1,326 免版税 音轨，用于"Chords"

Violoncello chord on D.

Common-tone diminished seventh chord.

I don't know what chords these are.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Bmin11 chord of a stacked pad sound.

D-over-F-sharp slash chord.

Ab-over-A slash chord.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Water glasses tuned to complete the chord structure of i v7 i in c major.

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

Short chord with echo from song i'm working on.

A basic c major chord played on a glockenspiel in garageband. Positive vibes.

Piano chord hit from inside.

A guitar chord strummed on an electric guitar with a little overdrive.

Trap piano chords, 110 bpm.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Mystic chord Acorde místico

Short sample of a chord from a software synthesizer, distorted.

Deep techno chord 120bpm, made in logic x.

Strumming a single chord on a guitar.

Chord stab made in fl studio.

A chord loop which is used in one of my tracks called charcoal grey.

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.

Example of an altered chord progression in jazz.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Just Intonation Major Chord (4:5:6)

Synth strings holding an a chord. Great for ambient tone.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).

A chord processed, sounds like a guitar, high pitched.

A rhythmically vocoded synth chord progression.

Mikpyet_43_^ reverb. Wav.

C chord progression in 7/4 time at 150 bpm.

Chords with a primary or secondary dominant function.