940 免版税 音轨，用于"Delay"

The soundscape is created by using behringers pro-1 and crave. I recorded into logic via a yamaha mixer and steinbergs ur22 mk1. In logic i destroyed the sound completely with a bunch of effects. Effects used: space delay, microphaser, a vocoder and of course my beloved bitcrusher. Did some equalizing too.

Lighter sounds captured for the mct - physical computing subject. It was capture with a small speaker as the input, capturing the sound of an empty lighter. The small speaker was plugged by alligator clamps in a 9v battery. After that i've processed the sounds a bit with a pinch of reverb, delay and some compression.

Erh's nugroove1 with some edited samples of erdie's explosion sample, it ends with a reverse explosion. I took the sweeps out of erh's loop and put them on 2 different tracks, and there is an obvious change in tempo. Some simple delay, uncompressed, a simple eq setting. . . That's all.

This is a sample of a classic (diy) dubsiren build by me. Its a squarewave synth modulated with a squarewave lfo. The sample is dry. Add delay and some chorus, reverb, (resonant) (auto) filter or so to get the typical dubby soundsystem style.

This is a random synthesized click-sound followed by a reverb with 200 ms pre-delay. I used cubase roomworks and roomworks se for the reverb, synth 1 for the click and various plugins to master the samples a little. Still they sound pretty unprocessed so you can edit them to fit your needs.

Loop with a pleasant melody and drums. If u like this don't forget to check my tunes on sc: http://soundcloud. Com/beverlyhillsboy/ also feel free to msg me if u need any particular sound of the loop and share if u use this in ur projects, i'm curious about this! cheers!.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

Quadruple finger snaps, recorded with a tlm 102. These are performed by alternately snapping with the ring and middle fingers of each hand. The snap samples are arranged from lowest spacing (all snaps happening at the same time) to highest (larger delay between individual finger snaps).

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Delay send track

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 2 is the organ track, with funky delay.

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para mi caso, se ha utilizado una moneda. En este primer audio, el sonido es de una moneda que se había caído. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como reverberación, paulstrech, retraso y vocoder. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this first audio, the sound is a coin that it had fallen. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like reverb, paulstrech, delay and vocoder.

A metallic riser that could be used in a song or to build up to a moment in a game or film. Made by hitting a spoon with a metal cup (recording with an iphone), adding tape delay with lots of feedback and short time in logic pro x, and reversing the bounced audio. I'm really proud of this - it sounds really cool!.

A short and simple tapping riff. All guitar tracks were recorded with an ibanez rg7321 plugged directly into an m-audio fast track pro. I used cubase as my daw and plugins by tse audio and lepou for overdrive and amp simulation, respectively, some stock cubase plugins (eq, compression, delay, etc. ) and some drum hits were added using superior drummer.

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

Faux-synthesized "welcome" spoken by midnight furie demaurisha. (yes, it's her real name. ). Midnight says, "welcome". Processed to sound like a disembodied machine. First word spoken by midnight at the start of one of her guided visualzations. Recorded at shabby road studio in caerphilly, wales. Source audio is clean. This sample has been coloured with a multi-tap delay.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Thunder sound synthesized from a randomly generated tone, and processed (in audacity) with: multivoice chorus, harmonic sythesizer, tons of gverb, 2-second delay, and fade-in/fade-out where appropriate. Again, this is my very first attempt, i'll keep trying to make more realistic samples like this. Until then, tell me if you liked this (rate it, comment).

This is a remix of hangover nightmare. Wav from kyster. I remixed the sample to join a project/dare called the continuum-1(a never ending project). The sample i used:. Www. Freesound. Org/people/kyster/sounds/146116. I used fl-studio and the following effects:forma-8mrdonaldand echolive, a delay unit for live applications. All echo effects are performed live.

A useful little sound to melt two variating parts of your song together. Put this sound on the end of the first part of your song to get a fluid transition to the second part. If you like this sound, you should also check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy cheers! :).

This is a bass kick i made with a nice crunchy toned delay. It started life as a mono bass kick off my 808 drum machine, i converted it to stereo then inverted the right channel, i distorted it and processed it with 100% envelope to really boost the front end punch. It's c2 pitch for convenience.

Phased multistricken crash. Based on https://freesound. Org/people/dieselsiselmedia/sounds/387139/. But at 44,100 hz and phased by applying right channel delay. I don't like this version. It doesn't have enough bass. I created it because some nationalist who doesn't recognize the unique identity and sentience of individuals couldn't resample it in standard hz properties.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

*processed version with fx* loopable. Crowd reunited in front of parliament chants in protest against the government. In 2011 during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011. .

Improved version of the previous sound. I focused on making a nice bassdrum thumb. If u like this don't forget to check my tunes on sc: http://soundcloud. Com/beverlyhillsboy/ also feel free to msg me if u need any particular sound of the loop and share if u use this in ur projects, i'm curious about this! cheers!.

An image was created to sound using sonicphoto. . Google it. . Free version is what i used, then went into ableton did some eq adjustments, probley didn't even do anything. But o well. Added some fades to make the sound more enjoyable.

Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.

Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.

