456 免版税 音轨，用于"Tuned"

Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.

This is a simple fifth phrase in the key of гusing dodeca notation: a д b c φ d đ e f г g љ(although it's played rather out of tune). The flute is made of red cedar and tuned to г.

Very amateur guitar play of a tune of my own doing, up and down fret board mainly on one string. From an old cassette (memorex 120) recorded in 1984 when i was 15. This was an experimental recording session, using two tape recording machines. This is take - 1 or track - 1 of 3, with the end result making a 3 track recording. .

Wasn't going to upload this, but it was pointed out to me that it sounds like the intro to a song in a minor key. Not sure i see that, but the suggestion is that some composer will seize on it as an opening to an instrumental that fits it. I want to see if that will happen. If that's not practical, i feel sure someone will find a use for it.

Murchunga (nepali: मुर्चुङ्गा) is one of the ancient musical instrument as jaw harp. This collection is a sample sound from one-particular instrument that comes pre-tuned to a scale when crafted. And the device being too tiny to produce the sound signal, it was difficult to record the full length and frequencies. There could be other better sounds from a professional recorder. It just gives an idea of how it hears.

Explosion sound created using a zoom h1 and tempering with metal fibers near the mic capsules. Added verb and pop compression for better flexibility. Recorded at 24bit 96khz, down converted to 16 bit wav. Feel free to use this for what ever you need it. Wouldn't mind some credit, thank you. :) stay tuned for more audio effects. Due note that they will improve.

Playing around with an atari punk console that a friend assembled. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and moved around near the computer and printer. You can hear the base computer noise, then at 00:17 you start to hear the radio get closer to the printer which is off but plugged in.

fluctuating random voltages patch example from doepfer. De/a100_man/a100_patch. Htmi made the patch in vcv-rack. The patch is meant to emulate the "fluctuating random voltages" of the buchla 266 source of uncertainty module. In this patch i use the "fluctuating random voltages" to modulate a filter. The filter is filtering a square wave tuned to a c (or close to a c).

Noises from an old gdr tube radio (1966, oberon) when tuning through mw, lw and ukw bands. I tried to separate the different noises and let them be heard for a few seconds so you can edit the noises you need. First there's lw, then mw then a few noises from buttons on the radio then ukw at the end with fragments of some german radio stations in 2021.

Tabla is percussion instrument with two drums 'daya' and 'baya'. Only the 'daya' drum is usually tuned. For checking the tuning the 'na' bol is played. Recorded using samson-go portable condenser mike at home. Placing the mike too close to tabla was clipping the sound and if placed away, it was not picking the extended resonance. Hence the mike was moved closer after attack, hence the apparent increase in amplitude and some doppler effect is seen.

Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Calm ocean breeze simulation, created using the zoom h1. Sound was created using water faucet, and carpet to catch ambient close sounds to create this effect. Added pop compression filter and verb. Recorded at 24bit 96khz , converted to 16 bit wav. Feel free to use this sound how ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improved sound effects. :).

Playing around with an atari punk console that a friend assembled which has two light sensors instead of knobs. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This is a seamless loop of a semi-rare instrument called the ukelin, out of tune and played incorrectly on purpose. It was given to me as a gift today and i had to sample this thing. This is before i tuned it, bowed across the strings you're expected to pluck and strumprocessed with dmg channel comp, voxengo elephant, internal daw eq, and valhalla room. Multiple loop sections overlayed/crossfaded relooped, then overlayed, crossfaded and relooped again.

I recorded some rain outside my front door. This is a tuned (a440) sample which you can use to achieve a sort of soft-yet-textured synth string sound in a virtual instrument like ableton's sampler. I think adding a little fake vibrato to it with multiple conflicting volume lfos sounds pretty nice. You're free to use this sound without attribution. Please link people here to share rather than redistributing yourself. If you do use this sound, let me know! i'd love to hear what you do with it.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Semi-auto rifle simulation, created using zoom h1. Artificial gun shots to simulate a semi-auto weapon in battle. Mic capsules were tapped with a popsicle stick to create this sound. Recorded at 24 bit 96khz, exported to 16 bit wav. Added pop compression filter for a theater like experience in post. Feel free to use this were ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improving sounds. :).

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and placed near the computer. You can hear the cd-player starting up, working, stopping, working again. At one point i skip through a track with winamp creating a choppy sound. When the cd player stops you can hear the base computer noise.

