925 безкоштовних аудіофайлів для "Second"

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

Algerian scale. No pitch bend.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

*Schisma on C = B♯++ (Ben Johnston's notation). 32805:32768 = 1.9537 cents. Limit: 5-limit. MIDI pitch bend: 80,64

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Ravel Quartet, second movement

Haydn, Symphony 94, second movement bars 150-156

Schubert Piano Sonata D960 second movement, bars 98-106

Piano Sonata 29, second movement, bars 48–54

Claude Debussy String Quartet (1893) second movement opening.

Let's be serious a second by Loyalty Freak Music

Predominant chord: I64.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

Level 6 : Second strike by Komiku

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

Schubert, Trio in E flat, second movement, closing bars

Schubert Trio in Eb, second movement, bars 86-89

*Thirty-second tone on C. Equal-tempered: 21/192:1 = 6.25 cents. MIDI pitch bend: 127,65

Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

Schubert, Trio in E flat, second movement, bars 86-89

Schubert, Trio in E flat, second movement, bars 1-6

Schubert, Trio in E flat, second movement, bars 21-26

*Bohlen-Pierce major second on C. Just: 25:21 = 301.85 cents. Limit: 7-limit. MIDI pitch bend: 75,64

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

Piano Sonata No. 21, 1st movement, second subject

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

Second Hungarian Rhapsody

Horn excerpt from Brahms' first symphony second movement.

A 16 second sample of Juele's song "Burn"

Between 1hz and 22050hz. Made with audacity.

6/8 clave, second form (son clave)

William Tell overture (second half)

Symphony No. 9, Movement 2, Op. 125

Deceptive cadence in Mozart's Sonata in C Major, K. 330, second movement.