1,326 免版税 音轨,用于"Chords"

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Violoncello chord on D.
作者: Created by Hyacinth (talk) 11:17, 13 June 2010 using Sibelius 5.
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Common-tone diminished seventh chord.
作者: User:Hyacinth
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00:38
I don't know what chords these are.
作者: Gregsteve
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Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.
作者: Hyacinth
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00:38
Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.
作者: Jetsmith
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Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.
作者: Created by Hyacinth (talk) 12:56, 8 April 2011 (UTC) using Sibelius 5.
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Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.
作者: Hyacinth at English Wikipedia
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Bmin11 chord of a stacked pad sound.
作者: Voxlab
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D-over-F-sharp slash chord.
作者: Created by Hyacinth (talk) using Sibelius 5.
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Ab-over-A slash chord.
作者: User:Hyacinth
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Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.
作者: Stomachache
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I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.
作者: Untitled
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Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.
作者: Hyacinth at English Wikipedia
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Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.
作者: Hyacinth
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Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.
作者: Hyacinth
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A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.
作者: Hyacinth at English Wikipedia
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Water glasses tuned to complete the chord structure of i v7 i in c major.
作者: Hollens
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Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.
作者: Aceinet
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Short chord with echo from song i'm working on.
作者: The Sample Workshop
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A basic c major chord played on a glockenspiel in garageband. Positive vibes.
作者: Activeobjectx
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Piano chord hit from inside.
作者: Daphne In Wonderland
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A guitar chord strummed on an electric guitar with a little overdrive.
作者: Uzerx
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Trap piano chords, 110 bpm.
作者: Azlol
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Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.
作者: Hyacinth at English Wikipedia
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I hit the body of the guitar while holding a d chord shape (in standard tuning). You will hear the chord trailing and fading out after the guitar hit.
作者: Afleetingspeck
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Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.
作者: Speedy
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Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.
作者: Hyacinth
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Mystic chord Acorde místico
作者: Ferbr1
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Short sample of a chord from a software synthesizer, distorted.
作者: Eliasheuninck
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Deep techno chord 120bpm, made in logic x.
作者: Infectedaudio
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Strumming a single chord on a guitar.
作者: Antumdeluge
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Chord stab made in fl studio.
作者: Xoark
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A chord loop which is used in one of my tracks called charcoal grey.
作者: Nikofant
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One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.
作者: Hyacinth
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This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.
作者: Extraborg
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Example of an altered chord progression in jazz.
作者: Created by Hyacinth (talk) 05:30, 6 December 2010 using Sibelius 5.
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Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.
作者: Hyacinth
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Just Intonation Major Chord (4:5:6)
作者: Sciurid
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Synth strings holding an a chord. Great for ambient tone.
作者: Beetlemuse
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Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.
作者: Claude Debussy
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Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7
作者: Hyacinth
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Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.
作者: Claude Debussy
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Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.
作者: Hyacinth at en.wikipedia
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This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).
作者: Blxcknxils
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A chord processed, sounds like a guitar, high pitched.
作者: Eliasheuninck
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A rhythmically vocoded synth chord progression.
作者: Alchemical
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Mikpyet_43_^ reverb. Wav.
作者: Tusic
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C chord progression in 7/4 time at 150 bpm.
作者: Redone
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Chords with a primary or secondary dominant function.
作者: Hyacinth
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