Hello all!i recorded this sample today, 10-11-2012 in la, ca, usa. I needed a radio tuning sample and i wasn't pleased with the ones i found, so i recorded one with my zoom h2!. I realized i actually didn't have a radio, so i went to a thrift store and bought one for $4. 34. It sounds perfect for what i need. This sample is in 44. 1khz, 24bit. Enjoy, comment, and download!. - jordanielmills.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

I used audacity to record this sound with no editing. I used turtle beaches x12 to record. The sound was from an old antique wind-up toy mechanism (music box) that was made in japan. I covered the metal with my finger to change tone of the song. The song played on the music box was called "close to you". Reminds me the simpsons movie. -check me out on youtube "gamingninjataco": https://www. Youtube. Com/channel/ucgtmxqssht0xzv0riousz_a.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

This is a sawtooth waveform suitable for easily tuning guitar by ear, comprised of 20 seconds each of e-a-d-g-b-e in sequence. Adjust guitar volume to same volume as the tone, ideally through the same audio output. Tune the string close to the tone, then listen for the subtle beat-frequency indicating not-quite-perfect tune. When the beat frequency goes away, your guitar string is in perfect tune. Also useful for adjustable bridges. The open string and its 12th fret octave will both produce no beat-frequency when the bridge is adjusted properly.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More bass lines on my youtube channelhttps://youtu. Be/n1psilegxwa?list=pl9bdtoyt75avynpu55sc1v6fhamafegix. An excellent example of how my samples can be usedjames gallag - hot lovehttps://www. Youtube. Com/watch?v=nccpy40zyys. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

A tuned chau gong from my personal collection. I made these samples long ago and only did one take per gong. So, these sounds are a bit rough, but that should do well to suit the kinds of music that would use these gongs. I have tried loading single samples from this set (especially #4) across an entire keyboard, and playing that one sample as if it were the whole set, and that has worked out well. So, if one of the gongs crashes too much or decays too quickly for your liking, it should be trivial to replace that sound with another, pitch-shifted one.

Some raw and dirty random samples of a small, out of tune yamaha pianino (upright piano) at a friends flat. There's noise of my laptop and there even might be some traffic noise in the background. Also no string scratching etc. In this pack. Nevertheless i thought it might be better to share the samples, than to have them just rot on a drive. I suggest throwing them into your software or hardware sampler of choice, manipulate them and listen what you come up with. Cut in ocenaudio. No noise-reduction or other processing has been applied. Enjoy ;-).

This is how i imagine hell sounds like. I made this bit in garageband for something called victors crypt. It's an eerie melody on top of wicked down-tuned sounds. It's instruments pitched down with a lot of reverb to create a frightening atmosphere. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

A little thing i came up with while doing some research on how j macis writes music. Found out he puts a capo on the second fret and by doing that this japanese pop chord progression i learned by watching a video marty friedman did on japanese style guitar improv was sounding a lot better than without one. This is free to use but if you do use it maybe throw my name on there, or at least show me what you did!. Recorded with a shitty usb mic i got for 20$ against an orange crush 20rt, effects used were a blues driver and a tube screamer.

This is a single guitar string plucked with a pick directly at the headstock, that means between the tuners and the nut. There the string is very short and tight, resulting in a high, almost piano-like tone. Also, since there is no sound box, the tone is rather quiet. I used this for a sampler and i liked the sound of it. This is the raw recording. If you want to use it in a sampler too, i recommend adding some eq, reverb and maybe some delay. It is not perfectly in tune though, the closest note is a#. You might tweak the tuning a little bit when using it in combination with other tuned instruments. Microphone: akg perception 120post-processing: none.

I took blimp66's "sad and silly vocal tune" and pitched shifted it a half step lower, and added danke's synth string pad loop, which i also had to lower the pitch on, all to make the perfect background music to mr. Lima "thethanx" brattleboro's poem "you are what you eat. " i checked off the explicit content box, cuz i'm not sure if the poem is actually appropriate for minors, even though it doesn't really have curse words in it. You decide for yourself. Samples used on this track:. Dave girtsman aka blimp66 : http://www. Davegirtsman. Com/ freesound. Org/people/blimp66/sounds/190628/. Lima brattleboro aka thethanx : https://www. Looperman. Com/users/profile/435244. Danke, der einzige meister-looper : https://www. Looperman. Com/users/profile/671112. Arranged, tweaked, recorded and mastered by mahan mahan at pahlavi sound studios in los angeles, ca, usa 11/2018.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.

It's me jamming a bit using my epiphone's explorer (tuned to drop-d). Recorded with a zoom h2 via mic-in and a jack cable. Unprocessed an undedited recording. I tried out some licks and chords. I'm not a good guitarist. Nevetheless, this might be a nice recording if you're making an animation about learning musician, or a game with a band member rehearsing alone in a room, or if you want to just chill to my little jam session. This should be mono, but i calculated the difference between left and right channel and it is not zero. So i uploaded it as a stereo file. Could use some denoising. There is some silence at the beginning so you can do that if you need.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.