752 免版税 音轨，用于"Ui"

Just a small sound of me crushing a wrapper, then distorting it and adding so scale-shift & glotch. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

One of a series of recordings of me snapping my fingers. I've recorded myself finger snapping with one, two, and three fingers. These work nicely for certain kinds of ui buttons, and they might sound great as hand percussion in a music track. Recorded with a tascam dr-40x.

One of a series of sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I felt like the expulsion of air made a nice swishy ui sound. Recorded with a rode nt1 into a universal audio arrow.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

One of a series of heavily processed sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I used s-layer, the sample-mangling plugin from twisted tools, to combine these swishy sounds with various other metallic and synthetic sounds from my own library. The results are dynamic and surprising, and might be useful for certain kinds of unusual ui sound design.

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

Fuente de aguawater fountain.