) party on a terrace in the close neighbourhood. Elcectronic music and people talking laughing and playing loudly football table.

Royal anthem of Canada. "God Save the Queen" is in the public domain and may be used without having to obtain permission from the Government [of Canada]. ogg file created from mp3 file using ffmpeg software. Hymne royal de Canade. Le « Dieu protège la Reine » est dans le domaine public et peut être utilisé sans qu'il soit nécessaire d'obtenir la permission du gouvernement.

(recorder: zoomh4npro 2018 model)southwest flight 2418 (san jose, california - burbank, california)april 1, 2019 (1:05pm pst). This sound was recording while standing against the fence at the burbank/hollywood (formerly bob hope) airport. I was standing in the direct path of the plane as it passed over me at about 60 feet.

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse. Natural start and end. No editing.

What i was listening to while cleaning toilets. . .

H4zoom recodered (place: quebrada de here, toconao, andes mountain on north of chile) processed with sound studio (normalize to 0db). I work in documentary and fiction films in chile. These small sound clips i made while accompanying friends to make hands-free climbing on a small creek near toconao south of san pedro de atacama. They like to play drums to quench anxiety. Was in october 2012.

H4zoom recodered (place: quebrada de here, toconao, andes mountain on north of chile) processed with sound studio (normalize to 0db). I work in documentary and fiction films in chile. These small sound clips i made while accompanying friends to make hands-free climbing on a small creek near toconao south of san pedro de atacama. They like to play drums to quench anxiety. Was in october 2012.

Anyone else working with chuck???i'm new to chuck. Fun. Today i'm working with- random start position on samples- random volume- let chance start play one of 3 samples (the drums in this example)- some sort of track-structure script. . .

That sound represent a cat who is playing with my camera, lucking that. So, we have some bass amplification,gear who goes fast and tempo who goes fast as well. Because of that we can get a noise of "shot" of my camera.

Created for fun to document the first test launch of the (fictional) falkon8 space rocket to take humanity to the rings of saturn. After the countdown the engines start. During liftoff, ground control engineers talk to the pilots to help keep the rocket on the right course. The launch crew and pilots are talking in a particular regional northeastern italian dialect. The mission launched from the san marco platform, italian "luigi broglio" space center. Following sounds were used:82986: counter93078: space rocket264185: space rocket start and background386067: some radio distortions and classic nasa com. Beeps.

I went out to the lake to record some ducks. This day they weren’t squawking as much as i’d hoped, but the wind was calmer than it normally is, and the wind really is your biggest enemy when making outdoor recordings like these. But overall, the recording isn’t bad. The ducks are smallish black ones with white beaks called the american coot. Lots of tweeting birds in there too, especially the first half, and i think those are just the normal small sparrows that you see everywhere. Couple people chatting, but they’re way in the distance. A little bit of a plane or two overhead, but i think i edited most of that out. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prolake murray in san diego.

Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.

Bowling alley- the thing with recording a bowling alley is that the pins are so far away. When you’re the one bowling, you’re not really listening to all the chatter around you; in fact your brain does its best to cancel it out (it’s called selective listening, google it), and so you really hear the clamoring of the pins as they crash and fall. Microphones don’t have any such ability; they just take in whatever sound waves reach them, and they don’t care either way about the relative loudness of those sound waves. So what happens in a recording like this is that even though it sounds like any ordinary (busy) bowling alley, the pins sound really far away in relation to the human chatter. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook probowling alley in san diego.

Nano/opto-électroniquecours 4 (part 3)09/11/2012. Heterostructuresslijd 4. 1) (00:00)slijd ?) band gap engineering (9:22)slijd ?) croissance d'hétérostructures (17:42)slijd 4. 3) (26:02)pré-slijd 4. 4) travail d'extraction (28:53)slijd 4. 4) (40:09)slijd 4. 5) (45:12)slijd 4. 6) (54:59)slijd 4. 7) (56:40)slijd suivant) difficultés d'interprétation (suite) (58:59)commentaire sans slijd) (1:01:43)slijd suivant) dopage sélectif (1:03:24)slijd. 2) effet de e sur le diagramme de bandes d'énergie (1:05:10). Fin 1:16:53. .

