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Utagawa Kuniyoshi – MIEJI: Maple-Leaf Viewing (Momijigari) [from The Sixty-nine Stations of the Kisokaido]

Kitagawa Utamaro – Parody of the Killing of the Nue, from the series Picture Siblings [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – ourtesans of the Matsuba-rô: Utagawa, Matsukaze, Wakamurasaki [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Kôya Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Chôfu Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Jewel River of Plovers: Takigawa of the Ôgiya, kamuro Onami and Menami, from the series Six Jewel Rivers in the Pleasure Quarters [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Noda Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Iris: Two Women Looking Up, from the series Ordinary Women as Six Selected Flowers, pun on Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Hour of the Sheep, from the series The Twelve Hours in the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Komurasaki of the Tamaya, kamuro Kochô and Haruji, from the series Eight Views of Beauties of the Pleasure Quarters [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Wakaume of the Tamaya in Edo-machi itchôme, kamuro Mumeno and Iroka [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Immortal Li Tieguai, represented by Hanaôgi of the Ôgiya, kamuro Yoshino and Tatsuta, from the series Eight Immortals in the Art of Love [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Keisai Eisen – Ukiyo Shijuhatte (Forty-eight Tactics of Love) : Technique of capturing with alluring gesmre [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Three Beautiful Mistresses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Keisai Eisen – Ukiyo Fiizoku Bijo Kurabe (Beauty Contest of Contemporary Women) : Wine and tea [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Shiratama of the Tamaya and Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Keisai Eisen – Ukiyo Shijuhatte (Forty-eight Tactics of Love) : Promising to meet at tlie house of appointment [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Fûryû Bijin-awase (Charm contest of women) : Ainare of the Ebi-ya House [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Dressing up [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Geisha under the willow in moonlight [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Actor Nakamura Noshio II as a Rokubu Pilgrim [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Actor Yamashita Kinsaku II as Kokin [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Woman Seated by a Hibachi, from the series Five Shades of Ink, Newly Made [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Komura Settai – Mount Tsukuba [from Hanga Geijutsu No.146]

Katsushika Hokusai – 47. Kameyama-juku (53 Stations of the Tōkaidō) [from Meihin Soroimono Ukiyo-e]

Toyohara Kunichika – Ko’ina of the Inamotoro, Kuruwasenryo, from the series Hisenryo O-Edo Nigiwai [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]

Kitagawa Utamaro – Wakaura and Wakana of the Wakanaya, from the series Courtesans of the Pleasure Quarters in Double Mirrors [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Women Holding a Pipe and a Round Fan [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Sweetflag and Rocks in a Basin of Water, from the series Imitations of the Eight Views [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Kisegawa of the Matsubaya, from the series Comparing the Charms of Five Beauties [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – To Jirushi of the Land of Geisha [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Ide Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Tatsumi Rokô, from the series Renowned Beauties Likened to the Six Immortal Poets [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Autumn Moon of a Courtesan, from the series Eight Views of Customs of the Floating World [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Kasugano of the Tamaya, kamuro Uraba and Hatsuse, from the series Snow, Moon, and Flowers in the Pleasure Quarters [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – A Yoshiwara Triptych [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Immortal Lu Ao, represented by Mimasakayama of the Chôjiya, kamuro Chidori and Midori, from the series Eight Immortals in the Art of Love [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – A Flower of the Ôgiya, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Picture of the Upper Class, from the series Three Ranks of Young Women According to their Fashions [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Love that Rarely Meets from the series Anthology of Poems: The Love Section [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Hanaôgi of the Ôgiya, kamuro Yoshino and Tatsuta [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Miyahito of the Ôgiya, kamuro Tsubaki and Shirabe [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Woman Holding a Round Fan, from the series Ten Types in the Physiogonomic Study of Women [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – No. 8, from the series Letters of Beautiful Courtesans [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Ta Sign of the Western Station [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Woman with Lantern, from the series Ten Types in the Physiognomic Study of Women [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Love for a Street-walker [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Reed Blind, from the series Model Young Women Woven in the Mist [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Hour of the Horse, from the series Sundial of Young Women [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Wakatsuru, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Courtesan Asajiu of the Daimonjiya and Nanatsu-ume Sake by Momenya, from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Yasui Sōtarō – Portrait of Girl [from Sōtarō Yasui: the 100th anniversary of his birth]

Sudō Shigeru – Comfort Bag [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Trifoliate Orange Flower [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Flower Seller [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Feather [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Blooming Camellia in Island [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – That Way, This Way [from Sudō Shigeru Lyric Art Book]

Kitagawa Utamaro – Segawa of Matsubaya [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Around the Clock at Gay Quarters – the Hour of the Tiger [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Ohisa of Takashimaya, Fan in Hand [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Three Beauties at Matsubaro – Matsukaze [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Three Beauties at Matsubaro – Wakamurasaki [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Ten Physiognomic Aspects of Women: the Passionate Type [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Three Beauties of the Kansei Period [from Utamaro – Ukiyoe meisaku senshū I]

Kawanabe Kyōsai – The Paradise Courtesan Gokuraku dayû [from Kyosai: master painter and his student Josiah Coder]

Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Precarious’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Impatient’, Mannerisms of a Fireman’s Wife from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Good’, Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Mannerisms Elegant’, Mannerisms of a Court Lady from the Kyowa Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Lady-in-Waiting from the Bunsei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]

Uemura Shōen – Votive Lantern in a Shrine [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Early Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Late Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – New Leaves [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Beautiful Woman under the Moon [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – A Lady [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Late Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Beautiful Woman from Kyoto [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Farewell to Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring and Fall (Left) [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Daughters [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring Field [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Dress [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Katsushika Hokusai – 47. Kameyama-juku (53 Stations of the Tōkaidō) [from The Fifty-three Stations of the Tōkaidō by Hokusai]

Matsuoka Eikyu – Hill of Chigusa [from Matsuoka Eikyu Exhibition]

Takahashi Yuichi – Courtesan [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]

Komura Settai – Spring Rain [from Komura Settai]

商务会议

Business Persons are Meeting

(Richard) Boss is Giving Thumbs Up

Bow tie tuxedo suit

Katsushika Hokusai – Poem by Emperor Sanjō, from the series One Hundred Poems Explained by the Nurse [from Meihin Soroimono Ukiyo-e]

Wedding

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