It's pretty decent beat, synth beat too, used just some generic sources to make this, you can loop it too, so that's nice. (i had to add more detail to this description because of the mods, i hope this is enough description to get this sound uploaded).
Created in ableton live 11 suite. Used:- tone generator by socalabs (free)- lfos (max for live device)- bit crusher (ableton)- ruina by noise engineering (free).
One piece of a bamboo wind chime struck with a rubber mallet quietly, noise removed, and amplified to max volume without distortion. Recorded with a cheap mic.
Title/Work: Mass No. 2 in E minor, WAB 27 Content: 6th Movement: Agnus Dei (Part 2) Genre(s): Masses Author(s)/Composer(s): Anton Bruckner (1824-1896) Music arranger(s): none Lyricist(s): none Performer(s): Philharmoniker Hamburg Conductor: Max Thurn (1897-1969) Place of recording: Hamburg State Opera, Hamburg (German Reich) 1st release date: 1938 1st recording date: 10 June 1938
This is a windchime recorded very quietly struck with a triangle beater with a fairly cheap microphone, noise removed, and normalized to max volume without distortion. Higher note of 2.
This is a windchime recorded very quietly struck with a triangle beater with a fairly cheap microphone, noise removed, and normalized to max volume without distortion. Lower note of two.
An atmosphere created from a recording of my friend's fart believe it or not. Processed by granulator ii in max for live. Originally recorded with tascam dr-05.
Strange machine thumping sound. It is the sound of an old malfunctioning tv monitor with all image adjustments knobs turned to the max. I was afraid it might implode. . . Credits listenjoe.
Impulse response from a teisco 450e delay/chorus effect unit. Old and grungy delay with max feedback. Requires lots of filtering before use but authentic and rare. .
Unsual song short 26. Wrote/recorded an unusual song at 112 bpm. Using stock plugins in ableton live 9. Additional notes:-15. 2 lufs integrated-1. 9 db true peak max.
This is a rubber nut shaker hit from below. Noise removed, amplified to max volume without distortion. Recorded with a very inexpensive mic. Longer of two versions.
This is a rubber nut shaker hit from below. Noise removed, amplified to max volume without distortion. Recorded with a very inexpensive mic. Shorter of two versions.
A 34 second manipulation of two different sound clips. One is a man speaking in cherokee and the other is a rainstick. Both sounds came from the examples provided with cycling74's max/msp.
This is the noise of my desktop pc at max fan speed, and a laptop that is currently experiencing coil whine. Recorded with the internal microphone of my sony rx100 vii.
Written by Buddy Bolden (1868-1931). Performed by George Lewis (clarinet), Avery "Kid" Howard (trumpet), Jim Robinson (trombone) Lawrence Marrero (banjo), Edgar Mosley (drums), Chester Zardis (bass).
This is the 1910 max amberger guitar recorded with my yamaha pocketrak and edited on sony vegas. This is only the first part of the tune. Please comment on what you will use it for. Thanks. :^).
This is a harshly manipulated file of rumbling that has been tweaked to the max by plug-ins and various noise making enhancers meant to simulate the sound of impacting. This, combined with the gentle rumble to accentuate.
Recorded with sony pcm-m10 with a shure sm-58 microphone in the engine compartment. Took a short drive, max speed aprox 50 km/h. Various sounds, idling, driving, acceleration.
Recorded with sony pcm-m10 with a shure sm-58 microphone in the engine compartment. Took a short drive, max speed aprox 50 km/h. Various sounds, idling, driving, acceleration.
My first recording with the tascam dr-05. Was taken out the window. At minute 0:48 you can hear the strong wind sensitivity of the recorder. Stereo; 96000 hz; 24 bit; microphone up to max.
This is a noise i found while listening to a recorded track that i thought sounded interesting, so i worked with it for a bit, eliminated all the extraneous noise, and amplified it to max volume without (unwanted) distortion.
This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.
I recorded this on a different guitar (1910 max amberger) and at a faster tempo. I'm still getting the hiss and tried to remove some in sony sound forge. Recorded on my yamaha pocketrak. Please comment on what you may use it for. Thanks. :^).
Unusual song short 27. Wrote/recorded an unusual song. Using stock plugins in ableton live 9. Used ezbass from toontrack for the bass. Recording guitar direct into scarlet 18i20. Additional notes:-13. 4 lufs integrated-3. 6 db true peak max.
Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.
Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Another recording of my cat trying to get my attention. I couldn't get rid of all the room ambience, but i got the mic as close as i could without max eating it. Lol. Recorded with: sanken cs-1e, fostex fr2le.
