3 612 безкоштовних аудіофайлів для "3"

Recorded on rode ntg-3.

Recorded on rode ntg-3.

Cigarette box handling, shaking (with 3 cigarettes in it), dropping, opening, pulling cigarette out, etc.

A simple sound made by clashing two pieces of wood,recorded and edited in caustic 3.

Paper towel being teared, perforated edge. Recorded with h5 zoom with ntg-3 mic.

Lên cơn đêm khuya :3 ai nói mặc kệ, kqt kcx và cũng klq :v.

Instrument : ibanez gio grg-270amp : marshall mg-50-dfxpedals : boss cs-3 / digitech janman express xt / boss dd-7.

Instrument : ibanez gio grg-270amp : marshall mg-50-dfxpedals : boss cs-3 / sonus overdrive / boss dd-7.

H1 zoom, 3 men on a small house construction in bled near the lake.

The sound from the end of an operating vacuum cleaner hose miked from 3 different positions.

Buttons being rapidly pressed on a playstation 3 controller. Recorded with logitech ak5370 mic on audacity.

Fulfilling a request to create 3 characters reading lines of dialogue for a short animation clip.

Recorded opening my water canteen with neumannu89. Modified with tricks in adobe 3. 0.

1973 24" 3-ply maple kik drum www. Derekmurphy. Com.

A catarpillar recorded closely with a zoom h4n internal mic plus sanken cs-3.

3 shakes of a handmade wooden rattle filled with very small beads or rice.

10. 005 seconds of ocean sounds with 3 seconds of fading in and out. Normalized by -3db.

Date: 4/2/2023time: 3:12pm. Field recording in garden-city, cairo.

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

William Byrd. The galliarde for the victorie from My Ladye Nevells booke of virginall musicke.

The marimba the sample using the app caustic 3 of the sound of the sole using for fl studio mobile.

This is the melody of the first 3 tabs of the toy story theme song played in an electric piano.

Garmin nuvifone recorded on a couch by b5 and denoized by izotope rx 3.

My first music uploaded. I used 11 different segments of the music to make a 3-minute piece.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

One explosion sound i created using wavepad sound editor, adobe audition 3 and my high quality microphone. Sounds used to get this explosion, in case you want to replicate it;. -kicked rocks (recorded by me)-throwing rocks from a distance (recorded by me)-edited and stretched beer hiss (recorded by me)-edited chambagne pop sound (recorded by me)-rocket hiss (replica by me). Applied effects;. Mastering (in adobe audition 3), increased "exciter" up to 11. 5%. High-pass filter (in adobe audition 3). Stretch (in adobe audition 3), in "high precision" mode. Reverb (in wavepad sound editor pro). The sound sounds very common, because most people use this method. In case you want to use it, please give me credits.

John Philip Sousa's "Corcoran Cadets" (1890) as performed by the United States Marine Band. Track 39 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Made this with the fm synth in caustic 3. Just hit record & started turning knobs. Even though its almost a simple synth, it definetly has enough for endless possiblities. // its a 3 iscilator synth w/ a few fm settings.

Medium tone drone from my paul company (india) harmonium, slightly deeper tone than my drone1 uploaded here. Recorded with zoom h4n via onboard mics, 3 feet in front of harmonium on same (floor) level. Edited with audacity 2. 06. Recorded on 2-11-15 at 3:20 pm, mountain time.

Sound editor recorded a 5 second countdown leader including the following:-left and right channel split tones recorded at -6db max-3 second countdown (3, 2 - with 1 frame tone). Can be very useful in cueing editing segments meant to be synchronized in a program or show leader. Produced and voiced by:jeremy gossettgossett productions, llc. .

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Українська: Шуберт. Експромт №3 op,90 (запис з концерту в Миронівці, 2 грудня 2016) Schubert Gb Impromptu #3 op.90 (live recording from Myronivka in 2016)

John Philip Sousa's "The Bride Elect" (1897) as performed by the United States Marine Band. Track 54 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Ossip Gabrilowitsch (1878-1936) plays Johannes Brahms: Intermezzo in C major, Op. 119 No. 3.Ossip Gabrilowitsch (1878-1936) spielt Johannes Brahms: Intermezzo in C-Dur, Op. 119 No. 3.

John Philip Sousa's "El Capitan" (1896) as performed by the United States Marine Band. Track 52 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Sveriges Radios folkmusikinspelningar. Gästriklandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10701:3:3

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.