1,326 免版税 音轨,用于"Chords"

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Alpha scale major triad on C. MIDI pitch bend matches intervals.
作者: Hyacinth at English Wikipedia
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Same as noiseatthegates. Wav but cleaned up. Just a little riff you can throw into any kind of rock/metal or other mix.
作者: Tedski
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5 sec tape loop test. Recorded 2 chords from an plastic organ with a tape recorder. Warm nostalgic wobbly and crackling. -alexander.
作者: Antwerpsounddesign
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A file i made by recording myself playing two chords on a piano. Great for replacing window's sounds.
作者: Hero Of The Winds
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This is a loop that i made with a homemade synth. It is an arpeggiation of a few chords.
作者: T Beau
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Something i'm working on i figure i'd share so maybe yall can mess with it too!.
作者: Destructo
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Short melody using harmless vst on fl studio. Recorded and processed on audacity.
作者: Rvgerxini
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Extended dominant relationship in Schubert's German Dance, D. 643, opening.
作者: Created by Hyacinth (talk) 14:12, 22 December 2010 using Sibelius 5.
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Hey , check out my blues / hip hop / indie track.
作者: Gagarindes
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Some chords played on the oberheim ob8 analog synthesizer. Would work nicely in a jungle tune. Let me know how you use it!.
作者: Analogist
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Three crescendo plucked chords on a classical guitar. Heavily treated with delay and modulation treatments. Will add more from this project soon.
作者: Milo
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Notes recorded in ableton live demo so i cant export then i freezze and flatten to can use in other software ;).
作者: Brudelarge
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Cute cc0 loop of some upbeat, melodic stuff // c major 93 bpm.
作者: Deadrobotmusic
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A pad i accidentally made. This sound is in the open domain, use it freely without the need for retribution or credit.
作者: Catawake
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Two measures of squelchy acid bass with piercing synth chords. Created in lmms, further effects applied in audacity with valhalla supermassive. 140 bpm, a flat hungarian minor.
作者: Steevee
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Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.
作者: This file is lacking author information.
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Septimal minor triad on C (C,E7b,G or 6:7:9)
作者: Created by User:Hyacinth 20:01, 5 August 2008 in Sibelius with midi pitch bend on 51,85 for 266.8701171875 cents rather than 266.87 and 80,64 for 701.953125 cents rather than 702.
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Excerpt from Bach's Mass in B minor
作者: Hyacinth
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Made this loop to improvise on c dorian. Delay added later on ableton live. Gear used:. Washburn wr 150 emg-89, s and s. Both single pick ups were selected.
作者: Giomilko
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An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.
作者: Tal Brenev at English Wikipedia
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Electric guitar, heavy gain. Faster style riff with a change to a hitting slow style break. Sorta punkish in a way.
作者: Aceinet
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Created with spitfire labs. I made this progression for underscoring for a scene in a play that took place after a character died.
作者: Xxamoneyxx
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Sliced and hp cutoff, you can endlessly loop it. Taken from my track https://soundcloud. Com/leaving-february/sumuun.
作者: Leaving
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Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).
作者: Sciurid
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VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self
作者: Hyacinth at en.wikipedia
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An angry synthesized dog and cat going at it. Tweak the mods.
作者: Kathakaku
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This sound was created using the "surge" synthesizer. Bpm: 170key: c# majorcheck it out: https://presetshare. Com/preset/view?id=1553.
作者: Johnnie Holiday
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Made with soundiron emotional piano.
作者: Younoise
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Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).
作者: Sciurid
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John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.
作者: John Stepan Zamecnik (1872–1953)
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.
作者: Image: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5. Music: Bach
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The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.
作者: Deleted User
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The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
作者: Opus33 at English Wikipedia
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Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.
作者: Veiler
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In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.
作者: Finnssound
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March 2018. Recording equipment: shure sm57 mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. Acoustic japan guitar fg-151.
作者: Black River Phonogram
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Simple guitar strum pattern, 4/4 time, on a fender stratocaster, clean with light chorus - pack contains each of twelve chords (e - d#) played in both major and minor.
作者: Godlesswonder
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A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.
作者: Antiphonal
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A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.
作者: Antiphonal
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A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.
作者: Antiphonal
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Made this stab from scratch for a little music doodle. It didn't fit in. . .
作者: Saltbearer
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The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
作者: Hyacinth
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Recorded with fl studio 10.
作者: Younoise
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Recorded with fl studio 10.
作者: Younoise
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Sorta out of tune and pitch but can probably be used for something in the background. Mid gain distortion with some vibrato.
作者: Aceinet
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A really haunting drone. I recorded a few chords on a old, out of tune piano with a room mic, then processed it with heavy delay and reverb effects.
作者: Laserlife
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A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.
作者: Antiphonal
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A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.
作者: Antiphonal
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The sound emitted and created from the vocal chords of a person when he, or she commits the act that is "coughing". Recorded on an iphone 6s.
作者: Coolboy
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Plucking a string on a ukulele. 12xxx. Recorded with: nt1-a rode microphone (condenser cardioid mic)program used: reaper v5. 16/x64edited with: adobe audition.
作者: Dalesome
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