940 免版税 音轨，用于"Delay"

I've created a kick with korg monologue, then i distorted it and delayed it with an fx i've created on voltage modular.

Pieces of noise, delayed, variously pitch shifted and reverberated, half in right channel another similar half in left channel. Rhythm is kind of present.

Sound made with the alienspaceweaver vst. Effects: reverb, delay, echo.

12 analog sounding impacts. Made with monark & dub machines in ableton live.

Deep kick and tension pad. Made in ableton, resampled 808 and absynth with reverb and ping pong delay.

Noise heavily processed with chorus and delay. Slight lfo to lp filter cutoff. Recorded at 130bpm.

Loop-saw wave in chord-with grain shifter-modulation on voicing-filter delay-drum machine with software.

A little percussive loop. If you like it, check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy/ cheers!.

A little percussive loop. If you like it, check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy/ cheers!.

07 vp-330 human voice male 8' c0-c4 in halbtonschritten ensemble rate 0 delay time 0 depth 0.

Shift tone to higher pitch, and then use automation to change it's delay time long to short immediately.

C2 moog faded in and c2 pizzicato + reversed. All passing through effects of distortion, reverb, delay and lfo. Recording settings:48 [khz]24-bit.

Moog synth c2 note mixed with c2 pizzicato and c2 reversed pizzicato. Uses reverb, delay, lfo, distortion, etc. Recording settings:48[khz]24-bit.

PSG sound demo(blueMSX + MuSICA) delay and detune was used ch.1 and ch.2

First echo experiment and fanfare. Morphagene oven-ready sampled at 48khz 32 bit. Enjoy the depth!.

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Sequence done with analog modular synth, spring reverb and analog delay. Roote note is c - ish.

As it says, i have got a sequencer. I'm testing it.

Came up with this little piano thing. It's loopable, it's emotional, it's whatever you want it to be.

A little something that happened today. Reverb and delay are doing it. . .

Lead synth that was created using dub delay, distortion, gross beat and lots of reverb. Created in fl studio 12.

Vcv rack plus supermassive valhalla,replika delay.

Rising swell that sounds like processed strings: but is not. It also has a delayed tail that goes off into the distance.

Glitchy/noisy drum loop, made with hand drawn samples in renoise (tracker) and with various included effects (delay, etc).

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

C2 moog notes mixed with c2 pizzicato + reversed. All passing through a distortion, reverb, delay and individual lfos. Recording settings:48 [khz]24-bit.

More amateur bending by me. Really sad sounding. Dark. Simple buzzing and hums. With delay/reverb.

Sound effect i made in reason 4 with subtractor and advanced reverb nothing else. I will replace it with hq wav soon.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

A hard, distorted kick sound ran through a volume and delay gate. 1 bar long at 128 bpm.

This is a 'remix' of the sound 116165 from user puhino. This is the reference link https://www. Freesound. Org/people/puniho/sounds/116165/.

Spooky-crazy tones; korg volcakeys, korg mini kaos pad2, boss dr3, audio recording to smartphone, via crate acoustic 35 amp, with blaxx delay guitar fx.

Stereo recording of my voice. Recorded on a cheap mic. All amplification was carried out digitally including delay, re verb, compressor.

Fl studio 12vsti: 3x osctone: d5+a5tempo: 100stereo shaper: mid-a side splitterfl delay bank: 6 voice choirequo: vowels24 bits256 khz.

25703 walter odington sneezing hat used in a loop with some delay/reverb. I don't know how to credit a "remix" on here. . .

This is a sampling of my washing machine when the spin cycle end. Processed thru grain sample manipulator in reason with reverb and delay.

Electronic cinematic music.

Hard compact wooden ball pluck with slight comeback (ground jumping off echo). Synthesized in audacity. Distance from listener: ~21cm.

A cacophony of radio sample manipulation using the op-1.

Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.