43 безкоштовних аудіофайлів для "Filter Sweep"

Synth filter sweep c3.

Synth filter sweep bass c2.

A simple filter sweep i created using white noise wave and a filter to create the sweep.

Moog sirin c4 filter sweep dry sound 16 bit.

Filter sweep with modded dirt filter.

Atmospheric filter sweep.

A filter sweep done with the kawai k5000r.

Quick filter sweep.

Peaky noise sweep, using resonant band pass filters then a sharp cut tail.

8-voice drone, slow filter sweep.

Sinus wave connected to the filter fm1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

Transient manipulation of a drone-texture with a filter sweep applied on top.

A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Made with roland jd-xi + protools + roland quad-capture.

A sound made in vcv rack that has a filter sweep.

A drone sound i created using a dsi mopho, recorded in logic. I didn't use any fx. It's a filter sweep with some resonance and lfo 1 is modulating pan position.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Cliche space-like sound, made by accident :).

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Helicopter chopper techno rendition using filter sweep of strega and sequenced through 0-ctrl and 0-coast. Done at 32-bit fp and 48khz with markers for morphagene. Enjoy!.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

An e50 morphing terrarium (digital) applying slow sweep filter/freq modulation of 8 voices. Cwejman vco-2rm (analog), synthesis technology e340 cloud generator (digital), and two lifewire audio frequency generators (analog). Mannequins three sisters vcf.

Cicadas from hell. 6 pulse waves (cwejman vco-2rm, two audio frequency generators, and instruo cs-l), frequency/filter sweep modulated by e350 morphing terrarium. Overall frequency shifting by an e520 hyperion effects processor.

Right channel the sin-wave. Left channel the output from uoki-toki polivoks vcf when i manually sweep the filter frequency. Resonance at max.

*** please rate this sound if you download and like :-) ***. This is a common dance sweep generated only with a white noise filtered with ableton's "auto-filter". It lasts exactly 16 bars at 120 bpm. This fx has no effects inside, you can get excelent sounds by adding on it flangers, phasers, choruses, delays, reverbs, sidechain from kick and so on. . .

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.

An example of a classic analog synthesizer sound. Four sawtooth bass filter sweeps with gradually increasing resonance.

A synth pad with lots of filter sweeps.

Sample and hold + vcf and manual filter sweeps.

Short resonance sweeps created on the roland sh-101 synthesizer. These work nicely for ambient electronic sounds (add some delay) or transition effects.

A drone i did in metasynth, has some nice filter sweeps.

Analog synth makes some examples of hard sync, osc2 sweeping down. Mostly open filter.

These sci-fi synth sweeps were created by manipulating white noise with filter sweeps and other effects and then using noise reduction to remove the underlying white noise. You would need to pick through them and cut them up, but they can be useful for sound designing light graphic elements that move around and animate on and off.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.