Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.
Автор: Charles IvesImage created by Hyacinth (talk) 23:23, 17 April 2010 using Sibelius 5.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a1_v1_rr1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: staccatonote: a2midi note: 45midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ldflute_susvib_a4_v1_1. Wavinstrument family: woodwindsinstrument: flutearticulation: vibrato sustainnote: a5midi note: 81midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: linda dallimore.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ldflute_stac_c4_v1_rr1. Wavinstrument family: woodwindsinstrument: flutearticulation: staccatonote: c5midi note: 72midi velocity (center): 15location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: linda dallimore.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_stacc_a#2_v1_rr1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: staccatonote: a#3midi note: 58midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: nt5_man3quiet_122_rr1. Wavinstrument family: keysinstrument: organarticulation: quietnote: c2midi note: 36midi velocity (center): 63location: ukroom type: chapelmicrophone: 2x rode nt5 spaced pairperformer: simon dalzell.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_vib_a#4_v1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: vibratonote: a#5midi note: 82midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: timpani1_hit_v1_rr1_sum. Wavinstrument family: percussioninstrument: timpaninote: f2midi note: 42midi velocity (center): 40location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: sam gossner.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: llvln_pizz_a3_p_rr1. Wavinstrument family: stringsinstrument: solo violinarticulation: pizzicatonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pairperformer: lily lyons.
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: xylo_medium_c5_ff_01_far. Wavinstrument family: percussioninstrument: xylophonenote: c5midi note: 72midi velocity (center): 63location: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 overheads, 2x sm-57 spaced pairperformer: sam gossner.
Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!
Автор: Melodie: Leopold Hörlezeder (1824-1894); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
Light string sound without melody. Made with a keyboard improvisation midi, processed through virtual synth in music maker as acoustic guitar, disguised with reverb, delay, echo and fx phasing into something that sounds almost like a gypsy cimbalom.
German Church Hymn Gelobt seist du, Herr Jesu Christ (Gotteslob (1975) 560; Gotteslob (2013) 375Herr, nimm auch uns zum Tabor mit (Gotteslob (2013) 363 (Alternativmelodie))
Автор: Melodie: Josef Venantius von Wöß (+ 1943); Satz und Tondatei; Rabanus Flavus (Peter Gerloff)
Dies sind die heilgen zehn Gebot, jüngere Version mit erhöhten Leittönen; Evang. Gesangbuch 231. Ebenso: In Gottes Namen fahren wir; Evang. Gesangbuch 498
Die Hussiten zogen vor Naumburg; für diese Melodie dichtete Joseph Victor Scheffel Als die Römer frech geworden, das lange auch dazu gesungen wurde (1).
Автор: Melodie: traditionell; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
Made with js loop granular sampler and midi note repeater from reaper. You can use it for comic, animation sound making or for horror movies. I added some grain to make it more squishy and more intense. If you want to use it, credit me with a link (as keirasound).
V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.
