8 безкоштовних аудіофайлів для "Impulse Power"

This is a sound of my own personal design for work. Enjoy! i hope you find this "retro" sound useful for one of your projects!. - christopher c. Courter.

This is a sound of my own personal design for work. Enjoy! i hope you find this "retro" sound useful for one of your projects!. - christopher c. Courter.

This is a sound of my own personal design for work. Enjoy! i hope you find this "retro" sound useful for one of your projects!. - christopher c. Courter.

This is a sound of my own personal design for work. Enjoy! i hope you find this "retro" sound useful for one of your projects!. - christopher c. Courter.

This is a sound of my own personal design for work. Enjoy! i hope you find this "retro" sound useful for one of your projects!. - christopher c. Courter.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.