4 289 безкоштовних аудіофайлів для "Midi"

Lobt Gott, ihr Christen alle gleich (Evang. Gesangbuch 27; Gotteslob (1975) 134; Gotteslob (2013) 247)

*3 steps in 5-et on C. Equal-tempered: 23/5=6/10=9/15:1 = 720 cents. MIDI pitch bend: 51,70

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

So fahr ich hin zu Jesu Christ, Schlusschoral der Kantate Der Himmel lacht (BWV 31), Chorstimmen und Trompete

*7 steps in 18-et on C = ??. Equal-tempered: 27/18:1 = 466.67 cents. MIDI pitch bend: 42,53

*9 steps in 15 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 29/15=3/5:1 = 720 cents. MIDI pitch bend: 51,70

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30

In dulci jubilo (Gotteslob (1975) 142; Gotteslob (2013) 253); Nun singet und seid froh (Evang. Gesangbuch 35)

Loopable strings loop with a techno mix( empiresboom ). All the sounds are mastered in fl studio. Bpm :110---4/4fl studio 11. Midi recorded by akai mpk mini midi keyboard. Drums recorded by neewer n-700 condensor microphone.

O selige Nacht (Melodie Augsburg 1810); Gotteslob (1975) Köln 841; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 I

C major bebop scale.

Heilig, heilig, Evang. Gesangbuch 185.3

Tochter Zion, freue dich

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Gottes Liebe ist so wunderbar

Invention No. 8, BWV 779, by Johann Sebastian Bach

Invention No. 10, BWV 781, by Johann Sebastian Bach

Invention No. 14, BWV 785, by Johann Sebastian Bach

Adriaen Willaert: Le dur travail.

Chromatic scale descending on C.

Jacob Regnart: Venus du und dein Kind

Nobody Knows the Trouble

Major triad on C in first inversion.

Major triad on F in second inversion

4-26 (minor seventh chord) tetrachord on C

4-29ZA (all-interval) tetrachord on C

Dominant seventh flat five chord on C - As MIDI

Example of an altered chord progression in jazz.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

Major triad on F in first inversion

4-15ZB (all-interval) tetrachord on C

Primay triads in c, as MIDI

Invention No. 12, BWV 783, by Johann Sebastian Bach

Z'Lauterbach hab i mein Strumpf verlorn

Wunderbarer Gnadenthron, Evang. Gesangbuch 38

Non-Pythagorean scale on C.

4-28 (diminished seventh chord) tetrachord on C

4-29ZB (all-interval) tetrachord on C

Suspended fourth chord on C in first inversion.

Double harmonic scale on C

*Millioctave on C. Equal-tempered: 21/1000:1 = 1.0006934 cents.

4-22B (minor sus4 chord) tetrachord on C

4-15ZA (all-interval) tetrachord on C

Invention No. 15, BWV 786, by Johann Sebastian Bach

*Harmos on C. Equal-tempered: 21/1,728:1 = 0.694444 cents.

Invention No. 6, BWV 777, by Johann Sebastian Bach

Invention No. 7, BWV 778, by Johann Sebastian Bach