1 889 безкоштовних аудіофайлів для "Tones"

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

This is a 5 second rendering of the famous 1000hz censoring tone used on tv, movies and broadcasts. It can be cut, looped and used to censor audio that may be sensitive in nature or otherwise not fit for broadcasting. Made the tone using an analog tone/pulse generator fed into a focusrite scarlet 2i4. The sound is very clean (no noise). As this "tone" is fairly easy to reproduce and there is no copyright on it, i'm not going to ask for attribution or anything. Just use it as you see fit whether it'd be commercial or private. Tl:dr; public domain file made by me (bjornthv).

Ringtone cellphone ring-tone alerts alarm ring 1k distance between us.

Recorded at: 2074 robie street, halifax, ns, apt. 2105 / recorded with: tascam, apex stereo omni mics, hercules stand.

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Dial tone. Please leave comments and rate!!!!.

Ives quarter tone fundamental chord.

Wireless home telephone, 3 tone, dryready for looping. Microphone: akg c 1000s(different versions and speeds available in telephone pack. ).

A bright ambient tone.

An ambient tone, rising in tension.

Generated by software.

Synthesizer tones.

Sound of two bottles of glas.

Scrolling through various shortwave frequencies, caught couple tones among the noise. Sounded like sad horns. Radio used was a grundig yacht boy 207 with a broken antenna, recorded on a tascam dr-05x.

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Room tone loop office with large ceiling mount air-conditioner. Recorded about 1 metre away from the air con unit. Recorded on a zoom.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Pc keyboard sound while using.

A reverse crash like tone.

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx.

Clean tone, blues style of riff but could almost be an intro for a doom/stoner rock song.

Grave whole tone on C (D--), 800/729, 160.90 cents.

Big thunder around 0:56. Closed windows - room tone with rain and hail outside. Recorded with zoom h5's internal xy mics.

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

Edirol field recording.

Dmf tones for 8675309 with some reverb.

A commodore 64 / submarine tone.

A harsh digital frequency sweep.

Square wave tone at 440hz.

A small singing bowl.

Hd wav scape model 15.

Made it myself with and adaptor and an audio input cable.

Three perfect fifths, in equal temperament

This tone was generated using audacity. In the base there is a 45hz sinusoid. Then a new sinusoid tone of 207hz is added for about 5s. After a pause of about 5s a second sinusoid of 208hz is added for 5s.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

A sound stimuli to demonstrate combination tone from speakers. You should hear additional frequency of 500 hz. The sound itself is summation of1000 hz and 1500 hz.

A variety of glass ding tones that could be sampled and played as a musical instrument, or wind chime, or as a simple sound effect.

Roomtone de una cocina con ventana en dirección a un tejado, techo de tejas de asbesto y suelo en piedra.

Los angeles suburban neighborhood tone. Recorded on a zoom h4n. 24-bits / 96 khz.