1,326 免版税 音轨，用于"Chords"

It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

Just minor chord on C: 10:12:15.

A chilled out chord sequence i created in jeskola buzz at 103bpm.

Electric guitar, heavy gain. Hitting the d chord and letting it ring out…. And then smack it again.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box.

This is a mix up one note piano rhythm and chords for strings. Feel free to use!.

Rap loop [cc zero]contains chords and bass, this sample is loopable.

Electric guitar ran through some vst delay and reverb units. Sounds like a pad.

80 bpm.

Disco intro.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

A major chord + minor 7th with following samples (listed in order):an equal tempered arpeggiothe matching equal tempered chordan arpeggio with just intonationthe matching chord with just intontation.

A vocal chord sliding up with crescendo and ending with an "s" recorded in big concert hall with olympus ls 11.

Doctor dreamchip - 2020-03-30 xd250 chords stem file. Created with:korg minilogue xd. 85bpmkey of cm. Doctor dreamchipportland, ormarch 2020.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Dominant and dominant parallel in C minor: Gm and BM chords.

Dominant and dominant parallel in C major: GM and Em chords.

Some chords played on an organ. It sounds like your in a cathedral. [cc zero].

A guitar riff made with openmodplug tracker.

808 drum-machine pattern with oldschool monopoly stab/chord. Notes played:. G4 d#4g4d5 f#5c5g4. Dfx buffer override is applied on the 808 kick/lg pattern to add a bouncy style. Can also upload individuals sounds/tracks if asked. . .

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

A descending chord of open strings played on a violoncelo with pizzicato. Recorded in a home studio with a rhode nt-1 and universal audio 610 (flat response).

V of V in C, on guitar.

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Sorta old school, retro, vintage vibe retro rock with maybe a dash of neil young and grunge. Just some chords and vibrato.

Funky house chords in gmin. Synth patch made in babylon soft synth.

Smooth piano chords for soul and rnb. Bpm: 100. Key: bbmaj.

Fast piano playing.

Synthesized marimba remix.

Free use.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Held mic up to a box of cords and cables while searching through. Recorded with $30 mic from target. A m10 samson. Recorded with audacity.

Used as transition between scenes for a play. The chord is unusual but essentially a major chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Used as transition between scenes for a play. The chord is unusual but essentially a minor chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

150bpm chords with movement created using flstudio flexif you use it just let me know so i can hear it!.

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Modest Mussorgsky's Pictures at an Exhibition: "Promenade", chords/chord progression gm: i-VII6-i-VII-v-VII-III-i-IV-IV6-VII Created by Hyacinth (talk) 14:23, 3 November 2011 using Sibelius and Paint. Source: Nattiez (1990). Music and Discourse: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0691027145.(from enwikipedia)

Tritone substitution (for V) notated as Italian sixth.

Unraveling Chords by Monplaisir

Shave and a Haircut in G with chords. Triplet swing.

Four bars guitar composition in e major in sibelius. Arpeggio. Chords progression i - iv - v - i.

Metal guitar riff, 85 bpm, can be looped and used for a song.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).