Me making sounds with my mouth. Recorded with echo and reverb effects. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

Stereo sound made by csound where we reproduce a sound that has been previously worked on, in which you hear a glissando that oscillates from one channel to another covered by white noise and we work on it, putting a butterbp filter to be heard more by one channel than another, a reverb and an interaural time delay. All this reflected in a score that our sound sounds 5 times in delayed time intervals.

This is a simple sketch, where i played on electric guitar just for fun through a little guitar amp [pignose], some simple rock riff with solo part. It`s not a quality record, so i adding "lo-fi" in a name trek. Temp 77 bpm.

It's a sound that i created with a patch i made in pure-data (my first patch btw). Completely random frequencies in completely random space imaging. Merge with au "fm" sound where the index modulation change randomly, the carrier tone and the modular tone also change randomly. I applied a random delay. . . . So random random!.

This was originally composed at the keyboard as an improv on multiple tracks. I sped it up to 210 bpm and ran it through the vita virtual synthesizer as "soundtrack percussion", amps off, s and r filters on and lots of delay. A virtual drum loop with a human touch. Heavy beat. War drums 3 is a faster version of this.

The sound is a mic going to a boss me-30 on pitch shifter setting, to various other effects, and then to a boss dd-20 in sound on sound mode, then to an alesis nanoverb. All the sounds are my voice being effected/looped by the pedals. The beginning part is a cough with another vocal sound layered which sounds similar to a violin. . . Recorded direct to sound card.

A remix of this sound::. Http://freesound. Org/people/univ_lyon3/sounds/250719/. Took the sound, faded the endings properly, time stretched it, put a panner, a reverb and delay, pitched it down a bit, then made sure the volume was perfect. Used adobe audition and fl studio on this sound. Please enjoy, and listen to japanese noh theater. ありがとう.

This is a break i made to layer over my breaks at 102bpm. It was created in free tracker jeskola buzz using vst instrument, alchemy, multiloop2-move knob 1. This is not a looped sample from the instrument, i created it using the tracker, then applied an ohm boys delay effect. Sounds great over the breaks at 102. Enjoy :).

Grudge movie croak sound interpretation. The sound was created using my own voice drawing in air while croaking. It was recorded using mixcraft 6 and a samson q1u microphone. The only effects used were a delay set to long repeat, a touch of reverb while mixing and some compression while recording. But the sound is my voice, in fact all the sounds i upload here are self made. :o).

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero and fix its speed:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only. - effect→change tempo. . . Percent change: 60. 000.

After many months- and a trip to san clemente, ca and back- my qu-bit nebulae v1 is working! this is a snippet from qu-bit’s own double bass sample, run through a mimeophon and qu-bit’s own fdn reverb, with lashings of modulation wherever possible. My wonder at the sheer madness of the sonic experience here is only matched by my joy at having a working granular processor at last.

Audio track from a video i made. The title is just an anagram of part of the original title and nothing to do with the video. The whole track was made by processing the original audio, (which was a female's voice) in a variety of ways.

Here it is! my first ever submission on freesound! i decided to start this all out with a bang, and post something really cool that i'm proud of making. I'm not sure exactly what this creature was supposed to be. I'll leave that up to your imaginations. How it was made:. Software: fl studio 20. Plugin(s): serum, valhallaroom, ott, fruity parametric eq 2, and fruity delay 2. This was made completely with synthesizers. I used serum for the main synth, made copies of it, and modified each of them to sound unique from the other. I'd try to explain how the synth was made, but there's a lot of stuff. To process it, i used ott to make it sound more powerful and clear, eq to get the frequencies and texture right, delay with a low pass filter to get that outdoors echo feel, and valhalla room for the reverb. I had fun making these. Enjoy!.

I had read that some bluegrass musicians tune their guitar strings to dadf#ad because it makes playing that style of music easier. But what does it sound like? this is the sound of each string being plucked and then an "open drop" strum, with no frets held down. It was synthesized using the program 'sox'. If you have a unix machine (gnu/linux, apple macos) with sox installed, you can recreate the sound by running these commands:. Sox -n pluck. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 5 1 1. 5 2 2. 5 remix - fade h 0 5 1 norm -1. Sox -n strum. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 05. 1. 15. 2. 25 remix - fade h 0 4. 1 norm -1. Sox pluck. Wav strum. Wav opendrop-bluegrass. Wav. Play opendrop-bluegrass. Wav.

A classic countdown clip where i count from 5 to 1. Recorded with an akg condenser mic & mastered in fl studio. I'm open to requests for submission to games, animations, or videos. . Hit me up if you want to try & collaborate. There's another file i loaded, this exact one with added chorus & delay. More info on my site: jenninexus. Com.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

I used the "the challenge. Wav" base (id: 561988) and made a simple melody with a synth, added effects and some beats. I used some fl studio effects: reverb, echo, distortion, equalization, amplify, low-fi effect, low-pass, drums and synthesizer. Amazing challenge as always, thanks badoink.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

97 bpm synth with some wobbles ontop. This was used with the stock ableton instrument in wavetable. . / pad > enothen of course my own effects to get its signature sound. Thanks for listening, please comment if you enjoy or download as itll give me more incentive to keep uploading. . Thanks. . I read all comments.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.