357 免版税 音轨，用于"3/4"

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

3-4 equals 3-8 drum pattern.

A 3 against 4 polyrhythm. Derived from Image:3 against 4.mid and translated to OGG by User:Husky.

Electronique physiquetp 409/11/2012. Exercice 3. 4 (00:00)exercice 3. 5 (23:00)exercice 4. 1 (34:30)exercice 4. 2 (56:10)exercice 4. 4 (1:14:10). Fin.

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Schubert, Op. 4 n. 3.

Schubert, Op. 4 n. 3.

3/4 version of Image:Characteristic rock drum pattern.png.

4-3A tetrachord on C

High hat loop in 3/4.

Me saying "1, 2, 3, 4, hit it!".

10 beats in 2/4 versus 5/4 and 15 beats in 3/4 versus 5/4. Multiples of two divide 2/4 evenly, and multiples of three divide 3/4 evenly (neither depiction requires ties), but neither divides 5/4 evenly (both depictions require ties). At, say, quarter note = 150 bpm and quarter note = 225 bpm, respectively, the first pair and the second pair are identical.

1 2 3 4 syncopated kinda beat.

A synth loop arpeggio in 3/4.

Mahler Symphony No.4 in G major 3. Ruhevoil (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Electronique physiquecours 5 (part 2)09/11/2012. Chapitre 4 : processus de diffusionslijd 4. 2) (20:27)slijd 4. 3) (27:20)slijd 4. 4) (29. 44). Fin 38:33.

1. Trekarlspolska; 2. Daldans; 3. Kadrilj from Ovraby; 4. Fyrmannadans; 5. Västgötapolska; 6. Östgötapolska;

1. Soldiers Joy; 2. Cotton Eyed Joe; 3. Webertanz; 4. Zu Lauterbach;

Nano/opto-électroniquecours 4 (part 3)09/11/2012. Heterostructuresslijd 4. 1) (00:00)slijd ?) band gap engineering (9:22)slijd ?) croissance d'hétérostructures (17:42)slijd 4. 3) (26:02)pré-slijd 4. 4) travail d'extraction (28:53)slijd 4. 4) (40:09)slijd 4. 5) (45:12)slijd 4. 6) (54:59)slijd 4. 7) (56:40)slijd suivant) difficultés d'interprétation (suite) (58:59)commentaire sans slijd) (1:01:43)slijd suivant) dopage sélectif (1:03:24)slijd. 2) effet de e sur le diagramme de bandes d'énergie (1:05:10). Fin 1:16:53. .

1. Soldiers Joy; 2. Cotton Eyed Joe; 3. Webertanz; 4. Zu Lauterbach;

Vocalised farting noise #4. Recorded and processed on audacity 1. 3. 12.

Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.

Somewhat dull clattering sound in a 1 2 3 4 beat.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550

3/4 drum pattern.

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Nano/opto-électroniquecours 4 (part 2)09/11/2012. Slijd 3. 35) (00:00)slijd 3. 35 bis) (16:40)slijd 3. 37) (17:26)slijd 3. 38) (un peu avant 26:00)slijd 3. 39) (34:34)slijd 3. 40) (37:21)slijd 3. 41) (39:34)slijd 3. 44) (41. 36) pour infoslijd 3. 45) (42:30). Pause 45:10.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Bell-like noises made by shaking several 3-4" metal washers on a string.

A countdown from 5. 5 4 3 2 1 Go.

Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)

Nano/opto-électroniquecours 4 (part 1)09/11/2012. Calcul du rendement d'une led (00:00)slijd 3. 26) (brièvement 10:20)slijd 3. 28) (19:48)slijd 3. 29)slijd 3. 30)slijd 3. 31-32) manquants, il doit nous les donnerslijd 3. 33)slijd 3. 34) (45:36)slijd 3. 35) (48:33)(il revient sur slijd 3. 33)puis slijd 3. 35) (50:04). Pause 55:06.

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 3. Rondo (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Description de base:sound 4. 3 seconds. Typologie:. Continu complexe. Masse: son seul , nodal. Timbre harmonique: parasitaire. .