246 免版税 音轨，用于"Fm"

Made by vocoding a heavily processed field recording into a low fm sound with a sweeping resonant filter.

A harsh soundscape made by vocoding one complicated, evolving fm synth patch into another.

A harsh soundscape made by vocoding one complicated, evolving fm synth patch into another.

My first multi-timbral patch in pure data. Fm synthesis.

Rhythmic amp and filter envelopes play against each other with fm modulation. Bubbly edgy synth, no effects.

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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): pleasing fmnote: c2midi note: 36.

Dry strings paired with the static and sounds from a real early 2000's am/fm radio.

Recorded with volca fm and microbrute, processed with dod g10 rackmount, digitech rp80 and ableton.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

The dx-harp sound,made popular by ray lynch. Created with dexed-vst and audacity.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Operator fm synth in ableton making funky rhythms under nice pulse wave bass from dave smith mopho.

Created with csound, this is an emulation of the yamaha tx81z synth creating an fm tone, with an lfo filter.

Tech house loop created using dappledark studios lockdown composer. Utilises the moody house drum kit and 32-voice fm synth.

Amazing grace played on fm opl2 synth with interesting glitch overlaying morse code like clicking over sound.

Using internal suboscillator to fm modulate the frequency of xpo wavefolded low frequency outputs (stereo). Sequenced by 0-ctrl. Rumbling beats. Suitable for underlying deep trance and stuff. Rendered in reaper @48khz 32-bit fp with markers for all you morphagene fans out there. Enjoy rolling in the rumble!.

A sweeping metallic sound made in sound forge. I don't actually remember if this was made from fm-synthesis, or from a recording.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

Some selfmade synth acid loops from the an1-x synthesizer of yamaha. I used fm synthese for the creation of the loops.

Recording of me going through the frequencies of local am & fm radio with some of the noise between stations removed in audacity.

A tune made using Faust Music Creator for the Adlib sound card and recorded digitally from the YM3812 chip.

Synth bass loop created with korg minilogue xd124 bpmkey of f minor. Doctor dreamchipaugust 2020.

Some quick orchestra peices i did i broke it down peiceby piece just add a romantic pad and there you go, or build them andthen make the rest of the symphony with some voices and some beatz. . . . . I miss heroin. . . . . . . Bad for you. . . . . . . Hope you like them. . . . . . . . They are russian.

Tuning the radio at some stations, it contains hiss and noise characteristic of old radios when you search for available stations.

Yamaha tx81z initialized with mild adjustments, run through a korg ea-1. Mixed with a behringer, with fx sends going to a chorus pedal and a distortion pedal. Sampled with the mpc. Sounds similar to dirty guitar or an electric violin. 44. 1k, 16-bit.

Music made for pondering. Filler music between scenes maybe. Could be used in a video game also when making a purchase or visiting a market.

I used one of the trilobyte waveforms with a saw shaped fm being applied to it two octaves higher with a bunch of crazy filters.

Fm band radio flip with a repeated sample of static at the end processed with various effects until it becomes a basic drumbeat.

Made using the online remote shortwave receiver of university of twente in enschede holland:http://websdr. Ewi. Utwente. Nl:8901/made in the part of the 20-meter ham band where psk31 is the dominant digital mode, with the receiver deliberately mistuned, in fm mode at it's widest setting to get a mishmash heterodyning sound.

A moment of nightmare. Something terrible is going to happen. Designed with 3 synthesizers, delay & autofilter. . . Synths used: bassstation, model-e, fm four.

Strange sci-fi drone. Created on samplitude music studio, by applying 3 vst instruments (wollow drone, wollow fm-era and sts-17) on the same midi sequence i previously wrote.

Simulation of an airplane passing overhead in an outdoor environment. Sound designed in ableton live using ableton's operator and analog synthesizers, and native effects.

A short flip across the fm radio dial with cell phone interference. The file is slowed to roughly half speed. Can be looped to form a beat.

A less harsh, almost tickling of static pops from the right-hand side of the fm radio dial, interspersed with harsh interference (source unknown). Recorded from a digital tuner.

Hi i hope you enjoy this song! i put together many tracks, i forget which ones. Here is the track on ditto music https://ditto. Fm/the-winter-castle.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

A home construction site in bangkok, thailand. An fm radio is also playing some advertisement. Recorded with rode nt-1000 microphone with audio kontrol 1 audio interface.

A very harsh section of static with periodic interference (source unknown) from the far right-hand side of the fm radio dial, at 106. 7 mhz. Recorded from a digital tuner.

A kind of pad or drone, texture. . . I don't know. . . . Close your eyes and travel through space!. 4 synthesizers used. . . Subtractive synthesis, fm synthesis, some effects. . . .

Scanning through frequencies on an old sterling multi-band radio receiver. Ha-5900. Medium wave, long wave, fm, marine-air, sw1, sw2.

Looking at the spectrogram waveform display of https://freesound. Org/people/ivolipa/sounds/344948/ i noticed a few patterns. Distinct bands of high volume at around ~600hz, ~1200hz, ~1800hz, the fade in volume toward higher frequencies, a ubiquitous noise, and the soft staccato rhythm. Using these facts, i tried to make yet another engine sound with fm-synthesis. Sound forge 7 — to my knowledge — lacking a spectrogram, i've no clue if this was a successful attempt, but it does have a vaguely engine-like sound.

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.

A darkpsy riff @ 155 bpm. Done in caustic on the subsynth. Used the fm function obviously. Put a flange & phaser & distortion, 2 delays & a reverb. ۋاقىت ساياھىتى.

Piece for, a sometimes fm modulated, oscilator and small sampler. Randomness and modulation hand in hand. Rejoicing the autumn time and the utterance of sounds.

Various recordings of a real noise of a small radio. Fm-noise is at the beginning of the file and am starts at 1:08 till the end. Recorded with zoom h4n pro.

This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).

Show host pat lariviere shouting "c'est vendredi" in french. Recorded at ckia 88. 3 fm in quebec city, canada, with a sm58 and lots of enthusiam. Please credit pat lariviere when using.

Part of the beta loopset, a set of complementary synth loops. It is in the key of c minor, following the chord progression cm bb fm g7. It is four bars long at 110bpm. It is normalized.