This is an example of a low-frequency sound often recorded through the hydrophone on the mars cabled observatory - an earthquake. Mars is located on smooth ridge (36. 7125n, 122. 1869w), west of monterey bay at approximately 900 m depth (http://www. Mbari. Org/at-sea/cabled-observatory/). This magnitude 3. 8 earthquake occurred on july 18, 2016 at 05:53:31 utc (usgs data). It was part of a small earthquake swarm along the san andreas fault, approximately 50 miles east of the hydrophone. All quakes in this swarm, with magnitudes as low as 1. 9, were detected by the hydrophone. We have recorded as many as 40 earthquakes within a single day. The original recording was normalized, and speed was increased 5x to make the low frequency sound more audible. Still, subwoofer or headphones are recommended.

[retro_laser_shot_05. Wav]. S/o to all my freesounders out there for making this sound one of the most popular sounds released / published on 2018 (according to the ratings - presented in the freesound-table: "freesound 2018 in sound, by ratings")!. S/o to my freesounders!. --------------------------------------------------------------. Retro, laser shot!. When i was a kid and played gta san andreas, there was a shoot 'em up game in cj's home in grove street, and this sound reminded a lot about the spacecraft shots from that shoot 'em up game! back in the days. . . If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Rolling a trio of dice. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Shaking a trio of dice. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Français:fond sonore avec tension permanente. Musique que j'ai créée avec music maker jam. Musique courte pouvant être répétée à la suite autant de fois que souhaité sans perturber la continuité de façon brutale. Un rythme rapide pour l'effet tension en continu. A utiliser de préférence en musique de fond pour des vidéos de type creepypasta. Volume à régler en fonction de vos besoins via un logiciel audio. English:background sound with permanent tension. Music i created with music maker jam. Short music that can be repeated as many times as desired without disrupting the continuity in a brutal way. A fast rhythm for the continuous tension effect. Best used as background music for creepypasta type videos. Volume to be adjusted according to your needs via audio software.

Euskara: 2010. urtean konposatu zuten Mikel eta Poti Rekartek, hitzak Txomin eta David Mindegiak, Mikel Rekartek; Armonizazioa eta partitura Ainhoa Sanz eta Cecilia Otaegik; ahots nagusia Alberto Zunzarren, koruak Xabier Bañares, Pascual Bertiz, Joxe Irigoien, Juan Telletxea, Javiertxo eta Lorena Almandoz, Pablo Elizondo, Ibai Marizkurrena, Mikel Rekarte, Izaro Martín, Maite Urreaga, Maialen Zamorano, Ainhoa San Miguel eta Maitane Larretxea. Perkusioan Mikel Rekarte, bibolina Cecilia Otaegi, pianoan Ainhoa Sanz. Hitzak: Doneztebe aldean sortu zen lainopean, kirola du helburu, guztiok elkarlanean. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Kirola du helburu, guztiok elkarlanean. Himno compuesto en 2010 por Mikel y Poti Rekarte, letra de Txomin y David Mindegia, Mikel Rekarte; Arreglo y partitura Ainhoa Sanz y Cecilia Otaegi; voz principal Alberto Zunzarren, coros Xabier Bañares, Pascual Bertiz, Joxe Irigoien, Juan Telletxea, Javiertxo y Lorena Almandoz, Pablo Elizondo, Ibai Marizkurrena, Mikel Rekarte, Izaro Martín, Maite Urreaga, Maialen Zamorano, Ainhoa San Miguel y Maitane Larretxea. A la percusión Mikel Rekarte, violinista Cecilia Otaegi, pianista Ainhoa Sanz. Letra: Doneztebe aldean sortu zen lainopean, kirola du helburu, guztiok elkarlanean. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Kirola du helburu, guztiok elkarlanean.

Cheerful! ^^. This sound can for example be used in games, for example when the player character encounters someone on the way - maybe a leprechaun? - you name it!. Image by openclipart-vectors from pixabay (licensed under the pixabay license (free for commercial use, no attribution required)!) [2020-08-10]. - links: https://pixabay. Com/vectors/leprechaun-laughing-face-161943/https://pixabay. Com/service/license/. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.