4,289 免版税 音轨，用于"Midi"

De Runner von Hamburg

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

Fill with groove number 2 and crash

Der Winter ist vergangen

Hirajoshi scale on C.

A my proso seyali

Morgen kommt der Weihnachtsmann

Hekt on C. 31/1300 ratio. 1.463042 cents.

Insen scale on C

3-1 trichord on C: [0,1,2]. Chromatic trichord.

Rose Marie

Four extremely short studies in counterpoint, created using a MIDI sequencer and built in synthesizer.

Hymn of Eve By Thomas Arne (MIDI rendition)

The most basic ride pattern in rock and other styles.

Auf der Lüneburger Heide

Ye Jacobites by Name

Lustig ist das Zigeunerleben

Ich hatt' einen Kameraden

I made this chord progression using onlinesequencer. Net.

A flutter wave synth created on a midi keyboardto use just show me in comments.

Pop! goes the Weasel

Reggae one drop pattern, half-time variation.

Ade zur guten Nacht

Zeigt her eure Füße

Kommt ein Vogel geflogen

À la claire fontaine

Robert Schumann: Kreisleriana, Op. 16.

3-2 rumba clave.

3-2 Son Clave Pattern in duple time.

Es waren zwei Königskinder

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

Ein Kind geborn zu Betlehem; Gotteslob (1975) 146; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 740

Stille Nacht, heilige Nacht, Gotteslob (2013) 249; Gotteslob (1975) 145; Evang. Gesangbuch 46

Gdy się Chrystus rodzi Als die Welt verloren (Gdy się Chrystus rodzi), Evang. Gesangbuch 53, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 739

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

Menschen, die ihr wart verloren (Gotteslob (1975) Diözesananhang Essen 821; Gotteslob (2013) 245)

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Single note sampled from a moog slim phatty analogue synthesizer. Slim phatty is a monophonic analogue synthesizer designed by moog music. Synthesizer: moog slim phattyfactory preset #: 1note: c-1midi note: 0midi velocity: 16.

Created this by saying something like, "testing the mic" in ableton, right clicking and converting that audio. Midi > into melody. . Then adding some stock sound and some reverbs and what not. . Try it yourself.

A 130 bpm loop using synths i made in vital. The chord progression is i-iv-vii-v.

Fake gunshot noises made with the akai professional mpk mini. 4 variations.

Shuffle pattern with staggered thirds played on piano.

7-2B heptachord on C. Inverted version of 7-2A.